Version Details

Cast

• Marcia Gay Harden
• Marcia Gay Harden - Diane Powell
• Margarita Levieva
• Margarita Levieva - Annie Newton
• Andrew Francis
• Andrew Francis - Dean
• Chris Marquette
• Justin Chatwin
• Justin Chatwin - Nick
• Justin Chatwin - Nick Powell
• Michelle Harrison
• Michelle Harrison - Detective Kate Tunney
• Callum Keith Rennie
• Callum Keith Rennie - Detective Brian Larson
• Christopher Marquette
• Christopher Marquette - Pete Egan
• Ryan Kennedy
• Ryan Kennedy - Matty
• Alex O'Loughlin
• Alex O'Loughlin - Marcus Bohem
• Alex Ferris - Victor Newton
• Aleks Holtz - Football Jack
• Sefton Fincham - Sleeping Kid
• Panou - K-9 Cop
• Andrew Coghlan - Trauma Resident
• Mi Jung Lee - Newscaster
• Cory Monteith - Jimmy
• Ryan Kennedy - Matt
• Laara Sadiq - Ms. Barclay
• Michael Tayles - Young Cop
• Chris Heyerdahl - Dr. Woland
• Serge Houde - Martin Egan
• P. Lynn Johnson - Sharon Egan
• Chris Shields - CSI Detective
• Maggie Ma - Danielle
• Colby Wilson - Mechanic
• Desiree Zuroski - Lindy Newton
• Jason Diablo - Firefighter
• Mark Houghton - Jack Newton
• Tania Saulnier - Suzie
• Ronald Selmour - Guillaume
• Leanne Adachi - EMT
• Desiree Zurowski - Lindy Newton
• Kevin McNulty - Principal Whitcliff
• Chris Marquette - Pete Egan

