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Best Buy > Music & Movies > Movies > Action & Adventure > General Action & Adventure > Product Info

The English Patient[Collector's] - DVD

SKU: 6496543 | Release Date: 6/29/2004
Rating: R for Violence, Adult Situations, Questionable for Children, Sexual Situations, Brief Nudity

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Rating
R for Violence, Adult Situations, Questionable for Children, Sexual Situations, Brief Nudity
Format
DVD
Theatrical Release
1996
Length
162 minutes
Screen Formats
Enhanced Widescreen for 16x9 TV
Genre
Action & Adventure
Studio
Walt Disney Video
Aspect Ratio
1.85:1
Other Formats
Blu-ray Disc  (Widescreen Dubbed AC3 Dts) - $34.99

Synopsis

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje's novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he's known simply as "the English Patient," thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient's story from the shards of his memories; he's actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy's team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo's most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche). ~ Mark Deming, All Movie Guide

Version Details

Sound
Digital Theater Systems (akin to 5.1)
Languages/Sound
Eng
Screen Formats
Enhanced Widescreen for 16x9 TV
Subtitle Languages
Fre/Spa
Additional Features
Master class with screenwriter and director Anthony Minghella - Deleted scenes "The Making of The English Patient" A Historical Look at the Real Count Almasy Two feature commentary tracks with the filmmakers From Novel to Screenplay The Formidable Saul Zaentz - Producer About Author Michael Ondaatje Filmmaker conversations with Anthony Minghella, Saul Zaentz, Michael Ondaatje, and editor Walter Murch And more
Series
Miramax Collector's Series
Chapters
Side #1 -- The English Patient
1. Opening Credits [6:39]
2. Last Requests [2:24]
3. Questions and Answers [2:44]
4. Minefield [4:45]
5. Hana Stays Behind [10:52]
6. The Story of Candaules [2:49]
7. The New Houseguest [13:35]
8. Dangerous Bach [6:10]
9. Writings on the Wall [2:54]
10. Newfound Feelings [:23]
11. Katherine Remains [2:01]
12. Sandstorm [3:17]
13. Reading Lessons [9:07]
14. An Unexpected Visitor [3:35]
15. Illicit Liaisons [5:44]
16. Plan of Surprise [:12]
17. A Gift for Kip [7:25]
18. Clearing out [6:39]
19. Torture Room [3:04]
20. Drunken Spectacle [2:08]
21. A Volume of Light [8:19]
22. Defusing the Bomb [4:19]
23. It's Raining [1:37]
24. Disastrous Celebration [4:34]
25. Caravaggio's Departure [4:03]
26. Death Flight [1:05]
27. In Need of Help [2:37]
28. Train Trip [5:18]
29. Reflections [7:43]
30. Fatal Injection [3:14]
31. End Credits [4:32]

Cast

  • Naveen Andrews - Kip
  • Juliette Binoche - Hana
  • Lothaire Bluteau
  • Clive Merrison - Fenelon-Barnes
  • Julian Wadham - Madox
  • Peter Ruhring - Bermann
  • Jürgen Prochnow - German Officer
  • Liisa Repo-Martell - Jan
  • Kristin Scott Thomas - Katharine Clifton
  • Nino Castelnuovo - D'Agostino
  • Willem Dafoe - Caravaggio
  • Kevin Whately - Sgt. Hardy
  • Hichem Rostom - Fouad
  • Colin Firth - Geoffrey Clifton
  • Ralph Fiennes - Count Laszlo Almasy
  • Clive Morrison - Fenelon-Barnes
  • Simo Sherlock - private, desert train
  • Thoraya Sehill - interpreter in square
  • Sondess Belhassen - woman with baby in square
  • Salah Miled - Bedouin doctor
  • Abdellatif Hamrouni - ancient arab
  • Samy Azaiez - Kamal
  • Habib Chetoui - Al Auf
  • Phillipa Bay - officer's wife
  • Paul Kant - Sir Ronnie Hampton
  • Fritz Eggert - interrogation room soldier
  • Philip Whitchurch - Corporal Dade
  • Roger Morlidge - sergeant, desert train
  • Anthony Smee - Beach Interrogating Officer
  • Sebastian Rudolph - officer in square
  • Sebastian Schipper - interrogation room soldier
  • Rim Turki - Aicha
  • Sonia Mankai - Arab nurse
  • Jason Done - kiss me soldier
  • Dominic Mafham - officer, El Taj
  • Jürgen Prochnow - Maj. Muller, german officer
  • Amanda Walker - Lady Hampton
  • Torri Higginson - Mary
  • Geordie Johnson - Oliver
  • Raymond Coulthard - Douglas, Rupert
  • Lee Ross - Spalding
  • Simon Sherlock - private, desert train
  • Matthew Ferguson - young Canadian soldier

