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Best Buy > Music & Movies > Music > Music DVDs > General Music DVDs > Product Info

Clint Eastwood: Dirty Harry Ultimate Collector's Edition [6 Discs / Blu-ray] - Blu-ray Disc

SKU: 8801674 | Release Date: 6/3/2008
Rating: R

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Rating
R
Format
Blu-ray Disc
Length
530 minutes
Genre
General Music DVDs
Studio
Warner Home Video
Aspect Ratio
1.85:1/2.40:1

Synopsis

Includes:
  • Dirty Harry (1971), MPAA Rating: R
  • Magnum Force (1973), MPAA Rating: R
  • The Enforcer (1976), MPAA Rating: R
  • Sudden Impact (1983), MPAA Rating: R
  • The Dead Pool (1988), MPAA Rating: R
  • Clint Eastwood: Out of the Shadows (2000)

    Dirty Harry
    "You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, All Movie Guide

    Magnum Force
    The second Dirty Harry movie, Magnum Force concerns itself with a vigilante group that has targeted notorious scofflaws for extermination. When a prominent gang boss or drug-runner is set free by the airheaded liberal courts, a covert group of "avengers" is soon on hand to blow the miscreant to bits. While detective Dirty Harry Callahan (Clint Eastwood) is no great friend of civil liberties, he is dead set against wholesale murder as a solution to legal loopholes. Discovering that all the killings have been committed by the same weapon, Callahan reaches the conclusion that his on-the-edge partner, Charlie McCoy (Mitchell Ryan), is responsible. But the answer is less transparent than that, as Harry learns almost at the cost of his own life. Co-scripted by John Milius and Michael Cimino, Magnum Force was followed by three additional Dirty Harry installments: The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988). ~ Hal Erickson, All Movie Guide

    The Enforcer
    Number three in the Dirty Harry series, The Enforcer equips macho cop Harry Callahan (Clint Eastwood) with a female assistant, Kate Moore (Tyne Daly). Their quarry is a terrorist organization which has kidnapped the mayor of San Francisco (John Crawford). Harry goes undercover, attempting to root out the terrorists by beating up anybody who looks at him cross-eyed. When Harry and Kate discover that the mayor is being held at Alcatraz Island, it is only a matter of time before the climactic bloodbath. The Enforcer cleared enough at the box office to warrant yet another Dirty Harry opus, Sudden Impact. ~ Hal Erickson, All Movie Guide

    Sudden Impact
    In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, All Movie Guide

    The Dead Pool
    The Dead Pool is the fifth and (thus far) the last of Clint Eastwood's Dirty Harry movies. A sports pool is placing bets on which famous person will die next. Suddenly a serial killer who preys upon celebrities enters the scene, radically (and perhaps deliberately) changing the odds in the pool. As a celebrity of sorts, maverick cop Dirty Harry Callahan becomes a target of the killer, as does high-profile TV journalist Patricia Clarkson. Surprises are at a minimum in The Dead Pool; the film gets down to business quickly, moves logically if violently towards its climax (with a spectacular car-chase sequence thrown in for good measure), and delivers exactly what its fans expect. One major difference between this film and the earlier Dirty Harry epics is that the murders are committed in so outrageous a fashion that the picture seems at times to be a Freddie Krueger vehicle. ~ Hal Erickson, All Movie Guide

    Clint Eastwood: Out of the Shadows
    A documentary about the iconic career of actor and filmmaker Clint Eastwood, Clint Eastwood: Out of the Shadows traces its subject's work from his earliest days in Hollywood to his award-winning (and career-salvaging) films of the 1990s. Directed by Bruce Ricker, who also made the lauded jazz films The Last of the Blue Devils and Thelonious Monk - Straight, No Chaser, the documentary combines archival footage with interviews from the likes of Sergio Leone, Curtis Hanson, Rip Torn, Meryl Streep, and, naturally, the man himself. ~ Rebecca Flint Marx, All Movie Guide


  • Version Details

    Sound
    monaural/stereo
    Languages/Sound
    Eng/Spa/Fre/Ger
    Subtitle Languages
    Eng/Fre/Spa/FI/Ger/It
    Clint Eastwood: Dirty Harry Ultimate Collector's Edition [6 Discs / Blu-ray]: AMG Review
    AMG

    Includes:
  • Dirty Harry (1971), MPAA Rating: R
  • Magnum Force (1973), MPAA Rating: R
  • The Enforcer (1976), MPAA Rating: R
  • Sudden Impact (1983), MPAA Rating: R
  • The Dead Pool (1988), MPAA Rating: R
  • Clint Eastwood: Out of the Shadows (2000)

