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Best Buy > Music & Movies > Movies > Comedy > General Comedies > Product Info

Spaceballs[Widescreen] - DVD

SKU: 3885059 | Release Date: 4/25/2000
Rating: PG for Adult Situations, Questionable for Children, Adult Language, Profanity

Shipping: Usually leaves our warehouse in 1 business day Estimate Arrival Time

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Rating
PG for Adult Situations, Questionable for Children, Adult Language, Profanity
Format
DVD
Theatrical Release
1987
Length
96 minutes
Screen Formats
Enhanced Widescreen for 16x9 TV/Full Screen
Genre
General Comedies
Studio
Mgm (Video & Dvd)
Aspect Ratio
1.85:1
Other Formats
DVD  (Widescreen Collector's Dubbed) - $21.99
Blu-ray Disc  (Widescreen Fullscreen Dubbed) - $24.99

Synopsis

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, All Movie Guide

Version Details

Sound
Dolby Digital w/ sub-woofer channel/stereo/monaural
Languages/Sound
Eng/Fre/Spa
Screen Formats
Enhanced Widescreen for 16x9 TV/Full Screen
Subtitle Languages
Fre/Spa
Additional Features
Audio commentary by Mel Brooks Special behind-the-scenes footage Original theatrical trailer
Chapters
Side #1 -- Widescreen
0. Scene Selections
1. Logo/Main Title [1:50]
2. Over His Helmet [5:20]
3. Runaway Bride [2:25]
4. Pizza Wants Dough [4:07]
5. Presidential Headache [3:12]
6. Family Of Expletives [1:26]
7. Making A Deal [1:25]
8. Jammed [2:50]
9. Getting Princess Vespa [4:09]
10. Ludicrous Speed [3:26]
11. Sandy Stop [2:37]
12. The Bare Necessities [2:00]
13. Instant Replay [2:18]
14. Living Without Love [3:37]
15. Li'L Red Desert Hoods [2:55]
16. Keeper Of The Schwartz [3:12]
17. Combing The Desert [1:04]
18. Schwartz Training [1:52]
19. The Lure [2:37]
20. Yogurt'S Gift [:58]
21. Dolls, A Love Story [1:26]
22. A Devious Plan [3:23]
23. Trouble She'S Seen [5:28]
24. Mega Maid! [3:20]
25. The Ear Of The Storm [3:29]
26. I'Ll Show You Mine [5:47]
27. How Self-Destructive [3:43]
28. Last Call For Pizza [1:31]
29. "He Had The Special" [2:43]
30. "A Certified Prince" [3:35]
31. Stop That Wedding [2:34]
32. End Credits [5:32]
Side #2-- Standard
0. Scene Selections
1. Logo/Main Title [:04]
2. Over His Helmet [1:50]
3. Runaway Bride [5:20]
4. Pizza Wants Dough [2:24]
5. Presidential Headache [4:07]
6. Family Of Explatives [3:12]
7. Making A Deal [1:25]
8. Jammed [1:25]
9. Getting Princess Vespa [2:50]
10. Ludicrous Speed [4:09]
11. Sandy Stop [3:26]
12. The Bare Necessities [2:37]
13. Instant Replay [2:00]
14. Living Without Love [2:18]
15. Li'L Red Desert Hoods [3:37]
16. Keeper Of The Schwartz [2:55]
17. Combing The Desert [3:12]
18. Schwartz Training [1:04]
19. The Lure [1:52]
20. Yogurt'S Gift [2:37]
21. Dolls, A Love Story [:58]
22. A Devious Plan [1:26]
23. Trouble She'S Seen [3:23]
24. Mega Maid! [5:28]
25. The Ear Of The Storm [3:20]
26. I'Ll Show You Mine [3:28]
27. How Self-Destructive [5:47]
28. Last Call For Pizza [3:43]
29. "He Had The Special" [1:31]
30. "A Certified Prince" [2:43]
31. Stop That Wedding [3:35]
32. End Credits [2:34]

