- SKU: 9402005
- Release Date: 06/02/2009
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Ratings & Reviews
Comedians Larry Semon and Oliver Hardy battle over Kathleen O'Connor, the belle of the logging camp, in this 2-reel farce co-directed by Semon and Norman Taurog. The always extravagant Semon went too far making this film on location at Sequoia National Forest, where he made the Vitagraph Company build a permanent logging camp. According to the company's owner, Albert J. Smith, the film could just as easily have been produced at the studio back lot in Los Angeles. As a result, Semon's new contract made him his own producer and he was henceforth obliged to pay the cast, crew, and various other production expenses out of his own pocket. Years before he found world wide fame opposite Stan Laurel, Oliver Hardy honed his comedic skills playing a menace opposite the white-faced Semon. They worked well together and remained personal friends until Semon's early death from pneumonia in 1928. ~ Hans J. Wollstein, Rovi
The Fatal Glass of Beer
The short comedy The Fatal Glass of Beer stars the legendary W.C. Fields as Mr. Snavely, a prospector who is awaiting the return of his prodigal son, Chester, who has been in prison for the last few years. The last time Snavely saw his son was when the boy consumed "The Fatal Glass of Beer," and set out to the Big City in order to pursue a hedonistic life. The film is meant as a spoof of Northern melodramas that Fields enthusiasts have come to regard as an almost surreal masterpiece. ~ Perry Seibert, Rovi
White-faced comedian Larry Semon produced, co-directed, and starred in this two-reel farce, filmed at breakneck speed at the Charles Ray studios and the Santa Monica Auto Race Course. Avery DuPays (Frank "Fatty" Alexander), the city's wealthiest man, has promised his daughter Lou's hand in marriage to whomever wins the Big Auto Race. Both Dangerous Dan McGrew (Oliver Hardy) and The Speed Kid (Semon) love Lou (Dorothy Dwan), but she seems to prefer the latter. Avery, of course, favors the richer McGrew, who, unbeknownst to the Kid and his mechanic (Spencer Bell), removes the brakes from Larry's race car. Despite this handicap -- or perhaps because of it -- the Kid wins both the race and the girl. ~ Hans J. Wollstein, Rovi
Buster Keaton plays Johnny Gray, a Southern railroad engineer who loves his train engine, The General, almost as much as he loves Annabelle Lee (Marion Mack). When the opening shots of the Civil War are fired at Fort Sumter, Johnny tries to enlist -- and he is deemed too useful as an engineer to be a soldier. All Johnny knows is that he's been rejected, and Annabelle, thinking him a coward, turns her back on him. When Northern spies steal the General (and, unwittingly, Annabelle), the story switches from drama and romance to adventure mixed with Keaton's trademark deadpan humor as he uses every means possible to catch up to the General, thwart the Yankees, and rescue his darling Annabelle -- for starters. As always, Keaton performs his own stunts, combining his prodigious dexterity, impeccable comic timing, and expressive body language to convey more emotion than the stars of any of the talkies that were soon to dominate cinema. ~ Emru Townsend, Rovi
The Lucky Dog
In this two-reeler, Stan Laurel and Oliver Hardy appear together for the very first time. However, they're a long way from their famous Laurel and Hardy characters (that pairing wasn't to come until 1927). Laurel, after an up-and-down career in Vaudeville, had just begun acting in films, while Hardy was heavily established in movies already (both literally and figuratively). Laurel is the lead in this film, nevertheless, as an unfortunate who, after being evicted, winds up befriending a stray dog. He stuffs the dog in a decrepit suitcase, but it sticks its legs through the bag's holes and runs away. While Laurel is chasing after the suitcase, he bumps into a hold-up man (Hardy). A chase leaves the big man behind when he gets stuck trying to crawl through a hole in a fence. Hardy also appears later on in the film. Laurel and his dog have made the acquaintance of a pretty girl and her poodle, and her jealous boyfriend enlists Hardy's help to get rid of Laurel. But the dog saves the day by chasing the villains off with a stick of dynamite that was originally meant for Laurel. The film was made in 1919 but not released until 1922. ~ Janiss Garza, Rovi
Tree in a Test Tube
This short educational film, produced by the United States Department of Agriculture, offers a look at just how many products are made from wood, and stresses the consequential importance of forest cultivation. The film is best remembered today for a cameo appearance by Stan Laurel and Oliver Hardy, in which the comic team show off a number of wood-based items; it was the first and only time Stan and Ollie appeared in a full-color film. Pete Smith, who was best known for his short comedies for MGM, serves as narrator. ~ Mark Deming, Rovi
