Kate and Leopold - DVD

Version Details

Cast

• Philip Bosco - Otis
• Robert Manning - Passerby
• Breckin Meyer - Charlie McKay
• James Mangold - Movie Director
• Arthur Nascarella - Gracey
• Natasha Lyonne - Darci
• Jonathan Fried - Faux Wolfgang
• Charlotte Ayanna - Patrice
• Hugh Jackman - Leopold
• Ebony Jo-Ann - Nurse Ester
• Meg Ryan - Kate
• John Rothman - Executive #1
• Martha Madison - Office Woman
• Frank Arcuri - 1876 Doorman
• David Aaron Baker - Studio Executive
• Andrea Barnes - Clara
• Matthew Beisner - Commercial Director
• Henry Boyle - Cab Driver
• Cornelius Byrne - Carriage Driver
• Michael Cassady - Executive #3
• Kevin Daniels - Doorman at party
• Viola Davis - Policewoman
• Russell Di Perna - Bridge Cop
• George Hahn - Assistant Director
• Nai Yuan Hu - Rooftop Violinist
• Andrew Jack - Roebling
• Brian Letscher - Ad Executive
• Chazz Menedez - Purse Thief
• Stephanie Montalvo - CRG Intern
• Joe Mosso - Cameraman
• Brandon Parrish - Dennis
• Dennis Rees - Executive #2
• Stephanie Sanditz - Gretchin
• William Sanford - Barry
• Kristen Schaal - Miss Tree
• Ray Seiden - Sanitation worker
• Michael Shelle - Distinquished Actor
• Josh Stamberg - Colleague Bob
• Brittney Startzman - Monica
• Roma Torre - TV Newscaster
• Stan Tracy - Photogropher
• Bill Corsair - Limo Driver
• Francis Dumaurier - Faux Emeril
• Paxton Whitehead - Uncle Millard
• Bradley Whitford - J.J. Camden
• Liev Schreiber - Stuart Bessler
• Coleman Hawkins - Hector
• Spalding Gray - Dr. Geisler
• Matthew Sussman - Ad Executive Phil
• Meg Ryan - Kate McKay
• Cole Hawkins - Hector

