50 First Dates[Fullscreen Dubbed Subtitle AC3] - DVD

Version Details

Cast

• Jackie Titone - Dentist
• Jonathan Loughran - Jennifer
• Missi Pyle - Noreen
• Dan Aykroyd - Dr. Keats
• Adam Sandler
• Adam Sandler - Henry Roth
• Maya Rudolph - Stacy
• Sean Astin - Doug
• Sean Astin
• Sean Astin - Doug Whitmore
• Lusia Strus
• Lusia Strus - Alexa
• Drew Barrymore
• Drew Barrymore - Lucy Whitmore
• Kristin Bauer - Female Firefighter
• Rob Schneider
• Rob Schneider - Ula
• Allen Covert - 10 Second Tom
• Allen Covert
• Sharon Omi - Cafe Regular
• Wayne Federman - Patient
• Blake Clark - Marlin
• Blake Clark
• Blake Clark - Marla Whitmore
• Esmond Chung - Sheriff
• Glen Chin - Cafe Regular
• Amy Hill - Sue
• Julianne Morris - Noreen
• Peter Dante - Security Guard
• Katheryn Winnick
• Katheryn Winnick - Young Woman
• Melissa Lawner - Tan Friend
• Lynn Collins - Donna
• J.D. Donaruma - Young Man
• Nectar Rose - Blonde in Office
• Michael K. Osborn - Sea Lion Trainer
• Brian L. Keaulana - Jet Skiier
• Adam Del Rio
• Pomaika'i Brown - Nick
• Denise Bee - Ula's Wife
• Marguerite Cazin - Henry & Lucy's Daughter
• Peter Chen - Caddy
• Albert Chi - Waiter
• Chantell D. Christopher - Salon Patron
• Nicola Hersh - Woman in Car
• James Lee - Ula's Kid
• Kylie Moore - Ula's Kid
• Keali'i Olmos - Ula's Kid
• Aukuso Gus Puluti Sr. - Café Regular
• Virginia Reece - Red Head
• David Suapaia - Stacy's Boyfriend
• Tache Uesugi - Ula's Kid
• Ishtar Uhvana - Salon Worker
• Brenda Vivian - Salon Patron
• Shenika Williams - Salon Patron
• Yan Lin - Coroner
• Joe Nakashima - Old Hawaiian Man
• Kent Avenido - Cooks Helper
• Christian Gutierrez
• Christian Gutierrez - Ula's Kid
• Dom Magwili - Security Guard
• Blake Clark - Marlin Whitmore

