Black Hawk Down[Widescreen Dubbed Subtitle AC3] - Blu-ray Disc

Version Details

Cast

• Michael Roof - Maddox
• Ian Virgo - Waddell
• Nikolaj Coster-Waldau - Gordon
• Chris Beetem - Joyce
• Orlando Bloom - Blackburn
• Hugh Dancy - Ranger Sgt. First Class Kurt Schmid
• Tom Hardy - Twombly
• Kent Linville - Othic
• Matthew Marsden - Sizemore
• Glenn Morshower - Matthews
• George Harris - Atto
• Danny Hoch - Pilla
• Ioan Gruffudd - Beales
• Abdibashir Mohamed Hersi - Somali Spy
• Pavel Vokoun - Briley
• Kofi Amankwah - Somali Kid
• Joshua Quarcoo - Somali Kid
• Lee Geohagen - Somali son with gun
• Jeremy Piven - Walcott
• Sam Shepard - Maj. Gen. William F. Garrison
• Eric Bana - Delta Sgt. First Class "Hoot" Gibson
• Enrique Murciano Jr. - Ruiz
• Razaaq Adoti - Mo'alim
• Johann Myers - Somali Father
• Jason Hildabrant - Jollata
• Treva Etienne - Firimbi
• Dana Woods - Fales
• Kim Coates - Wex
• Ron Eldard - Chief Warrant Officer Mike Durant
• Gregory Sporleder - Galentine
• Tom Sizemore - Ranger Lt. Col. Danny McKnight
• Richard Tyson - Busch
• Gabriel Casseus - Ranger Spec. Mike Kurth
• Ewan McGregor - Ranger spec. Grimes
• Charlie Hofheimer - Smith
• Josh Hartnett - Ranger Staff Sgt. Matt Eversmann
• Brian Van Holt - Struecker
• Tac Fitzgerald - Thomas
• William Fichtner - Delta Sgt. First Class Jeff Sanderson
• Tom Guiry - Yurek
• Zeljko Ivanek - Harrell
• Jason Isaacs - Steele
• Boyd Kestner - Goffena
• Steve Ford - Cribbs
• Carmine Giovinazzo - Goodale
• Brendan Sexton, Jr. - Kowalewski
• Ewen Bremner - Spec. Sgt. Shawn Nelson
• Johnny Strong - Shughart
• Ty Burrell - Wilkinson
• Steven Ford - Cribbs
• Brendan Sexton III - Kowalewski

