The Devil's Rejects[Widescreen Subtitle AC3 Dolby Dts] - Blu-ray Disc

Version Details

Cast

• Sid Haig - Captain Spaulding
• Irwin Keyes - Ravelli
• Sean Murphy - Turk Murphy
• Michael "Red Bone" Alcott - Darrell
• Juanita Guzman - Ruth
• Jordan Orr - Jamie
• Tom Towles - George Wydell
• Chris Ellis - Coggs
• Steve Railsback
• Steve Railsback - Sheriff Ken Dwyer
• Tyler Mane
• Kelvin Brown - Bubba
• Glenn Taranto - Anchorman
• Walter Phelan - Dr. Satan
• Geoffrey Lewis - Roy Sullivan
• Joe Cappelletti - (Voice)
• Richard Epcar - (Voice)
• Steve Kramer - (Voice)
• Lex Lang - (Voice)
• Kathleen Gati - (Voice)
• Rosario Dawson
• Duane Whitaker - Dr. Bankhead
• Lew Temple - Adam Banjo
• William Forsythe - Sheriff John Wydell
• Brian Posehn
• Brian Posehn - Jimmy
• Michael Berryman - Clevon
• Richard Cansino - (Voice)
• Elizabeth Daily - Candy
• Elizabeth Daily
• Leslie Easterbrook - Mother Firefly
• Ken Foree
• Ken Foree - Charlie Altamont
• M.C. Gainey
• Ginger Lynn - Fanny
• Ginger Lynn
• Deborah Van Valkenburgh - Casey
• Deborah Van Valkenburgh
• Danny Trejo - Rondo
• P.J. Soles - Susan
• Daniel Roebuck - Morris Green
• Bill Moseley - Otis Driftwood
• Bill Moseley - Otis
• Karen Black - Mother Firefly
• Mary Woronov - Abbie
• Mary Woronov
• Natasha Lyonne - Candy
• "Diamond" Dallas Page - Snapper
• "Diamond" Dallas Page - Billy Ray Snapper
• Matthew McGrory - Tiny Firefly
• Jossara Jinaro - Maria
• Jossara Jinaro - Maria (the Maid)
• Patricia Barnes - Gloria Sullivan
• Mike Bellesfield - Medical Examiner
• Kate Norby - Wendy Banjo
• Kate Norby - Wendy
• Robert Allen Mukes - Rufus, Jr
• Sheri Moon - Baby Firefly
• Sheri Moon - Baby
• Dave Sheridan - Officer Ray Dobson
• Robert Trebor - Marty Walker
• Sheri Moon Zombie - Baby Firefly
• Sheri Moon Zombie - Baby
• E.G. Daily - Candy
• E.G. Daily