Crew

• Producer: Steve Golin
• Storyboard Artist: Gary Thomas
• Screenwriter: Tim Herlihy
• Stunts: Michael Brady
• Executive Producer: Jay Roach
• Camera Operator: Stephen Campanelli
• Dialogue Editor: Russell Farmarco
• Music Editor: Stuart Grusin
• Sound Effects Director: Orada Jusatayanond
• Additional Music: Tom Mgrdichian
• Production Manager: William W. Weiske III
• Screenwriter: Adam Sandler
• Producer: Jack Giarraputo
• Director: Peter Segal
• Cinematographer: Jack N. Green
• Makeup Special Effects: K.N.B. EFX Group
• Special Effects Coordinator: John Hartigan
• Editor: Jeff Gourson
• Video Assist: Alfred Ainsworth
• Production Assistant: Scott Berri
• Pilot: Thomas Hauptman
• Negative Cutter: Phillip Janssens
• Production Assistant: Ed Kashiba
• Visual Effects Editor: Steve Rhee
• First Assistant Editor: Laura J. Weiss
• Negative Cutter: Boyd Steer
• Voice Casting: Reel Team
• Foley Mixer: Kyle Rochlin
• Animator: Sony Pictures Imageworks
• Special Effects: Sony Pictures Imageworks
• Production Secretary: Kerri Smeltzer
• ADR Supervisor: David Bach
• Pilot: Cliff Fleming
• Negative Cutter: Mo Henry
• Key Grip: Charles Saldana
• Costumes Supervisor: Robert Q. Mathews
• Stunts Coordinator: Webster Whinery
• Dialogue Editor: Robert Jackson
• Boom Operator: Robert Jackson
• Casting: Roger Mussenden
• Music Editor: J.J. George
• Costume Designer: Leslie Brown
• Screenwriter: Lowell Ganz
• Department Head Hair: Nanxy Ton Heater
• Executive Producer: Daniel Lupi
• Unit Production Manager: Daniel Lupi
• Screenwriter: Babaloo Mandel
• Department Head Makeup: Rose Librizzi
• Producer: Nancy Juvonen
• Screenwriter: Allen Covert
• Second Unit Director: Jim Bissell
• Set Designer: James Bayliss
• Stunts: Michael Adams
• Executive Producer: Michael Ewing
• Art Director: Domenic Silvestri
• Musical Direction/Supervision: Michael Dilbeck
• First Assistant Director: John Hockridge
• Costume Designer: Ellen Lutter
• Associate Producer: Kevin Grady
• Foley Artist: Pamela Nedd Kahn
• Production Designer: Alan Au
• Composer (Music Score): Teddy Castellucci
• Foley Artist: Vincent Guisetti
• ADR Recordist: Howard London
• Visual Effects Producer: Victoria Alonso
• Conductor: Pete Anthony
• Sound Effects Director: Derek Vanderhorst
• Extra Casting: Central Casting
• Sound Effects Director: Cameron Steenhagen
• Assistant Production Coordinator: Lisa Lee Mitchell
• Special Effects Foreman: Chris Walkowiak
• Co-producer: Larry Kennar
• Sound/Sound Designer: David Kelson
• Casting Associate: Elizabeth Torres
• First Assistant Camera: Bill Coe
• Special Effects Supervisor: Sheena Duggal
• Makeup: Robin Fredriksz
• Hair Styles: Lona Vigi
• Unit Publicist: Spooky Stevens
• First Assistant Camera: Peter Green
• Leadman: Sean Ginevan
• Set Dresser: Cameron Matheson ,Chris Parker
• Second Second Assistant Director: Timothy Grant Engle
• First Assistant Editor: Tom Costain
• First Assistant Director: Adam Druxman
• Set Designer: Martha Johnston
• Executive Producer: M. Jay Roach
• Assistant Art Director: Don Woodruff
• Camera Operator: Joseph Urbancszyk
• Key Hairstylist: Pauletta Lewis
• Set Designer: Robert Greenfield
• Supervising Sound Editor: Elmo Weber
• Second Assistant Director: Michael L. Phillips
• Production Manager: Lila Yacoub
• Production Assistant: Anthony Hoffman
• Head Animal Trainer: Steve Berens
• Location Manager: Timothy Hillman
• Production Manager: Tim Wiles
• Stunts: Gary Guercio
• Chief Lighting Technician: Mark Vuille
• Assistant Chief Lighting Technician: Michael K. O'Melia
• Production Coordinator: Susan M. Ehrhart
• Art Department Coordinator: Dru Homer
• Key Hairstylist: Pauletta Lewis-Irwin
• Assistant Properties: Chuck Askerneese
• Stunts: Brycen Counts
• Assistant Location Manager: Martin L. Hudson
• Set Dresser: John Hammer Maxwell
• Storyboard Artist: Alexander Hill
• Casting Assistant: Kendra Carter
• Production Manager: Max Brehme
• Best Boy Grip: John Powers
• Assistant Location Manager: Justin Healy
• Script Supervisor: Nancy Karlin
• Second Assistant Director: Joe Kontra
• Foley Editor: Marc Glassman
• Leadman: Mark C. Weissenfluh
• Still Photographer: Darren Michaels
• Stunts: Paul Eliopolus
• Construction Coordinator: Karen D. Higgins
• Screenwriter: George Wing
• Composer (Music Score): Teddy Casellucci
• Production Assistant: David Alexandre
• Script Supervisor: Summer Banner
• Matte Artist: Dave R. Bleich
• Model Effects: Francois Bordez
• Gaffer: Allan Brady
• Production Assistant: Anthony Buchanan
• Assistant Production Coordinator: Demelza Cronin
• Extra Casting: Margaret J. Doversola
• Assistant Location Manager: Leann Emmert
• Stunts: Tara Fuller
• Matte Artist: Josh Geisler-Amhowitz
• Production Assistant: Katherine Gourley
• First Assistant Editor: Jason Gourson
• Key Costumer: Mari Grimaud
• Assistant Costumer Designer: Clare Hallworth ,Nina Hallworth
• Matte Artist: Ivo Horvat
• Assistant Sound Editor: Drake Jenevein
• Production Assistant: Norman Kali
• Assistant Costumer Designer: Jeannie H. Kelly
• Second Assistant Camera: Bill Marti
• Storyboard Artist: Kevin McCarthy
• Second Assistant Camera: Bobby McMahan
• Production Assistant: Nicole Nakamoto
• Makeup: Ann Pala
• Production Assistant: Carrie L. Ringler
• Camera Loader: Shayna Ritenour
• Production Assistant: Brad Robinson
• Digital Effects: Allen Ruilova
• Costume Designer: Michael A. Russell
• Additional Music: Carl Rydlund
• Production Assistant: Nancy Senaga ,Rob Severin ,Ryan Staniec
• Key Make-up: Carme Tenuta
• Production Assistant: J.J. Titone
• Location Manager: Jim Triplett
• Digital Effects: Vince Truitner ,Carlo Volpati
• Foley Editor: Clay Weber
• Dolly Grip: James D. Wickman
• Co-producer: Scott Bankston
• Executive Producer: Scott Bankston
• Graphic Design: Martin T. Charles
• Stunts: Mike Adams
• Boom Operator: Robert C. Jackson
• Dialogue Editor: Robert C. Jackson
• Voice Casting: The Reel Team

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50 First Dates: AMG Review
Perry Seibert , AMG

50 First Dates pulls off a neat little trick. The opening 20 minutes are filled with familiar Adam Sandler movie bits (walrus puke, sexually ambiguous co-worker, a horny and ethnic Rob Schneider) that even he seems tired of but knows need to be there for his core audience. In a pleasant surprise, the movie manages to disengage from its autopilot setting once the film's high concept kicks in. The Memento-meets-Groundhog Day conceit is actually thought out by first-time screenwriter George Wing. The film actually takes the time to figure out how Drew Barrymore's inability to make new memories affects those who love her most, and manages to find complications and solutions that are logical and thematically resonant. Director Peter Segal and Sandler, recognizing that they have been given a charming love story, are confident enough to back away from the more pedestrian moments of outlandishness that open the film. Sandler and Barrymore made a winning duo in The Wedding Singer. That film marked the first time Sandler tried to take his film persona in a new direction -- something he attempted more boldly in Paul Thomas Anderson's underappreciated Punch-Drunk Love. Sandler obviously learned from his experience on Punch-Drunk Love how his infantile screen persona can be allowed to grow up. With 50 First Dates, he has taken the lessons from that film, and packaged them in a way that his audience can accept. ~ Perry Seibert, All Movie Guide