Crew

• Co-producer: Erin Stam
• Visual Effects: Custom Film Effects
• Art Director: Michael Norman Wong
• Sound/Sound Designer: Patrick Ramsay
• Producer: Neal Edelstein
• Editor: Conrad Smart
• Supervising Sound Editor: Aaron Glascock ,Curt Schulkey
• Executive Producer: Peter Possne
• Book Author: Mats Wahl
• Casting: Seth Yanklewitz
• Visual Effects: Gray Matter FX
• Visual Effects Supervisor: Mark Dornfeld
• Producer: Mike Macari
• Screenwriter: Christine Roum
• Visual Effects Supervisor: Gray Marshall
• Composer (Music Score): Marco Beltrami
• Co-producer: Rebekah Rudd
• First Assistant Director: Pete Whyte
• Screenwriter: Mick Davis
• Casting: Juel Bestrop
• Executive Producer: William S. Beasley
• Producer: Jonathan Glickman
• Musical Direction/Supervision: Alexandra Patsavas
• Costume Designer: Tish Monaghan
• Set Decorator: Andrew Eden Reid
• Producer: Gary Barber
• Production Designer: Carlos Barbosa
• Cinematographer: Gabriel Beristain
• Producer: Roger Birnbaum
• Director: David S. Goyer
• Executive Producer: William Beasley
• Stunts: Mark Ashbeth
• First Assistant Accountant: Debbie Barlow
• Compositor: Billy Barnhart
• Digital Effects Compositor: Jamie Baxter
• Assistant to the Director: Glynis Belair
• Assistant Production Coordinator: Andrew Bronstein
• First Assistant Accountant: Rich Brown
• Casting Associate: Ruthie Brownfield
• Producer's Assistant: Kim Buttlar
• Rotoscope Artist: Zac Chowdhury
• Chief Lighting Technician: John C. Dekker
• Second Assistant Camera: Courtney Graham
• Set Medic/First Aid: Louise Hetherington
• Craft Service/Catering: Louise Hetherington
• Production Accountant: Krista Huppert
• Producer's Assistant: Aaron Janus
• Compositor: Kristin Johnson
• Dialogue Editor: Kira
• Visual Effects Producer: Jennifer Mizener
• Stunts: Anthony Moyer
• Construction Foreman: Shayne O'Reilly
• Stunts: Simon Pidgeon
• Best Boy Electric: Christopher Reusing
• Assistant Location Manager: Michael Roberts
• Title Design: Shine
• Compositor: Trent Shumway ,Colleen Smith
• Assistant Art Director: Mark M. Soparlo
• Producer's Assistant: Marlena Thomas
• Scenic Artist: Mario Tomas
• Best Boy Electric: Jason Weir
• Musical Performer: Rachel Weston
• Producer's Assistant: Tamara Grace Wiebe ,Shayne A. Wilson
• First Assistant Camera: Sandes Ashe
• Stunts: Lars Grant ,Jeff Sanca ,Marcus Chin ,Corry Glass ,Gerald Paetz ,Heath Stevenson ,Owen Walstrom
• Set Designer: Jim Ramsay
• Executive in Charge of Production: Jeffrey Chernov
• Special Effects Coordinator: Rory Cutler
• Stunts Coordinator: Scott Ateah
• Second Unit Director: Scott Ateah
• Chorus Master: Jenny O'Grady
• Graphic Design: Leah Hong
• Casting Assistant: James Moore
• Stunts: Rob Wilton
• Digital Effects Compositor: Ryan Beadle ,Steve Caldwell
• Dialogue Editor: Dennis Dorney ,Adam Gass
• Digital Effects Compositor: Rj Harbour ,Shaina Holmes ,Mark Sawicki ,Amani Williams
• Cable Person: Naan Spiess
• Color Timing: Lee Wimer
• Music Editor: Philip Tallman
• Stunts: Corbin Fox
• Hair Styles: Debra Wiebe
• ADR Mixer: Wendy Czajkowsky
• Stunts: Rikki Gagne ,Jennifer Mylrea
• First Assistant Camera: Cam North
• Animal Trainer/Wrangler: Grace Macleod
• Construction Coordinator: Alan Burdett
• Production Coordinator: Jennifer Metcalf
• Location Manager: Danny McWilliams
• Post Production Supervisor: Abigail Callahan
• Transportation Captain: Wayne Power
• Transportation Coordinator: Rob Vreugde
• Assistant Location Manager: Sean Grant
• Assistant Sound Editor: Wayne Lemmer
• Compositor: Joey Brattesani ,Stuart Cripps ,Jeff Olm
• Casting Assistant: Stephanie Pfiefer
• Stunts: Larissa Stadnichuk
• Second Assistant Camera: Randal Morton
• Script Supervisor: Janet Munro
• Compositor: Shelly Dutcher
• Stunts: Mike Carpenter
• Digital Effects Compositor: Nicholas Kim
• Key Grip: Kevin Black
• Sound Editor: Angelo Palazzo
• Camera Operator: John Clothier
• Foley Artist: Gregg Barbanell
• Sound Editor: John Joseph Thomas
• Stunts: Garvin Cross
• Visual Effects Producer: Margaux Mackay
• Stunts: Lori Stewar
• Sound/Sound Designer: Stephen Flick
• Extra Casting: James Forsyth
• Foley Recordist: Linda Lew
• Sound Mixer: John Kurlander
• Recording: John Kurlander
• Stunts: Crystal Dalman
• Sound Editor: Paul Berolzheimer
• Visual Effects Producer: Michele Ferrone
• Stunts: Kimani Ray Smith ,Daniel Melles ,Darryl Scheelar
• Sound Editor: Michael W. Mitchell
• Stunts: Robin Hayter ,Ryan Ennis
• Production Manager: Yvonne Melville
• Best Boy Grip: Bill Molnar
• Dolly Grip: Robert O'Hara
• Assistant to the Director: Weatie Rosenlehner
• Stunts: Grant Smith
• First Assistant Editor: Tony Bacigalupi
• Still Photographer: Doane Gregory
• Conductor: Nick Ingman
• Stunts: Jim Orava
• Music Editor: Lisé Richardson
• Unit Publicist: Julia Frittaion
• Boom Operator: Dave Griffiths
• Stunts: Brett Armstrong
• Dialogue Editor: Vanessa Ashley Lapato
• Casting: Heike Brandstatter ,Coreen Mayrs
• Sound Editor: Piero Mura
• ADR Mixer: Doc Kane
• Re-Recording Mixer: Skip Lievsay
• Negative Cutter: Buena Vista Negative Cutting
• Unit Production Manager: William S. Beasley
• Stunts: Cody Laudan
• Assistant Sound Editor: Bobby Bowman
• Set Decorator: Peter Lando
• Re-Recording Mixer: Aaron Glascock ,Curt Schulkey
• Foley Artist: David Lee Fein
• Foley Mixer: David Jobe
• Stunts: Clint Carleton
• Assistant Art Director: John Alvarez
• Second Assistant Director: Cindy Smith
• Stunts: Randy Lee

The Invisible: AMG Review
Derek Armstrong , AMG

The Invisible is a promising thriller that gets undone by its teen genre trappings and a general lack of narrative momentum. This last is especially surprising, since its director, David S. Goyer, is a veteran of the comic book world, which relies on constant stimulation to hold the reader's interest. But once he's beaten to within an inch of his life, Justin Chatwin's Nick also gets a giant shove into passivity, forced by his ghostly limitations to pout around and watch the action for most of the movie. This isn't Chatwin's fault. The young actor shows what made him such a commanding presence as Tom Cruise's son in War of the Worlds, doing his best to intensify a poorly conceived character, who helps dig his own grave by egging on his assailant. But Nick doesn't get to have the same interaction with his environment as Patrick Swayze had in Ghost (an undeniable source of inspiration), and by the time he does start effecting change, there's little explanation for how the phenomenon works. Another significant problem is Margarita Levieva's Annie, who is way too beautiful to be this kind of brooding outsider, even if she does stuff her flowing brown locks underneath a variety of hoodlum caps. The Russian-born actress has gotten down a flawless American accent, and lends her own additional credibility through a tough performance. But both she and Nick feel like constructs more than real people, ciphers set in motion to occupy the glossy visual space and lend weight to the angst-ridden alternative soundtrack. All this is too bad, because The Invisible does put forth a couple interesting existential concepts, fleshed out by some nifty trick camerawork. There's a lot to see in The Invisible, but ultimately, its substance is transparent. ~ Derek Armstrong, All Movie Guide