Crew

• Featured Music: James Gang ,Elvin Bishop ,Terry Reid ,Banjo & Sullivan
• Stunts Coordinator: Kane Hodder
• Featured Music: Buck Owens ,Allman Brothers ,Three Dog Night ,Otis Rush ,Kitty Wells
• Properties Maker: John David Diersing ,Kevin Diersing
• Sound Editor: EarCandy Incorporated
• Musical Performer: Greg Ellis
• Voice Casting: Final Word
• Properties Maker: Kevin Foos
• Musical Performer: Damon Fox
• Special Effects Assistant: Jamie Grove
• Costume/Wardrobe: Maeve Guesdon
• Grip: Sam Hamilton
• Stunts: Ace Hatem
• Animator: Lyndal Heathwood
• Set Dresser: Rob Henning
• Unit Publicist: Laura Howell
• Animator: Jason Johnston
• Special Effects Assistant: Anthony Julio
• Properties Maker: David Keir
• Electrician: Ty Kinnison
• Consultant/advisor: Anne Kurtzman
• Set Dresser: Eric Labonte ,Chris Larsen
• Production Assistant: Barrett Loose
• Set Production Assistant: Connie Marie Lynch
• Special Effects Assistant: Mark Maitre
• Musical Performer: Wolfgang Matthes
• Sound Mixer: Wolfgang Matthes
• Grip: B.J. McDonnell
• Musical Performer: Ray McNamara ,Justin Meldal-Johnsen
• ADR Mixer: Stacey Michaels
• Boom Operator: R. Joe Michalski
• Key Costumer: Hector Morales-Lozano
• First Assistant Camera: Rory Muirhead
• Musical Performer: Butch Norton
• Grip: David Palmieri
• Animator: Steve Parker
• Set Production Assistant: Keith Pickett
• Electrician: Jerome D. Pondella
• Casting Assistant: Dominica Posseren
• Visual Effects: Precinct 13 Entertainment Incorporated
• Animator: Frank Purtiman
• Music Editor: Georgiana Ramsland
• Production Coordinator: Diane Rosenberg
• Musical Direction/Supervision: Tom Rowland
• Chief Lighting Technician: William Russell
• Animator: Andrew Sagar
• Musical Performer: Johnny Scaglione
• Script Supervisor: Sandy Schklair
• Properties Maker Foreman: Jeff Shewbert
• Set Production Assistant: Conor Simpson
• Foley Mixer: Geordy Sincavage
• Special Effects Technician: Paul Sokol
• Electrician: Adam Southwick ,Gary Stark
• Animator: Vincent Toscano
• Set Production Assistant: Christopher Touchton
• Musical Performer: Nan Vernon
• Costumes Assistant: Marta Villalobos
• Personal Assistant: Jereme Watt
• Properties Maker: Thomas A. White
• Conductor: Tim Williams
• Personal Assistant: Jodie Wilson
• Stunts: Cindy Yohnka
• Animator: Bill Zahn
• Special Effects Assistant: Chris Zega
• Assistant Sound Editor: Kevin A. Zimmerman
• Location Manager: George Agnew
• Stunts: Lesley Aletter
• Production Assistant: Victor Amesquita
• Assistant Properties: Scott Andersen
• Cable Person: Michael S. Anderson
• Properties Master: Robert N. Anderson
• Animator: Ulysses Argetta
• Set Production Assistant: Zack Atkinson ,Lillian Keakamai Awa
• Leadman: Treven Bedwell
• Stunts: Dana Berry
• Animator: Neil Blevins
• Assistant Production Coordinator: Linda Bracero
• Set Dresser: Holly Brand
• Grip: Jeremy L. Brussell
• Set Production Assistant: Thom Buckley
• Animator: Stephan Vladimir Bugaj
• Second Assistant Camera: Stuart Campbell
• Stunts: Chris Carnel
• Post Production Assistant: Jenny Cho
• Camera Loader: Nathan Crum
• Assistant Location Manager: Rory Dauson
• Steadicam Operator: Rick Davidson
• Camera Operator: Rick Davidson
• Sound Editor: Richard Dawn
• Art Department Assistant: Eric Diamond
• Special Effects Assistant: Brian Rae
• ADR Mixer: Paul Drenning
• Foley Artist: Pat Cabral
• Special Effects Foreman: Chris Walkowiak
• Voice Casting: Joe Cappelletti
• Camera Operator: Chris Hayes
• Supervising Sound Editor: Barney Cabral
• Executive Producer: Peter Block
• Sound/Sound Designer: Scott Sanders
• Animator: Al Tuskes
• Assistant Chief Lighting Technician: Derek Page
• Still Photographer: Gene Page
• Second Assistant Camera: Keith Jones
• Set Production Assistant: Michael Cruz
• Sound Mixer: Buck Robinson
• Stunts: Roger Morrissey ,Paul Short
• Production Designer: Tony Tremblay
• Set Designer: Todd Devane
• Camera Operator: James Sprattley
• Special Effects Technician: Ron Rosegard
• Hair Styles: Maria Sandoval
• Dolly Grip: Chris Gordon
• Grip: Steven Guerrero
• Art Director: Timothy Kirkpatrick
• Executive Producer: Michael Burns
• Special Effects Coordinator: John Hartigan
• Stunts: Rick McCallum
• Co-producer: Brent Morris
• Unit Production Manager: Brent Morris
• Production Assistant: Michael Owens
• Construction Coordinator: Michael Diersing
• Re-Recording Mixer: Adam Jenkins
• Foley Artist: Cynthia Merrill
• Stunts: Mark Chadwick ,Joey Box
• Camera Operator: Phoebe Sudrow
• Re-Recording Mixer: Patrick Cyccone Jr.
• Musical Performer: Azam Ali
• Set Decorator: Lisa Tong
• Makeup: Douglas Noe
• Supervising Sound Editor: Perry Robertson
• Assistant Editor: Justin C. Green
• Camera Operator: David V. Daniel
• Stunts: John Ashker
• Producer: Andy Gould ,Michael Ohoven
• Production Supervisor: Robert Ortiz
• Casting: Monika Mikkelsen
• Composer (Music Score): Tyler Bates
• Musical Performer: Tyler Bates
• Editor: Glenn Garland
• Executive Producer: Michael Paseornek
• Cinematographer: Phil Parmet
• Visual Effects Supervisor: Robert Kurtzman
• Second Assistant Camera: Robert Baird
• First Assistant Director: Marco Black
• Costume Designer: Yasmine Abraham
• Executive Producer: Guy Oseary
• Musical Direction/Supervision: Joel C. High
• Foley Artist: Patrick Cabral
• Post Production Supervisor: Carl Pedregal
• Personal Assistant: Bree Bailey
• Producer: Mike Elliott
• Post Production Coordinator: Mark McCoy
• Art Department Coordinator: Abigail Sheiner
• Production Designer: Anthony Tremblatt
• Personal Assistant: Erin M. Royer
• Art Department Assistant: Richard J. Day
• Set Medic/First Aid: Susan Bannout
• Second Second Assistant Director: Vernon A. Davidson
• Set Production Assistant: Ryan Krayser
• Screenwriter: Rob Zombie
• Director: Rob Zombie
• Producer: Rob Zombie
• Makeup Supervisor: Wayne Toth
• Special Effects: Wayne Toth
• Producer: Marco Mehlitz
• Second Assistant Director: Ty Arnold
• Executive Producer: Julie Yorn
• Associate Producer: Ali Forman
• Voice Casting: The Final Word
• Featured Music: The Allman Brothers
• Script Supervisor: Sanford Schklair

