Atonement[Widescreen Dubbed Subtitle AC3] - HD-DVD

Version Details

Cast

• Benedict Cumberbatch - Paul Marshall
• Julia Ann West - Betty
• Romola Garai
• Romola Garai - Briony (age 18)
• Romola Garai - Briony, Age 18
• Romola Garai - Briony Tallis, aged 18
• Alex Noodle - Solitary Sunbather
• Keira Knightley
• Keira Knightley - Celia
• Keira Knightley - Cecilia Tallis
• James McAvoy
• James McAvoy - Robbie
• James McAvoy - Robbie Turner
• Michel Vuillermoz - Frenchmen
• Jérémie Rénier
• Jérémie Rénier - Luc Cornet
• Wendy Nottingham - Mrs. Jarvis
• Tobias Menzies - Naval Officer
• Nick Bagnall - Soldier in Bray Bar
• Daniel Mays - Tommy Nettle
• Peter Wight
• Peter Wight - Police Inspector
• Lionel Abelanski - Frenchmen
• Alfie Allen - Danny Hardman
• Allie MacKay - Singing Housemaid
• Ian Bonar - Beach Soldier
• Jack Harcourt
• Jack Harcourt - Pierrot, Age 14
• Jack Harcourt - Pierrot, Aged 14
• Ben Harcourt
• Ben Harcourt - Jackson, Age 14
• Ben Harcourt - Jackson, Aged 14
• Charlie Von Simson - Jackson Quincey
• Leander Deeny - Police Constable
• Roger Evans - Beach Soldier
• Oliver Gilbert - Beach Soldier
• Jamie Beamish - Soldier in Bray Bar
• Charlie Banks - Probationary Nurse
• Madeleine Crowe - Probationary Nurse
• Scarlett Dalton - Probationary Nurse
• Olivia Grant - Probationary Nurse
• Katy Lawrence - Probationary Nurse
• Jade Moulla - Probationary Nurse
• Georgia Oakley - Probationary Nurse
• Alice Orr-Ewing - Probationary Nurse
• Catherine Philps - Probationary Nurse
• Bryony Reiss - Probationary Nurse
• Sarah Shaul - Probationary Nurse
• Anna Singleton - Probationary Nurse
• Emily Thomson - Probationary Nurse
• Mark Holgate - Soldier at Hospital Entrance
• Ryan Kiggell - Registrar
• Vivienne Gibbs - Staff Nurse
• Matthew Forest - Second Soldier at Hospital Entrance
• Richard Stacey - Injured Sergeant
• Jay Quinn - Soldier Who Looks Like Robbie
• Angel Witney - Evacuee Child
• Bonnie Witney - Evacuee Child
• Webb. Bem - Evacuee Child
• Juno Temple - Lola
• Juno Temple - Lola Quincey
• Johnny Harris - Soldier in Bray Bar
• Anthony Minghella - Interviewer
• Nonso Anozie
• Nonso Anozie - Frank Mace
• Gina McKee - Sister Drummond
• John Normington - Vicar
• Peter McNeil O'Connor - Police Sergeant
• Saoirse Ronan
• Saoirse Ronan - Briony (age 13)
• Saoirse Ronan - Briony, Age 13
• Saoirse Ronan - Briony Taliis, aged 13
• Vanessa Redgrave
• Vanessa Redgrave - Older Briony
• Patrick Kennedy - Leon
• Patrick Kennedy - Leon Tallis
• Paul Stocker - Crying Soldier
• Tilly Vosburgh - Mother of Evacuees
• Harriet Walter
• Harriet Walter - Emily Tallis
• Michelle Duncan - Fiona MacGuire
• Michelle Duncan - Fiona Maguire
• Brenda Blethyn
• Brenda Blethyn - Grace
• Brenda Blethyn - Grace Turner
• Paul Harper - Soldier With Ukeleke
• Neil Maskell - Soldier in Bray Bar
• Bronson Webb - Beach Soldier
• Billy Seymour - Soldier in Bray Bar
• Kelly Scott - Hospital Admin Assistant
• Jérémie Renier
• Jérémie Renier - Luc Cornet

