Poseidon[Widescreen Dubbed Subtitle AC3] - DVD

Version Details

Cast

• Mike Vogel - Christian
• Kelly McNair
• Kelly McNair - Emily
• Jimmy Bennett
• Jimmy Bennett - Conor
• Jimmy Bennett - Conor James
• Mark Vogel
• Mía Maestro
• Mía Maestro - Elena
• Jacinda Barrett
• Jacinda Barrett - Maggie
• Jacinda Barrett - Maggie James
• Emmy Rossum
• Emmy Rossum - Jennifer Ramsey
• Kirk B.R. Woller
• Kirk B.R. Woller - Chief Officer Reynolds
• Josh Lucas
• Josh Lucas - Dylan Johns
• Freddy Rodriguez
• Freddy Rodriguez - Valentin
• Stacy Ferguson
• Stacy Ferguson - Gloria
• Jess G. Henecke - Security Officer
• Jan Munroe - Nick
• Richard Dreyfuss
• Richard Dreyfuss - Richard Nelson
• Kimberly Patterson - Poker Dealer
• D. Anthony Boone - Deejay
• David Dittmer - Nightclub Hotty
• Andy Deal - Wine Steward
• Carrie Frymer - Passenger #2
• Beverly Overstreet - Passenger #3
• Vincent DePaul - Passenger #4
• Rachel Vander Woude - Woman on Cell
• David Reivers - John
• Kurt Russell
• Kurt Russell - Robert Ramsey
• Gordon Thomson - Jay
• Fergie
• Andre Braugher
• Andre Braugher - Capt. Michael Bradford
• Kevin Dillon
• Kevin Dillon - Lucky Larry
• Gabe Jarret - 1st Officer Chapman
• Caroline Lagerfelt - Mary
• Valerie Azlynn - Passenger #1