Cast

  • Leslie Bevis - Commanderette Zircon
  • Deanna Booher - Bearded Lady
  • John Candy - Barf the Mawg, Co-Pilot
  • Jim J. Bullock - Prince Valium
  • Henry Kaiser - Magnetic Beam Operator
  • Jeff MacGregor - Snotty
  • Rick Moranis - Lord Dark Helmet
  • Ira Miller - Short Order Cook
  • Brenda Strong - Nurse
  • Wayne Wilson - Trucker in Cap
  • Ronny Graham - Minister
  • Ken Olfson - Head Usher
  • Bryan O'Byrne - Organist
  • Bill Pullman - Lone Starr, Space Bum
  • Robert Prescott - Sand Cruiser Driver
  • Michael Pniewski - Laser Gunner
  • Jack Riley - TV Newsman
  • Tim Russ - Trooper
  • Rhonda Shear - Woman in Diner
  • Joan Rivers - Voice of Dot Matrix
  • Stephen Tobolowsky - Captain of the Guard
  • Tony Cox - The Dinks
  • Tom Dreeson - Megamaid Guard
  • Rick Ducommun - Prison Guard
  • Johnny Silver - Caddy
  • Felix Silla - The Dinks
  • Tommy Swerdlow - Troop Leader
  • Sal Viscuso - Radio Operator
  • Dick Van Patten - King Roland, Ruler of Druidia
  • Michael Winslow - Radar Technician
  • Daphne Zuniga - Princess Vespa
  • Dey Young - Waitress
  • Lorene Yarnell - Dot Matrix, Droid Maid
  • George Wyner - Col. Sandurz
  • Mitchell Bock - Video Operator
  • Gail Barle - Waitress
  • Earl Finn - Guard with Captain
  • Arturo Gil - The Dinks
  • Ed Gale - Dink #1
  • Tony Griffin - Prison Guard
  • Sandy Helberg - Dr. Schlotkin
  • John Hurt - Himself
  • Mel Brooks - President Skroob/Yogurt
  • Rudy de Luca - Vinnie
  • Dom DeLuise - Voice of Pizza the Hutt
  • Denise Gallup - Charlene
  • Jim Jackman - Maj. Asshole
  • Dom DeLuise - Pizza the Hutt
  • Mel Brooks - Yogurt
  • Mel Brooks - President Skroob
  • Joan Rivers - Dot Matrix
  • Jim Bullock - Prince Valium
  • Melvin Brooks - President Skroob/Yogurt
  • Melvin Brooks - Yogurt
  • Melvin Brooks - President Skroob