W.C. Fields stars as the subject of this classic comedy short, which he also wrote the screenplay for. The dentist is a misanthropic, absent-minded sort who keeps an office in the same house that he shares with his rebellious young daughter. One morning she announces that she has fallen in love with Arthur, the iceman. Fields won't have it, and scares the poor Romeo off when he tries to make his daily "delivery." The hubbub makes him late for his golf game. When he tees off, the ball knocks an elderly man out cold but he plays through regardless, trying to cheat wherever possible. Frustrated by a particularly difficult hole, Fields loses his temper and tosses all of his clubs (and the caddy) into a water trap. Back at the office, the dentist locks his daughter in her room to prevent her from eloping with the iceman, and takes out all his frustrations on his patients (whom he refers to as "buzzards" and "palookas"). An attractive young girl naively bends over to show where a little dog bit her, a sophisticated society dame is driven into bizarre contortions while Fields sadistically drills, and a strange "little fella" ends up with a mouth full of broken teeth and birds in his beard. Through it all, the dentist treats everyone with disdain, but his well-deserved comeuppance is on the way. ~ Fred Beldin, Rovi
Oranges and Lemons
During his early days working for the Hal Roach studios, the plots to Stan Laurel's comedies were as interchangeable as their titles -- Pick and Shovel, Collars and Cuffs, Gas and Air, and this one, Oranges and Lemons. They all seem to involve Laurel as a laborer who spends more time flirting with a pretty girl (usually Katherine Grant, who plays Little Valencia here) instead of working, and who constantly annoys the foreman (this time around it's Eddie Baker, going by the unlikely name of Orange Blossom). Laurel's character here is known as Sunkist and, as might be guessed by both the characters' names and the film's title, he works in a citrus grove. The foreman, fed up with Sunkist's behavior, chases him into the packing plant, where much mayhem ensues. There's some funny business on a conveyor belt before Sunkist traps his antagonists (the number has grown as he has wreaked havoc) and breaks for lunch. ~ Janiss Garza, Rovi
The Misadventures of Buster Keaton
This hastily assembled "feature" is comprised of several episodes of an early-1950s TV series starring Buster Keaton. One of the most important stepping stones in Keaton's miraculous career comeback was a live (as opposed to film) comedy series titled Life With Buster Keaton, produced in Los Angeles in 1949. For syndication purposes, the series was committed to film, losing most of its hilarious spontaneity in the process. Buster portrays an employee in a sporting-goods store who indulges in Walter Mittyesque daydreams at the drop of a pork-pie hat. The always reliable Iris Adrian proves an excellent foil for the antics of the nimble Mr. Keaton. Misadventures of Buster Keaton was largely written by longtime Keaton crony Clyde Bruckman, who indulges in his usual practice of lifting entire routines from earlier films. ~ Hal Erickson, Rovi
This was one of Clyde Cook's better comedies for Hal Roach, perhaps due in part to the excellent direction of Stan Laurel, who at the time preferred working behind the camera (that would change a little later on when he teamed up with Oliver Hardy, who also has a small role here). Living up to his name, Clyde is a cook, working for an engineering camp that is being threatened by a local hermit (Adolph Milar). The hermit vows to blow up the whole camp if any of its members get involved with his daughter (Sue "Bugs" O'Neill). The daughter, meanwhile, makes arrangements to run off with the bridge engineer (Tyler Brooke). Her father discovers the plan, but believes the lucky man is Cook. In attempt to do away with him, the hermit puts explosives in the pancake batter, and his plot is almost successful because the pancakes blow up in the faces of everyone served (Hardy has an especially large stack explode) and they all come after the cook. Cook, the eloping couple, and the father all wind up on the same train. The couple falls off it, and it heads towards the edge of a cliff and stops. Cook and the hermit find themselves about to go over the cliff. After a number of tense but hilarious stunts, the hermit falls into the river below, and Cook jumps in when he sees a bear. ~ Janiss Garza, Rovi
The Golf Specialist
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