Crew

• Stunts: Danny Aiello III
• Stunts Coordinator: Peter Bucossi
• Casting Associate: Mark Bennett
• Supervising Sound Editor: Howell Gibbens
• Special Effects Coordinator: Conrad V. Brink
• Stunts: Jack McLaughlin
• Production Designer: Mark Friedberg
• Stunts: Don Hewitt ,Jery Hewitt
• Director: James Mangold
• Screenwriter: James Mangold
• First Assistant Director: Nick Mastandrea
• Executive Producer: Kerry Orent
• Music Editor: Nicky South
• ADR Mixer: David Boulton
• Re-Recording Mixer: Bill W. Benton
• Visual Effects Supervisor: Robert Stromberg
• Key Grip: Dennis Gamiello
• Assistant Production Coordinator: Brian Cooper
• Second Assistant Director: Amy Lauritsen
• ADR Mixer: Howard London
• Unit Publicist: Cara Leibovitz
• Stunts: Steve Rogers
• Screen Story: Steve Rogers
• Screenwriter: Steve Rogers
• Greensman: Mark Selemon
• Executive Producer: Bob Weinstein ,Harvey Weinstein
• Costume Designer: Donna Zakowska
• Casting: Billy Hopkins ,Suzanne Smith
• Dialogue Editor: Mike Chock
• Post Production Assistant: Ana Nasser
• Second Assistant Accountant: Mimi Wyeth
• Stunts: Amy Yanagisawa
• First Assistant Accountant: Jodi Shapera Yeager
• Matte Artist: Patrick Zentis
• Location Manager: Jessica Archer
• Still Photographer: John Baer
• Recording: Ted Barela
• Scenic Artist: Eric Bart ,Stephen Barth
• Recording: Tracy Bolt ,Charlie Bouis
• Set Dresser: Terri Brennan
• Stunts: Paul Bucossi ,Victor Bucossi ,Jay Carrado ,Jerry Cetrulo ,Victor Chan
• Recording: Guy Charbonneau
• Casting Associate: Molly Clayton
• Best Boy Electric: Steven Comesky
• Stunts: Pete Corby
• Technical Advisor: Dr. Corridino
• Construction Coordinator: Thomas Costabile
• Set Dresser: Robert Currie
• Hair Styles: Alan Dangerio
• Scenic Artist: Eva Davy
• ADR Mixer: Bob Descaine
• Stunts: Stracy Diaz
• Scenic Artist: Katy Dilkes
• Casting Associate: Deborah Maxwell Dion
• Gaffer: Gene Engels
• Production Supervisor: Alyson Evans
• Production Coordinator: Ellen Gannon
• ADR Mixer: Peter Gleaves
• Scenic Artist: James T. Glisson III ,Michael Green
• Set Dresser: Roman Greller
• Boom Operator: Dan Guachione
• Foley Artist: Vincent Guisetti
• Re-Recording Mixer: Jeffrey J. Haboush
• Stunts: Ken Harris
• Set Dresser: Joanna Hartell
• Research: Arlene Hellerman
• Production Manager: Elizabeth Hirsch
• Foley Artist: Pamela Kahn
• Scenic Artist: Janet Kalas
• Set Dresser: Henry Kaplan
• Makeup: Karen Kawahara ,Stephen Kelley
• Dialogue Editor: Elizabeth Kenton
• Costume Designer: Iris Lemos
• Dolly Grip: Edward Lowry
• First Assistant Editor: Michael McCusker
• Leadman: Tim Metzger
• Assistant Sound Editor: James Morioka
• Assistant Location Manager: Kellie Morrison
• Stunts: Donal Oldaker
• Camera Loader: Neil Orlowski
• Set Dresser: Janine Pesce
• Production Accountant: Mike Phillips
• Set Dresser: Romano C. Pugliese
• Best Boy Grip: James C. Quinn
• Music Editor: Paul Rabjohns
• Location Manager: Carla Raij
• Matte Artist: Rick Riche
• Visual Effects Supervisor: Julia Rivas
• Set Dresser: John Roche
• Hair Styles: Peg Schierholz
• Matte Artist: Bob Scifo
• Stunts: David Shumbris
• Production Supervisor: Nicholas Siapkaris
• Scenic Artist: Beth Solin ,Patricia Sprott
• Conductor: William Stromberg
• Art Department Assistant: Richard Tedesco
• Second Second Assistant Director: Jennifer Truelove
• Choreography: Lorna Ventura
• Research: Sheri Von Seeburg
• Script Supervisor: Sheila Waldron
• ADR Mixer: David Weisberg
• Casting: Kerry Barden
• Dialogue Editor: Larry Kemp
• Composer (Music Score): Rolfe Kent
• Production Sound: Mathew Price
• Sound/Sound Designer: Mathew Price
• Producer: Cathy Konrad
• Post Production Supervisor: Mark S. Hoerr
• Stunts: John Copeman
• Art Director: Jess Gonchor
• Visual Effects: Digital Backlot
• Camera Operator: Lukasz Jogalla
• ADR Editor: Marilyn McCoppen
• Stunts: Jodi Michelle Pynn ,Roy Farfel
• Set Dresser: Joann Atwood
• Properties Master: Diana E. Burton
• Greensman: Nicholas Hill
• Editor: David Brenner
• Set Designer: Stephanie Carroll
• Cinematographer: Stuart Dryburgh
• Stunts: Mike Russo
• Assistant Location Manager: Mimi Turner
• Storyboard Artist: Alex Rubin
• Draftsman: Mario R. Ventenilla ,Mark Ricker
• Executive Producer: Meryl Poster
• Co-producer: Christopher Goode
• Producer: Christopher Goode
• Unit Production Manager: Christopher Goode
• Assistant Art Director: Miguel Lopez Castillo
• Visual Effects Supervisor: Dr. Ken Jones
• Set Designer: Alene Carroll
• Stunts: Don Hewitt, Sr. ,Don J. Hewitt ,Steven Rogers
• Screenwriter: Steven Rogers
• Screen Story: Steven Rogers
• Foley Artist: Pamela Nedd Kahn

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Kate and Leopold: AMG Review
Karl Williams , AMG

A fun, quirky romantic comedy-fantasy that is never entirely convincing in its romance, but finds hilarious purchase in the form of Hugh Jackman, who marvelously inhabits the script's best-written fish-out-of-water scenes. Jackman is superb as a 19th century nobleman encountering such modern abominations as pooper scooper laws and false advertising, but the passion that should be at the story's heart falls woefully flat. Mostly that's because the filmmakers have blown a prime opportunity for richer storytelling by calling upon Meg Ryan to deliver nothing more than another solid, if by now predictable, variation on her "klutzy modern gal pining for real romance" routine. How much better a film might have resulted if Ryan, a capable actress who has done underrated and complex work in such films as Restoration (1995) and Courage Under Fire (1996), had been required to play someone less familiar? What's so fascinating about the fictional concept of time travel is the contrast it provides between contemporary life and that of another era. In Leopold's relationship with the modern world, the film has a lot to say about what we've sacrificed at the altar of profit and career, but in his relationship with Kate, Kate and Leopold (2001) becomes about nothing more than packaging and marketing a product, sadly proving its own point. ~ Karl Williams, All Movie Guide