Crew

• Visual Effects: Mary Jane Layani
• Visual Effects Supervisor: Kim Libreri
• Visual Effects: Kent Matheson ,Rich McBride ,Enrique Vila
• Construction Foreman: John Marshall
• Stunts: Michael Li ,Tadahiro Nakamura
• Special Effects Technician: Kim Derry
• Costume Designer: Cynthia Morrill
• Best Boy Grip: Branch Brunson
• Set Production Assistant: Heather Anderson
• ADR Supervisor: Hugh Waddell
• Second Assistant Camera: Julie Helton
• Key Costumer: Juan A. Lopez
• Special Effects Technician: Armando "Grande" Gonzalez
• Visual Effects: Hy*drau"lx
• Stunts: Brian Machleit
• Visual Effects: Greg Strause
• Properties Maker: Jonathan Thackery
• Production Coordinator: Susan Dukow
• Producer: Diana Rathbun
• Set Designer: Jeryd Pojawa
• Special Effects Technician: Rich Cordobes
• Stunts: Kofi W. Elam
• Storyboard Artist: Phil Keller
• Makeup: Sandy Rowden
• Second Second Assistant Director: Mark Trapenberg
• Costume/Wardrobe: David Dietch
• Storyboard Artist: Darrin Denlinger
• Foley Editor: Craig Jaeger
• Stunts: Theo Kypri ,Toby Holguin
• Assistant Properties: John H. V. McElroy
• Visual Effects Producer: Jeff Olson
• Costume Designer: Chris Newlander
• Key Grip: Mike Anderson
• Dolly Grip: Audie Aragon
• Stunts: Max Daniels
• Cable Person: Jeffrey Humphreys
• Costumes Supervisor: Bob Morgan
• Visual Effects: Bryan Hirota
• Craft Service/Catering: Terry Painovich
• Stunts: Dana Reed
• Special Effects Technician: Mike Wever
• Stunts Coordinator: Allen Robinson
• Costume Designer: Timothy Wegman
• Stunts: James M. Churchman
• Assistant Sound Editor: Paul Flinchbaugh
• Production Accountant: Jan Dennehy-Deaton
• Costume Designer: Kendall Errair
• Second Assistant Camera: Jeff Pelton
• Boom Operator: Tim Salmon
• Set Dresser: Erin Patricia Boyd
• First Assistant Accountant: Susan J. Bonno-Buckner
• Assistant Chief Lighting Technician: Lonnie Gatlin
• Steadicam Operator: Gregory W. Smith
• First Assistant Camera: J. Steven Matzinger ,Calmar Roberts
• Music Editor: Dick Bernstein
• Makeup: Rebecca Lynn Wachtel
• Location Manager: Michael J. Meehan
• Special Effects Technician: Louis Lindwall
• Stunts: Diana Lupo ,Brandon Johnson
• Script Supervisor: Dea Cantu
• Stunts: Darlene Ava Williams
• Screenwriter: Nolan Lebovitz
• Producer: Nolan Lebovitz
• Stunts: Matt Baker
• Visual Effects: Giant Killer Robots
• Visual Effects Supervisor: Donald Lee
• Set Designer: Timothy M. Earls
• Stunts: Sophia Crawford
• Visual Effects: Pixel Playground
• Set Dresser: Lisa Penaranda
• Stunts: Boni Yanagisawa
• Set Designer: Stella Vaccaro
• Costume Designer: Elizabeth Frank
• Stunts: Stacey Carino
• First Assistant Camera: Tony Nagy
• Set Production Assistant: Christrian Labarta
• Stunts: Oakley Lehman
• Visual Effects: Julie Orosz
• First Assistant Camera: Brad Peterman
• Costume/Wardrobe: Jorge J. Gonzalez
• Casting: Michelle Lewitt
• Stunts: Horace Knight ,Zoe Bell
• Dolly Grip: Melvin vonBulow
• Stunts: Geovanny Corvera
• Special Effects Technician: Chris Jones ,Jim Jolley
• Stunts: Greg Fitzpatrick
• Special Effects Technician: Paul Sabourin
• Camera Loader: Haydn Pazanti
• Extra Casting: Chris Bustard
• Matte Artist: Yusei Uesugi
• Visual Effects: Alex Altrocchi ,Deb Asch ,Jon Heckman ,Jamee Houk ,Tobin Jones
• Special Effects: Harry Cohen
• Stunts: Henry Kingi, Jr.
• Sound Effects Editor: Peter Michael Sullivan
• Camera Operator: Casey Hotchkiss
• Visual Effects Supervisor: Boyd Shermis
• Post Production Supervisor: David E. Hall
• Sound Mixer: Joel Iwataki
• Recording: Joel Iwataki
• Executive Producer: Jon Jashni
• Department Head Makeup: Mike Smithson
• Screenwriter: Mark Protosevich
• Art Director: Luke Freeborn
• Stunts: Rick Miller
• Producer: Mike Fleiss
• Sound Effects Editor: Jon Title
• Composer (Music Score): Klaus Badelt
• First Assistant Editor: Gershon Hinkson
• Sound Effects Editor: Tim Walston
• Co-producer: Todd Arnow
• Unit Production Manager: Todd Arnow