Crew

• Stunts: Dave Fisher
• Post Production Supervisor: Deborah Harding
• Stunts Coordinator: Lee Sheward
• Electrician: Mark Evans ,David Sinfield
• Assistant Art Director: Emma Vane
• Conductor: Benjamin Wallfisch
• Music Editor: James Bellamy
• Costumes Supervisor: David Crossman
• Makeup: Deborah Jarvis
• Hair Styles: Deborah Jarvis
• Assistant Art Director: Lotta Wolgers
• Foley Artist: Peter Burgis ,Andi Derrick
• Prosthetic Makeup Effects: Matthew Smith
• Second Assistant Director: William Dodds
• Sound Mixer: Nick Wollage
• Recording: Nick Wollage
• Grip: Gary Hutchings
• Stunts: Tidd James ,Seon Rogers
• Buyer: Alison Harvey
• Still Photographer: Alex Bailey
• Location Manager: Adam Richards
• ADR Voice Casting: Louis Elman
• Production Designer: Sarah Greenwood
• Art Director: Niall Moroney
• Casting: Jina Jay
• Set Decorator: Katie Spencer
• Makeup: Ivana Primorac
• Hair Styles: Ivana Primorac
• First Assistant Director: Josh Robertson
• Editor: Paul Tothill
• Supervising Art Director: Ian Bailie
• Stunts: Rob Inch
• Musical Direction/Supervision: Nick Angel
• Electrician: Mark Clark
• Draftsman: Peter Dorme
• Stunts: Derek Lea
• Prosthetic Makeup Effects: Animated Extras Intl.
• First Assistant Camera: Carlos De Carvalho
• Stunts: Jamie Edgell
• Assistant Costumer Designer: Andrew Cripps
• Stunts: Neil Finnighan
• Transportation Captain: Gerry Gore
• Stunts: Morgan Johnson ,Guy List ,Tony Lucken ,George Cottle Jr. ,Bradley Farmer
• Makeup: Andrea Finch
• Hair Styles: Andrea Finch
• Stunts: Paul Howell
• Electrician: James Smart
• Stunts: Robert B. Hunt
• Costume Designer: Jacqueline Durran
• Choreography: Jane Gibson
• Producer: Paul Webster
• Book Author: Ian McEwan
• Executive Producer: Ian McEwan
• Production Sound Mixer: Danny Hambrook
• Composer (Music Score): Dario Marianelli
• Cinematographer: Seamus Mcgarvey
• Costume Designer: Jochien Vanschuppen
• Executive Producer: Liza Chasin ,Debra Hayward
• Musical Performer: Brendan Power
• Underwater Photography: Mike Valentine
• Re-Recording Mixer: Paul Hamblin
• Second Unit Second Assistant Director: Michael Stevenson
• Production Manager: Simon Fraser
• Steadicam Operator: Peter J. Robertson
• Camera Operator: Peter J. Robertson
• ADR Recordist: Lypsync Post
• Standby Properties: Rob MacPherson
• Painter: Stephen Marquiss
• Prosthetic Makeup Effects: Con McClosky
• Stunts: Belinda McGinley
• Driver: Eddie McLaughlin
• Prosthetic Makeup Effects: Daniel Meaker
• Graphic Design: Georgina Millett
• Assistant Art Director: Georgina Millett
• Best Boy Grip: Ossa Mills
• Craft Service/Catering: Megan Morrison
• Second Unit Director: Thomas Napper
• Prosthetic Makeup Effects: Tracy O'Brian
• Rotoscope Artist: Ami Patel
• Special Effects Technician: Neil Peters
• Makeup: Lisa Pickering
• Hair Styles: Lisa Pickering
• Carpenter: Dominic Pike
• Craft Service/Catering: Reel Meals
• Foley Recordist: Alistair Renn
• Special Effects Technician: Matt Ryan
• Driver: Birol Sahin
• Model Effects: Nick Sainton-Clark
• Carpenter: Luke Sargent
• Special Effects Technician: John Savage
• Dialogue Editor: Andre Schmidt
• Compositor: Florian Schroeder
• Makeup: Andy Seston
• Hair Styles: Andy Seston
• Painter: Steve Sibley
• Foley Recordist: Alexandros Sidiropoulos
• Foley Mixer: Alexandros Sidiropoulos
• Second Assistant Editor: Matt Streatfield
• Assistant Location Manager: Harriet Sutcliffe
• Foley Editor: Virginia Thorn
• Carpenter: Leigh Thurbon
• Special Effects Technician: Mike Tilley
• Model Effects Supervisor: Mike Tucker
• Assistant Set Decorator: Sophie Tyler
• Underwater Photography: Francoise Valentine
• Driver: Marcus Ward
• Model Effects: Scott Wayland
• Special Effects Technician: Jamie Weguelin
• Carpenter: Alex Wells ,John Whitby ,Christopher White
• First Assistant Accountant: David Wilcock
• First Assistant Editor: Bridgette Williams
• Special Effects Technician: Trevor Williams
• Properties Master: Dennis Wiseman
