Hollywoodland[Fullscreen Dubbed Subtitle AC3] - DVD

Version Details

Cast

• Bob Hoskins
• Bob Hoskins - Eddie Mannix
• Bob Hoskins - Edgar Mannix
• Bill Lake - Cigar Man
• Diane Lane - Toni Mannix
• Jack Newman - Izzy Berne, Tailor
• Jason Spevack - Kenneth Giles
• Brad William Henke - Russ Taylor
• Steve Adams - Bob Maxwell, Producer
• Ben Affleck - George Reeves
• David Bolt - Judge Eisler
• Adrien Brody
• Adrien Brody - Louis Simo
• Adrien Brody - George Reeves
• Larry Cedar - Chester Sinclair
• Jeffrey DeMunn - Art Weissman
• Richard Fancy - Alford "Rip" Van Ronkel
• Michael Rhoades - James Engelmann
• Neil Crone - Chuck
• Seamus Dever - Phillip
• Cotton Mather - Dark Figure
• Kevin Hare - Robert Condon
• Brendan Wall - Harold Chiles, Casting Director
• Joan Gregson - Chopard Saleswoman
• Diego Fuentes - Natividad Vacio
• David J. MacNeil - Officer Daniel Korby
• Lorry Ayers - Phyllis Coates/Lois Lane
• Eric Weinthal - Barney Sarecky, Producer
• Eric Fink - Dominick's Waiter
• Dendrie Allyn Taylor - Mrs. Sinclair
• Gareth Williams - Del
• Dash Mihok - Sergeant Jack Paterson
• Molly Parker - Laurie Simo
• Ted Atherton - Detective Doug Johnson
• Phillip MacKenzie - Bill Bliss
• Caroline Dhavernas - Kit Holliday
• Cameron Mitchell, Jr. - Earl Wilson
• Steve Brandes - Thug Detective
• Donald Burda - Rick Harris
• Charlie Lea - 5-Year-Old Evan
• Kathleen Robertson
• Kathleen Robertson - Carol Van Ronkel
• Todd Grinnell - Times Reporter
• Lois Smith - Helen Bessolo
• Joe Spano - Howard Strickling
• Robin Tunney
• Robin Tunney - Leonore Lemmon
• Zach Mills - Evan Simo
• Peter James Haworth - Fred Zinnermann
• Robert Kennedy - Tommy Carr, Director
• Natalie Krill - Camera Girl
• Eric Kolder - Barbell Man
• Jon Vladimir Cubrt - Morgue Attendant
• Veronica Watt - Rita Hayworth
• Aymui Iizuka - Miss Yoshida
• Jeff Teravainen - Lester Koenig, Auditioning Actor
• Joseph Adam - Jack Larson/Jimmy Olsen
• Sven Van De Ven - John Hamilton/Perry White
• Gray Powell - Chad
• Tim Campbell - MGM Hunk
• Kerin McCue - Superman Announcer
• Jeff Cowan - Maxwell Arnow, Casting Director
• Tim Dorsch - Docville Bank Teller
• Alexander Drogemuller - Stunned Boy
• Jody Jaress - Mannix Maid
• Murray Oliver - Funeral Reporter #1
• Walter Rinaldi - Funeral Reporter #2
• Terry Barna - Buddy Adler
• Erin Gooderham - Jackie, Leonore's Friend
• Brad Henke - Russ Taylor