Crew

  • Songwriter: Jon Bon Jovi
  • Publicist: Saul Kahan
  • Special Effects: Industrial Light & Magic
  • Associate Editor: Jay Ignaszewski
  • Special Effects: Rick Lazzarini
  • Set Designer: Peter Kelly
  • Production Designer: Terence Marsh
  • Songwriter: Lenny Macaluso ,Clyde Lieberman
  • Composer (Music Score): John Morris
  • Art Director: Harold Michelson
  • Screenwriter: Thomas Meehan
  • Cinematographer: Nick McLean
  • Set Designer: Richard McKenzie
  • Special Effects: Grant McCune
  • Makeup: Ben Nye, Jr.
  • Dialogue Editor: George Simpson
  • Sound Effects Editor: Ronald Jacobs
  • Camera Operator: Michael D. O'Shea
  • Sound/Sound Designer: Randy Thom
  • Sound Effects Editor: Ernie Fosselius ,Sandina Bailo-Lape
  • Foley Artist: Dennie Thorpe
  • Still Photographer: Peter Sorel
  • Hair Styles: Dione Taylor
  • Sound Effects Editor: Ken Fischer
  • Screenwriter: Ronny Graham
  • Assistant Sound Editor: David Slusser
  • Sound/Sound Designer: Gary Rydstrom
  • Special Effects: Richard Ratliff
  • Songwriter: Jeff Pescetto ,Richie Sambora
  • Editor: Nicholas Smith
  • Songwriter: Gloria Sklerov
  • Dialogue Editor: Ronald Sinclair
  • Special Effects: Robert Shepherd
  • Co-producer: Ezra Swerdlow
  • Gaffer: Tom Stern
  • Matte Painting Supervisor: Albert J. Whitlock
  • Stunts: Richard Warlock
  • Stunts Coordinator: Richard Warlock
  • Art Director: Dianne I. Wager
  • Casting: David Rubin
  • First Assistant Director: Dan Kolsrud
  • Sound/Sound Designer: Jeff Wexler
  • ADR Editor: James A. Borgardt
  • Stunts: Jesse Wayne ,Mike Washlake
  • Assistant Sound Editor: Robert Bowman
  • Casting: Lynn Stalmaster
  • Special Effects: Peter Albiez
  • Second Assistant Director: Mitchell Bock
  • Sound/Sound Designer: Don Coufal
  • Production Assistant: Charles Schlissel
  • Script Supervisor: Julie Pitkanen
  • Set Designer: Jacques Valin
  • Sound/Sound Designer: Jim Steube ,Jim Stuebe
  • Costumes Supervisor: Bruce Ericksen
  • Songwriter: Dick Bauerle
  • Makeup: Melanie Elaine Levitt
  • Assistant Properties: Bill King
  • Leadman: William S. Maxwell III
  • Properties Master: Dennis Parrish
  • Assistant Sound Editor: David Bergad ,Sue Brettrose ,Scott Chandler
  • Music Editor: Eugene Marks
  • Dialogue Editor: Glad Pickering
  • Assistant Sound Editor: Paige Sartorius ,Pamela J. Yuen
  • Matte Artist: Sid Dutton
  • Visual Effects: Peter Gruskoff
  • Matte Artist: Bill Taylor
  • Production Coordinator: Michael Van Himbergen
  • Camera Operator: Steve Bridge
  • Transportation Captain: Chet Brooks
  • Production Assistant: James Caverly ,Joanne Wetzel Caverly
  • Transportation Coordinator: Jim Chesney
  • Production Coordinator: Mary Courtney
  • Production Controller: K. Lenna Kunkel
  • Camera Operator: George Llerena
  • Location Manager: Michael J. Meehan
  • Still Photographer: Michael Douglas Middleton
  • Costumes Supervisor: Charmaine N. Simmons
  • Key Grip: William C. Young
  • Music Producer: Jellybean Benitez
  • Special Effects: Apogee Productions ,Percy Angress
  • Editor: Conrad Buff
  • Production Manager: Robert Latham Brown
  • Songwriter: Mel Brooks
  • Screenwriter: Mel Brooks
  • Producer: Mel Brooks
  • Director: Mel Brooks
  • Special Effects: Craig Boyajian
  • Special Effects Supervisor: Peter Donen
  • Costume Designer: Donfeld
  • Makeup: Ken Diaz
  • Set Designer: John Franco, Jr.
  • Costume Designer: Don Feld
  • Casting: Bill Shepard
  • Gaffer: Thomas Stern
  • Visual Effects: Don Trumbull
  • Editor: Nicholas C. Smith
  • First Assistant Camera: Dennis Dorney ,Richard Gilligan
  • Camera Operator: Jerry Pooler
  • Motion Control Camera: Douglas Smith
  • First Assistant Editor: Joe Yanuzzi
  • First Assistant Camera: Michael A Chavez
  • Video Playback: Lindsay P. Hill
  • First Assistant Camera: Steve McLeam
  • Assistant Chief Lighting Technician: Victor Perez
  • Production Accountant: Laurie Stuebe
  • Motion Control Camera: John E. Sullivan ,Dave Hardberger
  • First Assistant Editor: Clarinda Wong
  • Motion Control Camera: Mat Beck
  • First Assistant Editor: Debra Goldfield
  • Foley Recordist: Tom Johnson
  • Re-Recording Mixer: Gary Summers
  • First Assistant Camera: Cosmas Paul Bolger Jr.
  • Chief Lighting Technician: Robert Jason
  • Production Accountant: Alison Harstedt
  • Matte Artist: Syd Dutton
  • Re-Recording Mixer: Richard Beggs
  • Pilot: Robert "Bobby Z" Zajonc
  • Title Design: Anthony Goldschmidt
  • Songwriter: Melvin Brooks
  • Screenwriter: Melvin Brooks
  • Producer: Melvin Brooks
  • Director: Melvin Brooks
  • Foley Recordist: Thomas Johnson
  • Casting Director: Bill Shepard

Related Movies

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Spaceballs: AMG Review
Brian J. Dillard , AMG

By the time Spaceballs rolled around, Mel Brooks' brand of zany slapstick and genre parody had long since begun to wear out its welcome. And by 1987, Star Wars was a positively ancient target for satire. It's no surprise, then, that this collection or hoary puns and cheesy sight gags smelled strongly of mothballs even during its initial run. Despite the assembled talent, from John Candy to John Hurt, writer/director Brooks seems more capable of eliciting groans than laughs with his endless sight gags and pointless running jokes. Joan Rivers is actually a hoot as the voice of robot prude Dot Matrix. But it doesn't say much for the rest of the picture that the best acting -- and funniest jokes -- come from a performer who's heard but never seen. With his royal drag and practically dreadlocked fright wig, Dick Van Patten is worth a laugh or two as the hapless King Roland. Brooks also works in a few decent set pieces and swipes at other sci-fi films. But the puns, from "Druish Princess" to "Pizza the Hut," belong in the warmup monologue of a talk show, not the script of a Hollywood feature. And the jokes are even worse when they fall outside the confines of Mad Magazine-style send-ups. The scene in which the characters watch the video of their own movie to find out what happens next is only one example of the labored hamminess on display. In fact, the only consistently funny element is John Morris's score, which takes deadly aim at the bombast of John Williams -- and scores a direct hit. ~ Brian J. Dillard, All Movie Guide

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