• Carpenter: Les Wylie
• Stunts: Julian Lightwing
• Animal Trainer/Wrangler: Tony Smart
• Carpenter: David Wells
• First Assistant Accountant: Diarmuid Coghlan
• Post Production Assistant: Jo Davies
• Painter: Lee Goddard
• Production Coordinator: Samantha Knox-Johnson
• Production Secretary: Sarah Lindfield
• Driver: Colin Simmons
• Assistant Production Coordinator: Jo Wallett
• Makeup: Norma Webb
• Hair Styles: Norma Webb
• Costume Designer: Jenny Alford ,Angels
• Cable Person: Chris Atkinson
• Second Unit Costumer: Simon Baker
• Lead Compositor: Adrian Banton
• Armorer: Bapty
• Art Department Coordinator: Michelle Barber
• Carpenter: Derek Bellchambers
• Unit Production Manager: Erica Bensly
• Model Effects: Alan Brannan
• Mold Department: Darryl Brooke
• Carpenter: Chris Brough
• Draftsman: Tim Browning
• Driver: John Burden ,George Caccavale
• Assistant Location Manager: Mally Chung
• Producer's Assistant: Jessica Cole
• Costume Designer: Cosprop
• Driver: John Dawson
• Recording: Paul Doogan
• Art Department Intern: Izzi Dunhill
• Properties Storeman: Paul Emerson
• Matchmove Artist: Allison Farmer
• Painter: Jim Fennessy
• Driver: Eric Francks
• Historical Consultant: Juliet Gardiner
• Special Effects Technician: Martin Geeson
• Title Design: Glassworks
• Painter: Gary Gleeson ,Anthony Goddard
• Generator Operator: Alan Grosch
• Properties Maker: Rowan Harris
• Painter: David G. Haynes
• Head Carpenter: Tony Hoskins
• Rotoscope Artist: Matthew Jacques
• Driver: Eddie Kay
• Unit Publicist: Rachel Kennedy
• Special Effects Technician: Peter Kersey
• Driver: Shahin Moatazed Keyvany
• Special Effects Technician: Nick Kool
• First Assistant Accountant: Deborah Leakey
• Standby Carpenter: Pete Lennox
• Script Supervisor: Sue Hills
• Carpenter: Andy Good ,Barnaby Inman ,Nicholas Lloyd
• Head Carpenter: Russell Sargent
• Carpenter: Graham Mitchell ,Dave Chettleborough
• Painter: John Malham
• Sound/Sound Designer: Martin Jensen
• First Assistant Accountant: Cristiano D'Urso
• Post Production Accountant: Tarn Harper
• Carpenter: Ian Bee
• Driver: Mark Richards
• ADR Recordist: Steve Haynes
• Title Design: Tom Hingston Studio
• Video Assist: Nick Kenealy
• Second Assistant Camera: Iain Mackay
• Dialogue Coach: Neil Swain
• Art Department Assistant: Luke Edwards
• Casting Assistant: Robin Hudson
• Director: Joe Wright
• Rotoscope Artist: Bimla Devi Chall
• Runner: Kelly Duggan
• Musical Performer: Jean-Yves Thibaudet
• Art Director: Nick Gottschalk
• Supervising Sound Editor: Catherine Hodgson
• Compositor: Michael Bell
• Matte Painting Supervisor: Gurel Mehmet
• Visual Effects Supervisor: John Moffatt
• Rotoscope Artist: John Moffatt
• Grip: Dean Morris
• Compositor: Paul Norris ,Gruff Owen
• Visual Effects Producer: Kristopher Wright
• Stunts: Robert Cooper
• Assistant to the Director: Anna J. Edwards
• Stunts: Matthew Stirling
• Standby Properties: Alex King
• Producer: Tim Bevan
• Standby Properties: Josh Barraud
• Executive Producer: Richard Eyre
• Producer: Eric Fellner
• Executive Producer: Robert Fox
• Co-producer: Jane Frazer
• Screenwriter: Christopher Hampton
• Executive Producer: Debra Heyward
• First Assistant Accountant: Debbie Moseley
• First Assistant Camera: Rawdon Hayne
• Visual Effects Producer: Stuart McAra
• Third Assistant Director: Tom Brewster
• Production Accountant: Betty Williams
• Second Unit Second Assistant Director: Stewart Hamilton
• Negative Cutter: Jason Wheeler Film Services
• Musical Performer: English Chamber Orchestra
• Draftsman: Tom Whitehead
• Stunts: Richard Bradshaw ,Mark Mottram
• Gaffer: Perry Evans
• Second Assistant Camera: Jennie Paddon
• Stunts: Gary Hoptrough
• Musical Performer: Caroline Dale
• Special Effects Supervisor: Mark Holt
• Animal Trainer/Wrangler: Almost Human
• ADR Voice Casting: Abigail Barbier
• Animal Trainer/Wrangler: Debbie Kaye
• Draftsman: Sarah Stuart
• Electrician: Reg Boddy