Crew

  • Director: Anthony Minghella
  • Screenwriter: Anthony Minghella
  • Set Designer: Stephenie McMillan
  • Editor: Walter Murch
  • Second Unit Director: Peter Markham
  • Executive Producer: Scott Greenstein
  • Line Producer: Alessandro von Normann
  • Costume Designer: Ann Roth
  • Makeup: Fabrizio Sforza
  • Cinematographer: John Seale
  • Executive Producer: Bob Weinstein ,Harvey Weinstein
  • Associate Producer: Paul Zaentz
  • Producer: Saul Zaentz
  • Composer (Music Score): Gabriel Yared
  • Casting: Michelle Guish
  • Sound/Sound Designer: Chris Newman ,Ivan Sharrock
  • Re-Recording Mixer: David Parker
  • Art Director: Aurelio Crugnola
  • Set Designer: Aurelio Crugnola
  • Production Designer: Stuart Craig
  • Associate Producer: Steve Andrews
  • First Assistant Director: Steve Andrews
  • Animatronic Effects: Vincent Abbott
  • Location Manager: Abdelijjabar Ayadi
  • Visual Effects: Richard Bain
  • Unit Production Manager: Franco Ballati
  • Production Coordinator: Amel Becharnia
  • First Assistant Director: Meriem Beshaouch
  • Scenic Artist: Doug Bishop
  • Location Manager: Annette Carducci
  • Production Coordinator: Francesca Cingolani
  • Musical Performer: John Constable
  • Location Manager: Fabiomassimo D'Orco
  • Hair Styles: Elisabetta De Leonardis
  • Production Coordinator: Gabriella DiSanto
  • Unit Production Manager: Hamid Elleuch
  • Location Manager: Giorgio Gallani
  • First Assistant Director: Andrea Girolami
  • Production Coordinator: Judith Goodman
  • Location Manager: Mokhtar Joulak
  • Unit Production Manager: Lynn Kamern
  • First Assistant Director: Moslah Kraiem
  • Visual Effects: Charlie Noble
  • Animatronic Effects: Jason Read ,Andy Roberts
  • Visual Effects Producer: Mark Stannard
  • Location Manager: Brahim Toumi ,Leila Turki
  • First Assistant Director: Luigi Vallini
  • Production Coordinator: Daniela Vecchi
  • Musical Performer: Academy of St. Martin in the Fields
  • Musical Arrangement: Ronnie Hazelhurst
  • Conductor: Ronnie Hazelhurst
  • Stunts Coordinator: Franco Salomon
  • Musical Performer: Shepheard's Hotel Jazz
  • Special Effects Supervisor: Richard Conway
  • Second Unit Director Of Photography: Remi Adefarasin
  • Musical Direction/Supervision: Georges Rodi
  • Visual Effects Supervisor: Dennis Lowe
  • Sound Recordist: Ivan Sharrock
  • Songwriter: Gabriel Yared
  • Conductor: Harry Rabinowitz
  • Music Editor: Robert Randles
  • Visual Effects: Frazer Churchill
  • Sound Effects Editor: Douglas Murray
  • Recording: Keith Grant
  • Foley Artist: Jennifer Myers
  • Script Supervisor: Rachel Griffiths
  • Visual Effects: Paul Riddle
  • Draftsman: Giulia Chiara Crugnola
  • Post Production Supervisor: Edie Bleiman
  • Associate Editor: Pat Jackson
  • Supervising Sound Editor: Pat Jackson
  • Visual Effects: Digital Film
  • First Assistant Director: Emma Schofield
  • Visual Effects Producer: Arthur Windus
  • ADR Editor: Richard Quinn
  • Makeup: Giuseppe Desiato
  • Scenic Artist: Brian Bishop
  • Dialogue Editor: Sara Bolder
  • First Assistant Director: Andrea Marrari
  • Foley Artist: Marnie Moore
  • Storyboard Artist: Tony Wright
  • Foley Editor: Malcolm Fife
  • Makeup: Antonio Maltempo
  • Camera Operator: Daniele Massaccesi
  • Stunts Coordinator: Daniele Massaccesi
  • Makeup: Alessandra Sampaolo
  • Prosthetic Makeup Effects: Jim Henson's Creature Shop
  • Art Director: Stuart Rose
  • Set Decorator: Stephenie McMillan
  • Costume Designer: Gary Jones
  • Re-Recording Mixer: Mark Berger
  • Pilot: Marco Besagni
  • Foley Mixer: Richard Duarte
  • Pilot: Giancarlo Giunchi
  • ADR Supervisor: Mark Levinson
  • Prosthetic Makeup Effects: Nigel Booth
  • Re-Recording Mixer: Walter Murch
  • First Assistant Director: Gianni Arduini
  • Choreography: Carolyn Choa
  • Script Supervisor: Dianne Dreyer
  • Book Author: Michael Ondaatje
  • Title Design: Pacific Title
  • Sound Recordist: Chris Newman
  • Sound Effects Editor: Jennifer Ware
  • First Assistant Director: Moez Kamoun
  • Sound Effects Editor: Kyrsten Mate Comoglio
  • Foley Artist: Margie O'Malley
  • Title Design: Deborah Ross Film Design
  • Armorer: Aldo Gasparri ,Carlo Schmidt
  • Sound/Sound Designer: Christopher Newman
  • Sound Recordist: Christopher Newman
  • Dialogue Editor: John Nutt ,Dianna Stirpe
  • Second Unit Director Of Photography: Remi Aderfarasin
  • Conductor: Ronnie Hazlehurst
  • Title Design: Pacific Title & Art Studio

Related Movies

  • Wuthering Heights - DVD
  • Black Book - DVD
The English Patient: AMG Review
Richard Gilliam , AMG

The English Patient is admired for the lush, romantic texture of its story and for its visual richness. It is a complex and rewarding film, meticulously produced and featuring superb performances from an ensemble cast, particularly Juliette Binoche, whose upset Oscar win as Best Supporting Actress (over sentimental favorite Lauren Bacall) is one aspect of the film that has never been significantly under question. It is also fair to say that few films have had so quick a downward re-evaluation. The winner of nine Academy Awards, including Best Picture, the film was released to a smartly designed marketing campaign of snob appeal that overwhelmed the Oscar voting season. There arose an immediate and continuing consensus that nine Oscars may have been too many for this romantic war epic and that Fargo was the greater and more lasting work of 1996. Producer Saul Zaentz was the primary creative force behind the film, obtaining the financing and bringing together an unusually talented team of top-notch actors and tech personnel. The film was marketed as a triumph of "independent" filmmaking, even though it was essentially financed and distributed by its corporate parent, studio giant Disney. ~ Richard Gilliam, All Movie Guide

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