Crew

• Driver: Peter Lind Hayes
• Stunts: Duncan McLeod
• Color Timing: David Orr
• Art Department Coordinator: Beth Gilinsky
• Graphic Design: Paul Greenberg
• Casting Assistant: Roberta Romano
• Set Production Assistant: Lillian Keakamai Awa
• Personal Assistant: Nancy Culp
• Executive Producer: Jake Myers
• Driver: Hugh Kelly
• Visual Effects Producer: Fiona Campbell Westgate
• Unit Production Manager: Cristen Carr Strubbe
• Assistant Costumer Designer: Jon Pray
• Stunts: Jennifer Caputo
• ADR Recordist: Krissopher Chevannes
• ADR Editor: Ruth Hernandez
• Casting Associate: Richard Mento
• Foley Editor: Jamie R. Baker
• Key Grip: Scott Patten
• Construction Coordinator: James M. Davis
• Set Medic/First Aid: Henry Humphreys
• Electrician: Michael Flood
• Third Assistant Director: Gerrod Shully
• Set Production Assistant: Jeremy W. Reisig
• Makeup: John Jackson
• Set Medic/First Aid: Earl Araneta
• Grip: Carson Foster
• Driver: Brian Lytle
• Craft Service/Catering: Chef Robert Catering
• First Assistant Editor: Carrie Puchkoff
• Stunts: Curtis Parker
• Dialogue Editor: Branka Mrkic-Tana
• Camera Loader: Kirsten Laube
• Stunts Coordinator: Matt Birman
• Camera Operator: Angelo Colavecchia
• Extra Casting: Bill Dance
• Cinematographer: Jonathan Freeman
• Personal Assistant: Sammy Pasha
• Driver: William R. Doyle
• Animal Trainer/Wrangler: Rick Parker
• Gaffer: Dave Maddux
• Electrician: Jason Parrillo
• Key Grip: Robert J. Babin
• Best Boy Grip: Scott McGeo ,Jerry L. Marshall
• Stunts: Randy Butcher
• ADR Recordist: Bobby Johanson
• Musical Direction/Supervision: Dan Lieberstein
• Key Hairstylist: Karen Asano-Myers
• First Assistant Camera: John Colavecchia
• Second Assistant Camera: Cylvan Desrouleaux
• Stunts: Brian Jagersky
• Stunts Coordinator: Cotton Mather
• Stunts: Bryan Thomas
• Second Assistant Director: Bob Warwick
• Still Photographer: Sidney Baldwin
• Extra Casting: Zamaret Kleiman
• Grip: Jonathon Leary
• Post Production Accountant: Trevanna Post
• Boom Operator: Steve Switzer
• Construction Coordinator: Jeff Passanante
• Foley Artist: Marko Costanza
• Key Hairstylist: Jennifer O'Halloran
• Best Boy Electric: Jerald L. Wilson
• Sound Effects Editor: Paul Hsu
• Executive Producer: J. Miles Dale
• Second Unit Director: J. Miles Dale
• Unit Production Manager: J. Miles Dale
• Visual Effects Supervisor: Dennis Berardi
• Costumes Supervisor: Lindsay Jacobs
• Script Supervisor: Susan Marucci
• Screenwriter: Paul Bernbaum
• Executive Producer: Paul Bernbaum
• Composer (Music Score): Marcelo Zarvos
• Musical Performer: Marcelo Zarvos
• Music Producer: Marcelo Zarvos
• ADR Recordist: Dean St. John
• Visual Effects: Mr. X
• Assistant Production Coordinator: R. Dawn Vigil
• Properties Master: Deryck Blake
• Assistant Properties: Charles McGlynn
• Set Production Assistant: Sonja Christoph
• Art Department Coordinator: Susan Chooljian
• Set Designer: Jenny Baum
• Leadman: Bryan Hill
• Swing Gang: Wendell J. Joyce
• Assistant Location Manager: Ron Haynes
• First Assistant Camera: Andy Harris
• Production Coordinator: Gregg Edler
• Camera Loader: Michael Houslander
• Dolly Grip: Ron Renzetti
• Key Grip: Ron Yolevsky
• Producer: Glenn Williamson
• Foley Editor: Kam Chan
• Assistant Sound Editor: Chris Fielder
• ADR Recordist: Brian Gallagher
• Storyboard Artist: Kelly Brine
• Special Effects Coordinator: Jordan Craig
• Special Effects: Performance Solutions
• Stunts: Barry Thompson
• Makeup: Christina Smith
• Costume Designer: Julie Weiss
• Special Effects Foreman: Chris Bailey
• Supervising Sound Editor: Ron Bochar
• First Assistant Director: Myron Hoffert
• Set Decorator: Ronald R. Reiss
• Consulting Editor: Tim Squyres
• Sound/Sound Designer: Glen Gauthier
• Editor: Michael Berenbaum
• Casting: Joanna Colbert
• Music Editor: Jennifer Dunnington
• Visual Effects Supervisor: Evan Jacobs
• Second Assistant Director: Richard Oswald
• Casting: Tina Gerussi
• Second Second Assistant Director: Steve Battaglia
• Post Production Supervisor: Jennifer Lane
• Grip: Jeff Adams
• Art Director: Patrick Banister
• Production Sound Mixer: Walt Martin
• Stunts: Jay Caputo
• Set Designer: Michael Shocrylas
• Assistant Costumer Designer: Luis M. Sequeira
• Director: Allen Coulter
• Stunts: Nick Nolan
