Shutter[Widescreen Dubbed Subtitle AC3] - DVD

Version Details

Cast

• John Hensley - Adam
• Rachel Taylor
• Rachael Taylor
• Rachael Taylor - Jane
• Miyako Yamaguchi - Passenger on Train
• David Denman
• David Denman - Bruno
• Megumi Okina
• Megumi Okina - Megumi
• Graziela - Model in Adam's Photo Box
• Ami Fujimoto - Model in Adam's Photo Box
• Miki Hirono - Model in Adam's Photo Box
• Ingrid - Model in Adam's Photo Box
• Ananda - Model in Adam's Photo Box
• Emiko Kondo - Model in Adam's Photo Box
• Liana - Model in Adam's Photo Box
• Tsukasa Minami - Model in Adam's Photo Box
• Asami Momose - Model in Adam's Photo Box
• Nadia - Model in Adam's Photo Box
• Nadiya - Model in Adam's Photo Box
• Natsue Orikawa - Model in Adam's Photo Box
• Zoya - Model in Adam's Photo Box
• Olga - Model in Headshot
• Alex - Model in Headshot
• Julia G. - Model in Headshot
• Ira M. - Model in Headshot
• Natalia Si - Model in Headshot
• Eri Otoguru - Yoko
• Akihiko Ando - Restaurant Manager
• Michiyo Kaneko - Passenger on Train
• Akihiro Shimomura - Megumi's Father
• Olga Alex - Model in Headshot
• Andrew Durdey - Ben Double
• Albert Smith - Ben Double
• Yulia Kozyritskaya - Jane Double
• Natalia Mokienko - Jane Double
• Natalia Silkina - Jane Double
• Sho Nishino - Megumi Double
• Shiho Okamoto - Megumi Double
• Chie Yokomizo - Megumi Double
• Erik - Adam Double
• Shigeru Kurihara - Ritsuo Double
• Irina Izhanova - Stand-In
• Yutaka Someya - Stand-In
• Anna Zorina - Stand-In
• Keisuke Nakajima - Double Driver
• Yutaka Satoh - Double Driver
• Mark Chinnery - Ben Double
• Kei Yamamoto - Murase
• Daisy Betts - Natasha
• Adrienne Pickering - Megan
• Pascal Morineau - Wedding Photographer
• Masaki Ota - Police Officer
• Hederu Tatsuo - Police Officer
• Eri Otoguro - Yoko
• Rina Matsuki - TGK Receptionist
• Tomotaka Kanzaki - Client
• Jun Yakushiji - Client
• Emi Tamura - Emi
• Polina Kononova - Studio Model
• Yulia Ryzhova - Studio Model
• Mika Kinose - Office Lady
• Masakazu Nagakura - Pachinko Parlor Employee
• Shinji Furukawa - Pachinko Parlor Customer
• Maria Takagi - Waitress at Japanese Restaurant
• Akihko Ando - Restaurant Manager
• Alessandra - Model
• Katrina B. - Model
• Tanya - Model
• Takao Toji - Tokyo Doctor
• Shizuka Fujimoto - Tokyo Exam Room Nurse
• Maiko Asano - Mother on Train
• Rei Sato - Boy on Train
• Homare Hasegawa - Passenger on Train
• Kei Hirosawa - Passenger on Train
• Michiyo Keneko - Passenger on Train
• Koichi Kase - Passenger on Train
• Yasuke Kawarada - Passenger on Train
• Ayuko Koyama - Passenger on Train
• Konomi Moriyama - Passenger on Train
• Runa Kozuka - Girl in Park
• Natsuki - TGK Female Staff
• Akihko Shimomura - Megumi's Father
• Gen Takatsuka - Monk
• Natalia Tsvetkova - Brooklyn Nurse
• Asya - Model in Adam's Photo Box
• Akira Sato - Passenger on Train
• Yutaka Mishima - Ghost Magazine Layout Designer
• James Kyson Lee
• James Kyson Lee - Ritsuo
• Joshua Jackson
• Joshua Jackson - Ben
• Yoshiko Miyazaki - Akiko
• Maya Hazen
• Maya Hazen - Seiko