• Visual Effects: Daniel Kaufman
• Set Dresser: Lisa K. Sessions
• Camera Operator: Daniel B. Gold
• Visual Effects: Bob Lyss
• Special Effects Technician: Ken Ebert ,John Wonser
• Properties Maker: Gilbert Draper
• Special Effects Technician: Francis Pennington
• Special Effects Foreman: David Amborn
• Animator: Christopher Mitchell
• Stunts: Darrell Davis
• Second Assistant Camera: Matthew Kennedy
• Stunts: Mickey Giacomazzi
• Visual Effects Supervisor: Rhonda C. Gunner
• Stunts: Chris Palermo ,Tim Rigby
• Sound Effects Editor: Bruce Tanis
• Script Supervisor: Brenda Lopez
• Stunts: Tad Griffith
• Script Supervisor: Kerry Lyn McKissick
• Foley Artist: Alyson Moore
• ADR Mixer: Tom O'Connell
• Second Assistant Director: Basil Bryant Grillo
• Location Manager: Timothy Hillman
• Key Grip: Frank A. Montesanto
• Properties Maker: Thomas Zell
• Costume Designer: Senna Shanti
• Sound Effects Editor: Peter Zinda
• Stunts: Steve Upton
• Second Unit Assistant Director: Doug Coleman
• Camera Operator: Mike Thomas
• Re-Recording Mixer: Gregg Rudloff ,John Reitz
• Sound/Sound Designer: David Kelson
• Screenwriter: Akiva Goldsman
• Producer: Akiva Goldsman
• Casting: Jane Jenkins ,Janet Hirshenson
• Set Designer: Lawrence Hubbs
• Second Unit Director: Doug Coleman
• Stunts Coordinator: Doug Coleman
• Set Designer: Josh Lusby
• Special Effects: Ann Scibelli
• First Assistant Director: John R. Woodward
• Special Effects Technician: Frazier, Erica
• Second Unit Director Of Photography: Mark Vargo
• Unit Publicist: Rob Harris
• ADR Editor: Chris Jargo
• Foley Mixer: Mary Jo Lang
• Properties Master: C.J. Maguire
• Foley Artist: John Roesch
• Supervising Sound Editor: Wylie Stateman
• Department Head Hair: Yolanda Toussieng
• Visual Effects: CIS Hollywood
• Set Designer: Dean Wolcott
• Stunts: Sonia Izzolena McDancer
• Executive Producer: Kevin Burns
• Chief Lighting Technician: Cory Geryak
• Art Director: Kevin Ishioka
• Department Head Hair: Norman Lee
• Art Director: Mark Mansbridge
• Supervising Art Director: Mark Mansbridge
• Stunts: Buck McDancer
• Makeup: Greg Nelson
• Visual Effects: Greg Oehler
• Key Costumer: Nina Padovano
• Producer: Wolfgang Petersen
• Director: Wolfgang Petersen
• Costume Designer: Erica Phillips
• Art Director: Brad Ricker
• Conductor: William Ross
• Stunts: Kerry Rossall
• Production Designer: William Sandell
• Special Effects Coordinator: James Schwalm
• Cinematographer: John Seale
• First Assistant Director: John Woodward
• Stunts: Bob Yerkes ,Terry Jackson ,Kurt Lott
• Book Author: Paul Gallico
• Transportation Captain: Wayne Stone
• Set Production Assistant: Malona P. Voigt ,Max Boyer ,Ian Henderson
• Production Assistant: Edith Viramontes ,Erin Palin ,Santino Morea ,Charles Hooper
• Driver: Alex Krimm ,Justin Akers ,Tony Bracken ,Nicholas Franchot ,Rene H. Herrera ,Kevin R. Lentz ,Matt O'Connor ,Kurt Stevens ,Darrell Via ,Robert Via
• Technical Advisor: Gary Rosoff ,John Betz ,Enrico Ferri ,Stacy Gerlich ,Max Troy
• Second Assistant Camera: Doug Price
• Dolly Grip: Brian D. Mills
• Special Effects Technician: Jesse Orozco ,Dan Carol
• Properties Master: Curtis Corbitt
• Video Assist: Blair Forward
• Costume/Wardrobe: Shelli Nishino ,John Voght
• Hair Styles: Linda Sharp
• Transportation Captain: John Hudson
• Set Medic/First Aid: Ahmed Saker
• Craft Service/Catering: Jerome Zelle ,Susan Bourg
• Assistant Production Coordinator: Terrence Martin
• Set Production Assistant: Jason Kumalo ,Michelle Schrauwers ,Laura Twors
• Musical Arrangement: Tobias Marberger
• Visual Effects: Nick Crew
• Matte Artist: Brett Nothcutt
• CGI Effects: Dave Nunez ,Jonathan Wills ,Allessandro Nardini ,Evangelos Christopoulos ,Mikko Martikainen ,Simon Lewis ,Doug Creel ,Javier Romero ,Simon Payne