• Craft Service/Catering: Reelcraft
• Color Timing: Joanne Rourke
• Assistant Production Coordinator: Catherine Sample
• Driver: Ignacio Santos
• Production Assistant: Kirsten Schreiber
• First Assistant Accountant: Cathy Schweickhardt-Roughan
• Driver: Craig A. Simeroth ,Vicki Sousa
• Transportation Captain: Lee Stepp
• Personal Assistant: Simone Marie Stock
• Casting Assistant: Jocelyn E. Thomas
• Driver: Paul Thomas ,Shelly D. Trammel
• Title Design: Trollback+Company
• Special Effects: Ultimate Effects
• Swing Gang: Byron Van Baalbergen
• Musical Performer: Renata Vilimova
• Conductor: Peter Vronsky
• First Assistant Camera: Steve Wagner
• DGA Intern: Kea H. Watson
• Assistant Properties: Gaylene West
• Assistant Sound Editor: Alexa Zimmerman
• Costumes Supervisor: Nancy McArdle
• Production Designer: Leslie McDonald
• Key Make-up: Luisa Abel
• Driver: John Ainsworth ,Kelly Aldridge
• Musical Performer: Ralph Alessi
• Craft Service/Catering: Laura Bagano
• Assistant Makeup: Alexandra Bastianoni
• Driver: Terry Van Bebber
• Swing Gang: Gene Bishop
• Best Boy Electric: Jerry Borris
• Driver: Richard Broome
• Transportation Coordinator: Charley Bob Burnham
• Driver: William H. Burnham ,Al Burton
• ADR Recordist: Tim Butler
• Swing Gang: Anthony Carlino
• Personal Assistant: Chay Carter
• Driver: Jesse Cartwright
• Video Assist: Jeffrey Cassidy
• Assistant Makeup: Amber Chase
• Driver: Peter R. Chittel
• Location Manager: S. Todd Christensen
• Leadman: Stacy Clinger
• Electrician: Vance K. Clissold
• Personal Assistant: Jennifer Coe
• Driver: Lindsay "Chip" Crosby, Jr.
• Production Manager: Christopher J. Danton
• Driver: Mac V. Day
• Leadman: Chris Deeley
• Driver: Vashti Desire
• Second Assistant Accountant: Sandra Dixon
• Dolly Grip: Craig Dobbie
• Driver: Al Donin
• Key Make-up: Linda Dowds
• Driver: John Embry
• Craft Service/Catering: En Route Catering Inc.
• Driver: David Tellez
• ADR Recordist: Michael Feldman
• Set Production Assistant: Beau Foster
• ADR Recordist: Michael J. Fox
• Set Dresser: Michael Franklin
• Boom Operator: Dennis Fuller
• Driver: Michael Gabourie
• Craft Service/Catering: Jose Garcia
• Production Assistant: Even Greenberg
• Craft Service/Catering: Francis Guevara
• Driver: Don Haggerty ,Kit R. Hendrickson
• Greensman: David M. Hernandez
• Driver: Joe Hernandez
• Video Assist: Michael Herron
• Craft Service/Catering: Jayson Hill
• Set Medic/First Aid: Michael D. Hird
• Buyer: Suzanne Hodson ,Robyn B. Holmes
• Electrician: Paul Howard
• Craft Service/Catering: Orlando O. Hurtado
• Generator Operator: J.W. Lee Ionson
• Driver: Gary W. Jackson
• Foley Editor: Evan Jacobs
• Driver: Martin Kaptan
• Musical Performer: Steven Kenyon
• Driver: Kelsey L. Kimes
• Grip: Jason Klein
• Production Assistant: Richard Kmecza
• Production Coordinator: Redd Knight
• Still Photographer: George Kraychyk
• Personal Assistant: Michael Lannan
• Production Secretary: Rachel Leko
• Assistant Location Manager: Vicki Leskin
• Key Grip: Edward Lipscombe
• Best Boy Grip: Walter Lipscombe
• Electrician: James "Mac" MacCammon
• Sound Mixer: Lawrence Manchester
• Recording: Lawrence Manchester
• Hair Styles: Chris McBee
• Transportation Captain: Roland "Buddy" McGrath
• Transportation Coordinator: Bruce McLean
• Assistant Hair: Patricia Medina
• Driver: Salvatore Menga
• Camera Operator: Jody Miller
• Hair Styles: Linda Montgomerie
• Third Assistant Director: Beverly Morgan
• Driver: Joe Norris, Sr.
• Best Boy Grip: Mike Ohorodnyk
• Gaffer: David Owen
• Driver: John Patrick
• Set Designer: Greg Pelchat
• Set Medic/First Aid: Anthony Penido
• Musical Performer: Eric Poland
• Grip: Josh Ponek
• Color Timing: Eric Putz
• Electrician: Michael Lyon
• Assistant Costumer Designer: Marjorie McCown
• Production Assistant: Jamie R. Robinson
• Stunts: Paul Rutledge
• Driver: Brendan Ryan
• Executive Producer: Joe Pichirallo
• Unit Publicist: Lisa Shamata
• Electrician: Leslie Whittaker
• Grip: Justin Babin
• Driver: Don Riesau ,Mike Smith
• ADR Recordist: Julie Altus
• Properties Maker Foreman: Christopher Amy
• Personal Assistant: Brian Schornak
• Swing Gang: Paul E. Penley
• Post Production Accountant: Dee Schuka
• Set Decorator: Odetta Stoddard
• Hair Styles: Norman Lee
• Driver: Peter Hayes