    Dirty Harry
    "I know what you're thinking, punk...." So begins the most memorable speech from one of cinema's most memorable police officers, "Dirty" Harry Callahan, a role inextricably linked with Clint Eastwood. For fans of hard-boiled detective thrillers, this film has it all. It has so much, in fact, that it would be easy to write it off as gritty-cop-movie cliché, were it not for the fact that Dirty Harry practically invented the genre. If you've seen it before, it probably started here. Dirty Harry is definitely not a politically correct film, and some have decried it as right-wing propaganda. To be sure, criminals' rights are not something that Callahan has much use for, and whiny lawyers are the enemy of honest cops in Harry's world. Dirty Harry is a great example of how an actor can make a role his own; the part was originally offered to Frank Sinatra, then passed through the hands of John Wayne and Paul Newman, before Eastwood got hold of it. This was the fourth time that Eastwood had worked with director Don Siegel, and the pairing clearly works well, augmented here by a snazzy score by Lalo Schifrin. While the violence might be a little strong for some viewers, and others might have trouble rooting for an end-justifies-the-means kind of cop, Dirty Harry is one of the best cop movies, and one of the best movie cops, of all time. ~ Matthew Doberman, All Movie Guide

    Magnum Force
    No reviews available.

    The Enforcer
    The third entry in the Dirty Harry action film series is one of the most underrated. The script by Stirling Silliphant and Dean Riesner leans a bit too heavily on verbal humor at times, but delivers its surprisingly complex scenario in an easily followed style punctuated by plenty of action. Director James Fargo gives the film a steady pace that allows the dramatic moments room to breathe, but keeps the story moving forward an energetic pace. He also shows considerable kinetic flair in the action scenes; highlights include Callahan busting up a hostage situation with his police car and an exciting rooftop chase that climaxes with a hair-raising plunge through a skylight. The Enforcer is also notable for humanizing Harry Callahan through his dealings with his female partner, Kate Moore. His transition from grudging respect to true acceptance of his partner adds an unexpected element of touching emotion to the proceedings. Eastwood handles this transition in a skillful low-key fashion that makes the softening of his gruff character believable, and Tyne Daly handles her role as Moore with a deft combination of wit and nervous charm. Other memorable performances include Bradford Dillman as Harry's perpetually enraged superior officer and Albert Popwell's moody turn as radical leader (and unexpected Callahan ally) Big Ed Mustapha. The one real problem with The Enforcer is that it lacks a singular villain worthy of its formidable hero. The film's hippie villains, inspired by the Symbionese Liberation Army, lack the strength or depth to pose a memorable threat to the hero. Despite this problem, The Enforcer remains a brisk action programmer that is worth the time for Clint Eastwood fans. ~ Donald Guarisco, All Movie Guide

    Sudden Impact
    The fourth Dirty Harry film will probably be best remembered for providing pop culture with one of the most popular quotes in movie history, "Go ahead. Make my day." Dirty Harry was originally a character truly conflicted about his desire for justice and his desire to follow the law. By this point, in a more culturally conservative climate, Harry had (d)evolved into a one-man wrecking crew that the audience was to support wholly and completely. Where the first Dirty Harry was very much a part of its time (early '70s questioning of the breakdown of societal barriers), Sudden Impact is a product of the Ronald Reagan '80s. The more interesting film comes from the more interesting time. Although Eastwood played Dirty Harry one more time, it was obvious from this effort that the character and the series had hit a creative dead-end. ~ Perry Seibert, All Movie Guide

    The Dead Pool
    The fifth and probably final entry in Clint Eastwood's Dirty Harry series is an efficient and occasionally witty retrofitting of the familiar formula. The title refers to a betting pool being held in San Francisco in which participants try to guess which one of a group of eight celebrities will be the first to die. When one of them is murdered, Harry begins his investigation while being hounded by obnoxious television reporter Samantha Walker (Patricia Clarkson), with whom he eventually becomes involved. Although it's basically business as usual for Harry, who, at this point seems more dyspeptic than dirty, Eastwood gets in a few ideas between shootouts. Without a trace of irony, he tells Walker how disgusted he is with the way the news media exploits violence to spike ratings. Of course, this new Gandhian Harry then gets right back to blowing people away. Also in a comic vein is the parody of the famed Bullitt (1968) car chase, as Harry is forced to dodge an explosives-laden, tiny model car rampaging through the streets of San Francisco. In a film without much interest in anyone who might be emoting, Liam Neeson has a fine turn as a horror film director. ~ Michael Costello, All Movie Guide

    Clint Eastwood: Out of the Shadows
    No reviews available.


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