Crew

• Stunts: Marek Toth ,Martin Uhrovcik
• First Assistant Editor: Chisako Yokoyama
• Cinematographer: Slawomir Idziak
• Art Director: Ivo Husnjak ,Keith Pain
• Executive Producer: Chad Oman ,Branko Lustig
• Unit Production Manager: Branko Lustig
• Musical Direction/Supervision: Bob Badami
• Dialogue Editor: Lauren Stephens
• Foley Artist: John Roesch
• Musical Direction/Supervision: Kathy Nelson
• Foley Artist: Dan O'Connell
• ADR Mixer: Thomas J. O'Connell
• Re-Recording Mixer: Michael Minkler
• Supervising Sound Editor: Per Hallberg
• Foley Artist: John Cucci
• Visual Effects: Mill Film
• Stunts: Miroslav Lhotka
• Special Effects Coordinator: Carol McAulay
• Assistant Sound Editor: Philip D. Morrill
• Costume Designer: Neil Murphy
• Stunts: Peter Olgyay
• Script Supervisor: Nada Pinter
• Second Second Assistant Director: Hanah Quinn
• First Assistant Editor: Michael Reynolds
• Executive Producer: Robin Shenfield
• Sound Effects Director: Christopher Assells
• Makeup: Ana Bulajik-Crecek
• Second Assistant Director: Ali Cherkaoui
• Sound Effects Director: Dino R. Dimuro
• ADR Editor: Laura Graham
• Prosthetic Makeup Effects: David Hunter
• Second Assistant Director: Zinedine Ibnou Jabal
• Production Assistant: Tariq Ait Ben Ali
• Consultant/advisor: Mark Bowden
• Assistant Sound Editor: Todd Egan
• Editor: Pietro Scalia
• Art Director: Cliff Robinson
• Director: Ridley Scott
• Producer: Ridley Scott
• Art Director: Marco Trentini
• Composer (Music Score): Hans Zimmer
• Screenwriter: Steven Zaillian
• Production Supervisor: Lucio Trentini
• Associate Producer: Terry Needham
• First Assistant Director: Terry Needham
• Casting: Suzanne Smith ,Bonnie Timmermann
• Buyer: Michael King
• Second Assistant Camera: Basil Fenton Smith
• Special Effects Supervisor: Neil Corbould
• Stunts: Rob Inch
• Re-Recording Mixer: Myron Nettinga
• Foley Artist: Alyson Moore
• Sound Effects Director: Bruce Tanis
• Second Second Assistant Director: Basil Grillo
• Executive Producer: Simon West
• Stunts: Eugene Collier
• Second Unit Director: Alexander Witt
• Casting: Bonnie Timmerman
• Associate Producer: Pat Sandston
• Executive Producer: Mike Stenson
• Set Designer: Elli Griff
• Foley Editor: Solange S. Schwalbe
• Supervising Sound Editor: Karen M. Baker
• Sound/Sound Designer: Jon Title
• Musical Performer: Craig Eastman
• Recording: Andrea Eliseyan
• Production Assistant: Pierre Ellul
• Musical Performer: Ilan Eshkeri
• Stunts: Eric Etje
• Set Designer: Roberta Federico
• Stunts: Jiri Firt
• Musical Performer: Mike Fisher
• Recording: Eric Flickinger
• First Assistant Director: Rachid Gaidi
• Production Accountant: Donna Glasser
• Post Production Coordinator: Tami R. Goldman
• Makeup: Gianni Graziano
• Boom Operator: Andrew Griffiths
• Stunts: Michal Grun
• Sound Effects Director: Gregory J. Hainer
• Stunts: Rene Hajek
• Sound Effects Director: Dan Hegeman
• Camera Operator: Ron Hersey
• Foley Editor: Michael Hertlein
• Unit Production Manager: Pamela Hochschartner
• Greensman: Roger Holden
• Stunts: Jan Holicek
• Second Second Assistant Director: Emma Horton
• Costume Designer: Sammy Howarth-Sheldon
• Stunts: Peter Hric ,Charles Ingram ,Roman Jankovic
• First Assistant Camera: Henryk Jedynak
• Stunts: Klaus Jindrich
• Visual Effects Supervisor: David M.V. Jones
• Script Supervisor: Sally Jones
• Post Production Supervisor: Teresa Kelly
• Camera Operator: Marti Kenzie
• Musical Performer: Brian Kilgore
• Stunts: Ratislav Kotula
• Assistant Sound Editor: David Kudell
• Key Grip: Cyril Kuhmholtz
• Casting Assistant: Meagan Lewis
• Assistant Production Coordinator: Rafael Lima
• First Assistant Accountant: Jennifer P. Luther
• Production Assistant: Marielle Magne
• Musical Performer: Samantha Maloney
• Makeup: Antonio Maltempo
• Dialogue Editor: Mark L. Mangino
• Stunts: Branislav Martinak
• Camera Operator: Daniele Massaccesi
• Steadicam Operator: Daniele Massaccesi
• Casting Assistant: Gora Mbaye
• Executive Producer: Emma McGuinness
• Visual Effects Supervisor: Nathan McGuinness
• Steadicam Operator: Zoran Mikincic
• Buyer: Marissa Miller
• Stunts: Lubomir Misak
• Gaffer: Marek Modzelewski
• Chief Lighting Technician: Marek Modzelewski
• Leadman: Eric Mullet
• Set Dresser: Antonio Murer
• Costume Designer: Diane Murphy
• Stunts Coordinator: Phil Nielson
• Visual Effects Supervisor: Emma Norton
• Stunts: Louis-Marie Nyee
• Hair Styles: Hayat Ouleddahhou
• Assistant Properties: Steve Payne
• ADR Editor: Michelle Pazer
• Stunts: Tomas Peterac ,Jan Petrina ,Austin Priester ,Jaroslav Psenicka
• Properties Master: Graeme Purdy
• Production Supervisor: Angela Quiles
• Production Assistant: Ian Quiles
• Musical Performer: Satnum Ramgotra
• Sound Effects Director: Michael A. Reagan
• Camera Loader: Imad Rechiche
• Buyer: Amine Rharda
• Sound Effects Director: Perry Robertson
• Production Assistant: Patrick Michael Roddam
• Production Supervisor: Susi Roper
• First Assistant Camera: Marco Sacerdoti
• Set Designer: Monica Sallustio
• Production Assistant: India Salve-Guide
• Composer (Music Score): Alessandra Sampaolo
• Stunts: Stanislav Satko
• Associate Editor: Wes Sewell
• Unit Publicist: Michael Singer
• Production Manager: Jamal Souissi
• Music Editor: Marc Streitenfeld
• Production Assistant: Dana Suman
• Musical Performer: Ali Tavallali ,Martin Tillman
• Boom Operator: Damir Valincic
• Stunts: Miroslav Valka
• Hair Styles: Michelel Vigliotta
• Production Assistant: Kim Whittaker
• ADR Editor: James A. Williams
• Casting Associate: Seth Yanklewitz
• Key Grip: Rifki Abdelghani
• First Assistant Director: Hatimi Ahmed
• Executive Producer: Blondel Aidoo
• Set Dresser: Mark Allett
• Assistant Production Coordinator: Damian Anderson
• Visual Effects: Asylum
• Still Photographer: Sidney Baldwin
• Casting Assistant: Salah Benchegra
• Research: Banessa Bendetti
• Best Boy Electric: M. Najib Benfares
• Production Coordinator: Kimberley Ann Berdy
• Stunts: Pavel Bezdek
• Makeup: Malika Boukergane
• Stunts: Ales Bousi
• Visual Effects Producer: Lindsay Burnett
• Recording: Eddie Bydalek
• Casting Assistant: Jose Cabrera
• Stunts: John Collett
• Second Assistant Camera: Fionn Comerford
• Post Production Coordinator: Jim Conrads
• Production Assistant: Toby E. Cook
• Stunts: Gergely Csolle
• ADR Editor: Zack Davis
• Hair Styles: Barbara DeLeonardis
• Storyboard Artist: Sylvain Despretz
• Musical Performer: Jim Dooley
• Unit Production Manager: Antoine L. Douaihy
• Musical Performer: Clay Duncan
• Sound Effects Director: Peter Staubli
• Musical Performer: John Fitzgerald
• Art Director: Pier Luigi Basile
• Key Grip: David Appleby
• Producer: Jerry Bruckheimer
• Musical Performer: Walt Fowler
• Dialogue Editor: Stephanie Flack
• Art Director: Gianni Giovagnoni
• Musical Performer: Michael Brook
• Additional Music: Jeff Rona
• Musical Performer: Jeff Rona
• Production Designer: Arthur Max
• Screenwriter: Ken Nolan
• Costume Designer: David Murphy
• Musical Performer: Heitor Pereira
• Visual Effects Supervisor: Tim Burke
• Visual Effects: Asylum Visual Effects
• Stunts: Chuck Jeffries
• Makeup: Alessandra Sampaolo
• Hair Styles: Michele Vigliotta
• Pilot: Robert "Bobby Z" Zajonc
• Camera Operator: Martin Kenzie
• Key Grip: Dave Appleby
• Second Assistant Camera: Basil Fenton-Smith
• Book Author: Mark Bowden
• Production Assistant: Tarik Ait Ben Ali
• Costume Designer: Samantha Howarth
• Musical Performer: Martin Tillmann
• Stunts: Chuck Jeffreys