• Visual Effects: Jason Porath ,Oliver Arnold ,Ryan Reeb ,Mark Staziuk ,Robert Minsk ,Andy Tanguay ,Brandon Criswell ,Jayni Borgaro ,Ziad Seirafi ,Meredith Hook ,Maura Alvarez ,James Kitazaki ,Donald Fly ,Matt Ahston ,Kevin Bell ,Kristen Borges ,Katharine "Kat" Evans ,Tau Gerber ,Greg Gladstone ,Gisela Hermeling ,Joshua H. Johnson ,Cameron Neilson ,Ian Sachs ,Eric Schweickert ,Clint Thorne ,Nowell Valeri ,David Zbriger
• Musical Arrangement: Ian Honeyman ,Andrew Raiher
• Stunts: Greg W. Elam ,Jeannie Epper
• Special Effects Supervisor: John Frazier
• Choreography: Miranda Garrison
• Set Designer: Adrian H. Gorton
• Set Decorator: Robert Gould
• Co-producer: Kimberly Miller
• Art Director: Desma Murphy
• Producer: Duncan Henderson
• Department Head Makeup: Edouard Henriques III
• Editor: Peter Honess
• Visual Effects: Industrial Light & Magic
• Animator: Industrial Light & Magic
• Makeup Special Effects: K.N.B. EFX Group
• Key Make-up: Gregory C. Funk
• Stunts: Eliza Coleman
• Casting: Michelle Lewitt Ward
• Second Second Assistant Director: Dan "Laz" Lazarotvits
• Stunts: Mike Avery ,Logan Brown ,Fernando Chien ,Jeff Chumas ,Colin Follenweider ,Mathew Lorenceau ,Lori Seaman ,Craig Silva
• Set Designer: Kevin Loo
• Art Department Coordinator: Gerald R. Lehtola
• Assistant Properties: Tommy Miller
• Properties Maker: Gustavo Ferreyra ,Robert M. Cole ,Vincent Fasano ,Agnes Ferreyra ,Phillip Hartmann ,Walter S. Polan ,Michael A. Todd ,Randy "Crafty" Reid
• First Assistant Editor: Brett D. Carroll
• Assistant Editor: James Durante
• First Assistant Camera: Michael Endler
• Camera Loader: R. S. Goodrich ,Anders A. Yarbrough
• Video Assist: Pedro Martinez
• Best Boy Grip: Jason Selsor
• Chief Lighting Technician: Robert Krattiger
• Cable Person: Daniel Brock
• Post Production Assistant: Christopher Housepian
• Special Effects Technician: Robert Bell ,Dewaldt Hicks ,Joseph E. Judd
• Key Costumer: Lisa A. Doyle
• Costume Designer: Bob Moore ,Hayley Stuppel ,Nicole Chavez ,Alice I. Daniels ,Pablo Borges
• Makeup: Sarah Mays
• Hair Styles: Lumas D. Hamilton
• First Assistant Accountant: Kenneth J. Lafayette
• Construction Coordinator: Gary Deaton
• Construction Foreman: William M. Boyd ,John S. Karas ,Robert Kusler ,Larry Bellantoni ,Michael Molen ,Edward P. Nua ,Neil Jay Saiger ,Todd McGibbon ,Marty Gibbons ,Terry Finch ,Antonio Faretta ,Chuck Bible ,Kenneth R. Kusler ,Peter Dean Roderick
• Set Medic/First Aid: Jeffrey D. Stevens
• Transportation Coordinator: Russell McEntyre
• Hair Styles: Lori McCoy-Bell
• Visual Effects Producer: Lorea Hoye
• Set Medic/First Aid: Tony Whitmore
• Screenwriter: Bunny Dubin ,Lisa DiNardo Parker
• Video Assist: Miguel Sabido Ruíz Sánchez
• Dolly Grip: Brad Rea
• Stunts: Anthony Molinari
• Visual Effects: Larry Gaynor
• Craft Service/Catering: Nick Mestrendrea
• Visual Effects: Greg Shimp ,Jason Wardle ,Lola Visual Effects
• Special Effects Technician: Bruce Hayes
• Stunts: Clark Tucker
• Special Effects Foreman: James G. Thomas
• Special Effects Technician: Horacio M. Blanco ,Cynthia N. Braga ,David Anthony Jackson ,Ken Mieding ,James Nagle ,James Rothrock ,J. D. Schwalm ,Ray L. Wilkerson ,Ron Zarro
• Construction Foreman: Anthony F. Miller
• Animator: John Zdankiewicz
• CGI Effects: Niall Flinn
• Matte Artist: Ben Huber
• CGI Effects: Jamshed Soori ,Jason Williams
• Assistant Production Coordinator: Andrew Zilch
• Visual Effects: Brigitte Bourque
• Second Second Assistant Director: Jeff Bilger
• Executive Producer: Benjamin Waisbren
• Musical Arrangement: Wolfram de Marco
• Stunts: Peter Turner
• Sound Effects Editor: Scott Wolf
• Stunts: Merritt Yohnka
• Stunts Coordinator: Rick Avery
• Makeup: Robin Beauchesne
• Special Effects Technician: Chris Burton
• Special Effects Coordinator: Dan Cangemi
• Musical Direction/Supervision: Maureen Crowe
• Stunts: Chino Binamo ,Keith Campbell ,John Casino ,Al Goto ,Chris Howell ,Cheryl Lawson ,Willie Leong
• Makeup: Dennis Liddiard
• Executive Producer: Samuel Dickerson
• Co-producer: Chris Briggs
• Assistant Production Coordinator: Michael Steinbach
• Director: Lou Angeli
• Visual Effects: The Moving Picture Company