Related Movies

• House of 1000 Corpses - DVD

The Devil's Rejects: AMG Review
Jason Buchanan , AMG

Rob Zombie is a horror fan's horror fan -- for anyone who has ever owned a White Zombie album or listened to any of Zombie's solo efforts, that much is obvious. Not only are Zombie's lyrics rife with the kind of blood-soaked mayhem and obscure genre references that could easily satisfy the dark dreams of even the most steely eared gorehound, but the entire image that he has crafted on-stage is that of a demonic, growling, white-trash metalhead bent on world domination. Unfortunately for Zombie's maiden voyage behind the camera, all the horror street cred in the world couldn't save House of 1000 Corpses from buckling under its own lofty ambition. For those willing to give Zombie a second chance, though, the good news is that the musician-turned-filmmaker has come a long way since those bloody days back at the Firefly house, making The Devil's Rejects one of the most fearless and effective wide-release flicks to come down the pike in quite some time. From the opening credits sequence on, it's obvious that Zombie is trying for something different here -- and his aim this time around is dead on. With his sophomore effort, Zombie has gained the confidence to let his story and characters speak for themselves rather than attempting to overcompensate with MTV theatrics, and his relative restraint pays off because the sheer unremorseful evil of the titular trio is more than enough to keep viewers on edge. There is still a strong sense of style here, and by employing a grainy, washed-out visual palate that recalls such classics as Wes Craven's seminal Last House on the Left, Zombie places viewers in a sort of timeless landscape that sets his gruesome epic apart from the pack. Also key to the film's success is Zombie's stunning use of Southern rock, with the director's remarkable command of sound and imagery ensuring that fans of such classic tunes as "Midnight Rider" and "Free Bird" will never be able to hear those songs again without them being accompanied by visions of bloody chaos and mayhem. At the black heart of The Devil's Rejects, though, it's the performances that truly drive the film to transcend its comparatively anemic contemporaries, and it's here where Zombie shows that he can actually elicit effective and coherent performances from his actors. Appearing as a kind of alternate-universe Charles Manson who has somehow eluded incarceration, Bill Moseley is chilling as the most psychotic of the group, who, in one especially harrowing moment, goads one of his victims to beg for mercy and summon lightning from their God to strike him down. Returning to his role as evil clown Captain Spaulding and thankfully getting much more screen time here than in House of 1000 Corpses, longtime genre specialist Sid Haig provides the kind of creepy comic relief that will have most viewers giggling with nervous laughter. While supporting player Sheri Moon Zombie is serviceable in the role of femme fatale Baby, she simply doesn't have the chops to stand out alongside genre stalwarts Moseley and Haig; and scenery-chewing William Forsythe is horrific fun to watch as a vengeful lawman whose relentless sadism may well outshine that of the murderous trio when all is said and done. As for supporting players, Zombie has packed The Devil's Rejects so full of familiar faces that genre junkies will have a blast picking out recognizable actors, with The Hills Have Eyes' Michael Berryman and Dawn of the Dead's Ken Foree making especially welcome appearances. ~ Jason Buchanan, All Movie Guide