Related Movies

• The Thin Red Line - DVD
• Tears of the Sun - DVD

Black Hawk Down: AMG Review
Karl Williams , AMG

A riveting account of a devastating battle that resulted from controversial United Nations involvement in Somalia's civil war in 1993, this war picture from director Ridley Scott displays the filmmaker's reliable eye for startling visuals and effective translation of words into pictures. Whether he's employing map-like aerial views of a re-created Mogadishu in order to help the viewer understand how the action's unfolding or using documentary film techniques to reinforce the story's "you are there" realism, Scott's eclectic style synchronizes perfectly with his subject matter's brutal, mindless violence and moral equivocation. The sole drawback of this strategy is that it minimizes the individual soldiers' personal stories, challenging the audience to remain emotionally invested in a group of characters that struggle to move front and center. It's human beings on both sides, after all, that are being fed to the sausage grinder of battle here, but the suffering and bloodshed are not handled with the same emotional skill as the physical action. This seems to be a conscious choice on the part of the filmmakers, who have created a piece that is far more about the logistics of a chain of tragic events than a heartfelt plea for understanding or even an antiwar statement. In a fictitious drama, such a creative decision would be a fatal one, but projects such as the television miniseries Band of Brothers (2001) demonstrate that identifiable characters and emotional beats are expendable (to a degree) in the service of telling an important fact-based story in as accurate a fashion as possible. Black Hawk Down is not the best war movie ever made, but it is one of 2001's best and one of the most truthful about what war is like in the ultra-political, high-tech here and now. ~ Karl Williams, All Movie Guide