• Stunts: Vanessa Vander Pluym
• Re-Recording Mixer: Dave Campbell
• Assistant Chief Lighting Technician: Larry Sushinski
• Visual Effects: Matt Wilson
• CGI Effects: Richard Gomes ,Adrian Pinder
• Best Boy Grip: Paul Schmidt
• Visual Effects: Dori Arazi ,Dan Cox ,Jason Flemming ,Thomas L. Hutchinson ,Carl Kaphan ,Toshiyasu Otsuka
• Set Dresser: Aaron Carter ,David R. Dunn ,Kenneth A. Heil ,Gabriela Ramirez
• Visual Effects: Lyndal Heathwood
• Set Production Assistant: H. Gregg Kawecki
• Stunts: Danny Downey
• Key Costumer: Ann Foley
• Second Assistant Camera: Scott Ronnow
• Music Editor: Michael Bauer
• Visual Effects: Chris Moore ,Julia Gaudette ,Mathias Frodin ,Patrick Kavanaugh ,Diana Miao ,Eric Pender ,Marc Nanjo ,Kyle Yamamoto ,John Cassella ,Gary Abrahamian ,Amy Garback ,Heather Ryan MacPhee ,Kristine Lankenau ,Colin Strause ,Bill Kunin
• Key Hairstylist: Kim Santantonio
• Construction Foreman: Douglass Rosenberger
• Sound Mixer: Steve McLaughlin
• Recording: Steve McLaughlin
• Stunts: Laura Albert
• Executive Producer: Sheila Allen
• Properties Maker: Lynn Garrido
• Storyboard Artist: Marc Messenger
• Special Effects Technician: H. Barclay Aaris
• Set Production Assistant: Ryan Bonner
• First Assistant Sound Editor: Branden Spencer
• Stunts: Heidi Moneymaker
• Associate Producer: Barbara Huber
• Screenwriter: Fabrice du Welz
• Set Designer: Gregory P. Alcus
• Stunts: Peter Epstein
• Visual Effects: Greg Liegey
• Key Costumer: Richard Schoen
• ADR Editor: Thomas G. Whiting
• Animator: Huck Wirtz
• Visual Effects Editor: Mary E. Walter
• Producer: Sarah Teale
• Set Dresser: Giovanni Bianchini ,George Hess
• Visual Effects Supervisor: Chas Jarrett
• Visual Effects Producer: Charlie Bradbury
• Music Editor: Philip Tallman
• Assistant Properties: Duff Miller
• Visual Effects Producer: James Prosser
• Set Designer: Zachary Fannin
• Video Playback: Michael Ottevanger
• Costume Designer: Valerie O'Brien
• Special Effects Technician: Mark Hawker
• Production Secretary: Stacy Solomon
• Visual Effects Editor: Michael Gleason
• Set Dresser: Steve-O Ladish
• Stunts: Gilbert Rosales ,Lena Baran
• Set Production Assistant: Elizabeth C. Camp
• Second Unit Assistant Director: Rebecca Strickland
• Still Photographer: Claudette Barius
• Stunts: Brian Avery
• Visual Effects: Moving Picture Company ,Matthew T. Wilson
• Co-producer: Christopher Briggs
• Stunts: Greg Wayne Elam
• Special Effects Technician: Erica Frazier

Related Movies

• The Poseidon Adventure - DVD

Poseidon: AMG Review
AMG

This rather pointless remake of the Irwin Allen disaster flick benefits from director Wolfgang Petersen's skill at creating tense claustrophobic action sequences and little else. He keeps the set-up brief, the entire film moves at a modest and refreshingly quick pace, pretty much shoveling aside the main characters' back stories in favor of the more pressing concerns of their physical survival. For this reason none of the characters are that interesting, however proactive Josh Lucas manages to make a likeable impression as the rugged hero and Kevin Dillon attempts to inject a little levity with his campy villain Lucky Larry, but he's sent to Davy Jones' locker in the first reel. The action sequences amount to puzzles that need to be solved to move from one section of the ship to the next and mostly involve gushing water, skittering power lines, and jammed door hatches. These scenes could easily become tiresome and yet, despite special effects that look like the climax of a Universal Studios thrill ride, the deft use of cross-cutting and panicky close-ups makes them fun. Still this high-profile summer actioner looks surprisingly low-rate, from the little known and not very charismatic cast to a luxury liner that looks like it was CGI'd in from a pre-Titanic prototype. A director with a track record like Peterson deserves better projects than this lazy quick-buck retread. ~ All Movie Guide