Related Movies

• Gone With the Wind - DVD

Atonement: AMG Review
Derek Armstrong , AMG

Joe Wright's Atonement is impressive for what it isn't as much as for what it is. For starters, it's not a straightforward period piece, though the presence of James McAvoy and Keira Knightley (alongside her Pride & Prejudice director) might suggest otherwise. Neither is it the least bit slow, with Wright's cinematic choices invigorating the narrative at every turn. It should be no surprise, then, that Atonement's marriage of lofty war-time subject matter and eye-opening technique earned it seven Oscar nominations. Viewers will find their eyes opened plenty wide -- even before noticing any technique -- by Atonement's raw sexuality, which immediately removes it from the tea-and-crumpet politeness of your average costume drama. McAvoy's Robbie has several smoldering encounters with Knightley's Cecelia, one involving a letter so lurid, it's downright smut. Crucially, these episodes are misinterpreted -- perhaps willfully -- by Cecilia's sister Briony (the Oscar-nominated Saoirse Ronan). Wright orchestrates these passages so they appear to be merely the whimsical misunderstandings of any good farce. But as the levity peels away toward sinister motivations and irrevocable repercussions, Atonement slouches into the scourges of war, leaving those parlors behind forever. Wright accomplishes all this through a memorable bag of tricks, including a repeating narrative structure that shows events interpreted from several perspectives; an indelible Oscar-winning score by Dario Marianelli, which utilizes typewriter keystrokes as percussion instruments; and one of the most ambitious uninterrupted shots ever recorded on film (by DP Seamus Mcgarvey). Perhaps second only to Children of Men's famous tracking shot in terms of modern achievement, this five-and-a-half-minute continuous take is a truly jaw-dropping sequence along the beach at Dunkirk, starting with the execution of several horses, then looping through all manner of minutely choreographed chaos without missing a beat. If there's any complaint here, it's that some viewers may feel shaken by the film's abrupt compartmentalization of its chronology, most notably during the final ten minutes, which have a somewhat spell-breaking effect. But most viewers should find themselves utterly enveloped by a movie far different than they may have prejudged. ~ Derek Armstrong, All Movie Guide