- SKU: 8368642
- Release Date: 06/26/2007
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Anthropologist Dr. Brockton (Joan Crawford) believes she has discovered the missing link in this flat science fiction drama. The creature is found in a cave and brought to her laboratory to undergo tests for her research. The hairy beast with the face of a monkey loves classical music and hates rock & roll. When one of the slack-jawed yokels opens his cage, he escapes and goes on a killing rampage as he tries to return to his cave. In a gentle moment with a little girl, the beast shows a tender side that recalls a scene from Frankenstein. Soon troops are called in, despite Brockton's protest to entomb the creature by dynamiting the entrance to the cave. This was the last film for Joan Crawford, an inglorious way to end a legendary film career. ~ Dan Pavlides, Rovi
The Big Cube
"The Big Cube" of the title is slang for a sugar cube dipped in LSD, which is omnipresent throughout the movie. Adriana Roman (Lana Turner) is a famous actress who is retiring from the stage to marry wealthy Charles Winthrop (Dan O'Herlihy), a situation that displeases Winthrop's daughter Lisa. While hanging out at a nightclub called "Le Trip,"Lisa is shown the bizarre effects that LSD-laced sugar cubes can have when added to a drink. She also meets Johnny Allen, a drug dealer who, once he learns that Lisa comes from money, is anxious to marry her. While Adriana and Winthrop are away, Lisa and Johnny hold a wild drug and sex party at her home. When her father walks in on it, he forbids Lisa's marriage. Soon thereafter, Winthrop drowns at sea, but Adriana follows his orders that Lisa will be disinherited if she marries Johnny. The two plot their revenge by lacing Adriana's sleeping pills with LSD, to the point that she goes mad and is committed to an asylum. Lisa and Johnny marry, but when Johnny takes Lisa's best friend to bed, Lisa regrets her actions. She tells Frederick Lansdale, a playwright friend of her stepmother's, what she has done. He has the notion of writing a play based on Adriana's experiences, and convincing Adriana to play the lead role. Amazingly, going through this experience cures Adriana – just as Lansdale hoped it would. ~ Craig Butler, Rovi
Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, Rovi
Cast & Crew
- Joan Crawford - Dr. Brockton
- Michael Gough - Sam Murdock
- Bernard Kay - Inspector Greenham
- Kim Braden - Ann Brockton
- David Griffin - Malcolm