Hollywoodland: AMG Review
Derek Armstrong , AMG

Hollywoodland is a better film than the misbegotten mess known as The Black Dahlia, which was linked to Hollywoodland by similar themes (a mysterious death/murder in period Tinseltown) and release dates (a week apart in September 2006). The margin of its superiority, however, is not what one would hope. While The Black Dahlia goes off the rails, as Brian de Palma is plenty capable of doing, in its examination of the Elizabeth Short case, Hollywoodland is just plain boring while determining why, or whether, TV Superman George Reeves killed himself. Ben Affleck brings enough to the role to have earned a Golden Globe nomination for best supporting actor. But even his performance is uneven bordering on stiff, and the movie becomes a lot less interesting when it shifts focus to the shady private eye played by Adrien Brody. Brody does his usual thing capably enough, but Paul Bernbaum's script doesn't give him ample reason for becoming obsessed with Reeves' death, nor does it flesh out the relationships that are suffering at the hands of his obsession. This gives the movie the sense of lurching forward in abrupt leaps of logic. The intrigue surrounding Reeves' death does not play particularly well either, possibly because the facts of the case still remain open to interpretation, and nothing here is ventured very confidently. Hollywoodland is most interesting when concentrating on Reeves' career, which he perceived as an emotional roller coaster. Berbaum's script is smart to keep the dead man front and center in the ongoing narrative, which at least saves it from what sunk The Black Dahlia: tunnel vision on the insipid investigators. Unfortunately, Hollywoodland can't avoid being hamstrung by this same structure, which gives the historical footnote (Brody's private dick) the same dramatic weight as the mercurial and potentially suicidal TV star. ~ Derek Armstrong, All Movie Guide