Crew

• Recording: Matt Patterson
• ADR Mixer: Charleen Richards-Steeves
• Sound Mixer: Masato Komatsu
• Camera Operator: Shinji Suzuki
• Voice Casting: Caitlin McKenna
• Line Producer: Satoshi Fukushima
• Co-producer: Boosaba Daoreong
• Musical Direction/Supervision: Jojo Villanueva
• Composer (Music Score): Nathan Barr
• Casting: Christian Kaplan
• Production Designer: Norifumi Ataka
• Editor: Tim Alverson
• Visual Effects Supervisor: Hajime Matsumoto
• Special Effects Editor: David Grimaldi
• Musical Direction/Supervision: Dave Jordan
• Director: Masayuki Ochiai
• Visual Effects Supervisor: Raymond McIntyre Jr.
• Visual Effects Producer: Reid Paul
• ADR Mixer: Ron L. Cox
• Music Editor: Lisé Richardson
• ADR Recordist: David Lucarelli
• Visual Effects Producer: George Macri
• Foley Artist: Dawn Fintor
• Producer: Doug Davison ,Roy Lee
• Dialogue Editor: Cliff Latimer
• ADR Editor: Cliff Latimer
• Casting Associate: Masashi Yamaguchi
• Producer: Taka Ichise
• Cinematographer: Katsumi Yanagishima
• Negative Cutter: Gary Burritt
• Special Effects Editor: Scott A. Jennings
• Casting: Donna Isaacson
• First Assistant Director: Edward Licht
• Supervising Sound Editor: Chuck Michael
• Sound/Sound Designer: Chuck Michael
• Driver: Keisuke Nakajima ,Yutaka Satoh
• Costume Designer: Akiko Nomura
• Assistant Art Director: Yuri Sugano
• Set Decorator: Fumiaka Suzaka
• Set Dresser: Nao Idei ,Hiroyuki Minato ,Ryoga Tokiya ,Nobuaki Watanabe
• Storyboard Artist: Hiromitsu Souma
• First Assistant Camera: Takahiro Imai
• Assistant Camera: Akio Fujita ,Taku Kobayashi ,Shigeto Kunji ,Shigeto Mizuno ,Hirotaka Yatabe
• Still Photographer: Bill Kaye
• Assistant Chief Lighting Technician: Kosuke Suzuki
• Key Grip: Katsuyuki Yanagisawa
• Best Boy Grip: Yasuchika Goto
• Location Manager: Taishi Hirahara ,Yoshinori Imaoka
• Special Effects: Atsuko Murata
• Construction Foreman: Takayuki Hagiwara ,Hisatoshi Kojozono
• Standby Carpenter: Hiroyuki Kimura
• Production Coordinator: Yoko Oyabu
• Assistant to the Director: Kurando Mitsutake
• Personal Assistant: Naomi Hatta
• Production Assistant: Kyohei Kato ,Chisono Kikkawa ,Jotara Kitamura ,Keisuke Nakata ,Akiko Okada ,Shinya Saeki ,Tsuzumi Takagi ,Katsuya Tsukui
• Production Accountant: Natsuko Nezu
• Casting Assistant: Yasuko Anjo
• Set Medic/First Aid: Tetsuya Myoujin
• Foley Editor: Nash Michael
• Color Timing: Gilbert Carreras
• Still Photographer: Scott Friedman ,James W. Hale
• Matte Artist: Keisuke Katohno
• First Assistant Director: Kazuhiko Kondo
• Second Assistant Director: Yoichi Matsunaga
• Assistant Director: Issei Tokunaga ,Ryuji Yamaguchi
• Assistant Art Director: Norihisa Harashima ,Hironori Iwamoto ,Taku Matsuoka
• Painter (digital): Kevin Kipper ,Neal Sopata
• Key Make-up: Rick Findlater
• Key Hairstylist: Rick Findlater
• Production Coordinator: Hideaki Jimbo
• Chief Lighting Technician: Yoshimi Watabe
• Technical Advisor: Michael Curmi ,Dr. Ferdinand Froning
• Screenwriter: Luke Dawson
• Sound Mixer: Jim Bolt
• Assistant Sound Editor: Matt "Smokey" Cloud
• Cinematographer: Yanagijima Katsumi
• Executive Producer: Gloria Fan
• Art Director: Ayaki Takagi
• Second Assistant Director: Amy Wilkins-Bronson
• Stunts Coordinator: Masanori Saito
• Stunts: Nami Hanada ,Shinji Noro
• Unit Production Manager: Keizo Shukuzaki
• Co-producer: Paiboon Damrongchaitham
• Special Effects Coordinator: Hidekazu Kishiura
• Painter (digital): Patrick Flanagan
• Executive Producer: Arnon Milchan
• Visual Effects Producer: Thomas Ford
• First Assistant Editor: Mel Friedman
• Associate Producer: Richard Guay
• Producer: Takashige Ichise
• Makeup: Georgia Lockhard-Adams
• Hair Styles: Georgia Lockhard-Adams
• Foley Mixer: David Betancourt
• Assistant to the Director: Jane Bulmer
• Stunts: Shunsuke Gondo
• Makeup Special Effects: Yuichi Matsui
• Script Supervisor: Kazuko Shingyoku
• Producer's Assistant: Hiroko Stanhope
• Assistant to the Director: Michael Bradley Combs
• Co-producer: Yodphet Sadsawd
• Executive Producer: Sonny Mallhi
• Assistant to the Director: Chiaki Yamamato
• ADR Recordist: Tim Lauber
• Foley Artist: Alicia Stevenson
• Co-producer: Visute Poolvoralaks
• Editor: Michael Knue
• Visual Effects Supervisor: Ray McIntcyre Jr.

Related Movies

• Shutter - DVD

Shutter: AMG Review
Derek Armstrong , AMG

Ghostly images appearing in pictures are nothing new. Neither are long-haired, sepulchral Japanese women dressed in white, moving slowly and looking ominous (see The Grudge). Yet Masayuki Ochiai's Shutter repackages these tired horror tropes into something effectively chilling, despite the fact that it isn't the least bit new or inventive. Shutter feels like the latest in a trend that's been bled dry, namely, Hollywood remaking Japanese horror movies -- yet it's actually an update of a Thai film, directed by a Japanese director, set in Japan and featuring American actors. This idiom is certainly familiar enough, but setting Shutter apart is its relatively clean and straightforward script. Neither huge logical leaps nor clarifications of who's who/what's happening, are necessary to wade through its brisk 85 minutes, which leaves Ochiai free to concentrate on his eerie set pieces. Jaded viewers may find themselves embarrassed to be producing such a reaction, considering Shutter's massive debt to other films, but the fact remains -- these fleeting images in the "spirit photos" do leave a viewer feeling disquieted, and sometimes downright spooked. When the spirit, a lonely girl who stalked her unrequited love (Joshua Jackson), manifests herself physically, it's a bit more clearly recognizable as a hackneyed theft from the Grudge and Ring movies. But even if he isn't reinventing the wheel, Ochiai utilizes his familiar images as well as possible given our familiarity with them -- and thereby underscores what made them unsettling in the first place. Shutter will never be confused for anything more than an anonymous genre film with a generic title, but it's slightly less anonymous and generic than it could have been, which makes it worth recommending on some level -- especially relative to the other anonymous and generic options out there. ~ Derek Armstrong, All Movie Guide