Forever Marilyn [7 Discs] [Blu-ray]
  • SKU: 7052552
  • Release Date: 07/31/2012
  • Rating: NR
  • 4.7 (30)
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Forever Marilyn [7 Discs] [Blu-ray]  (Black & White)  (English)  1961 - Larger Front
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Overview

Ratings & Reviews

Overall Customer Rating:
4.7
100% of customers would recommend this product to a friend (30 out of 30)

Synopsis

The Misfits
The final film of stars Clark Gable and Marilyn Monroe is an elegy for the death of the Old West from writer Arthur Miller and director John Huston. Gable stars as Gay Langland, an aging hand traveling the byways and working at rodeos with his two comrades, Guido (Eli Wallach) and young Perce Howland (Montgomery Clift). The three men come up with a plan to corral some misfit mustangs and sell them for dog food, but Gay's new girlfriend Roslyn Taber (Marilyn Monroe), a high-minded ex-stripper who has just divorced her husband Ray (Kevin McCarthy) in Reno, is appalled by the plan. Although both Guido and Perce are also in love with Roslyn, she stands by Gay, sure that in the end he will do the right thing, even as he and his pals begin their planned roundup. ~ Karl Williams, Rovi

There's No Business Like Show Business
Like Alexander's Ragtime Band (1938), 20th Century-Fox's There's No Business Like Show Business is a "catalogue" film, its thinnish plot held together by an itinerary of Irving Berlin tunes. The story chronicles some twenty years in the lives of a showbiz family, headed by Dan Dailey and Ethel Merman. Two of the couple's three grown children -- Donald O'Connor and Mitzi Gaynor -- carry on the family tradition, while the third, Johnny Ray, decides to become a priest. There are a few tense moments when O'CONNOR falls in love with ambitious chorine Marilyn Monroe and loses all sense of perspective, but the family reunites during a splashy production-number finale. Highlights include Dailey and Merman's Play a Simple Melody duet, O'CONNOR's A Man Chases a Girl solo, and Monroe's tempestuous rendition of Heat Wave (her delivery and stage presence both compensate for her unflattering bare-midriff costume). Of historical interest, There's No Business Like Show Business was Fox's first CinemaScope musical; as such, it is best viewed on TV in "letterbox" format. ~ Hal Erickson, Rovi

How to Marry a Millionaire
A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, Rovi

The Seven Year Itch
Like thousands of other Manhattanites, Tom Ewell annually packs his wife (Evelyn Keyes) and children off to summer vacation, staying behind to work at the office. This particular summer, the lonely Ewell begins fantasizing about the many women he'd foresworn upon getting married (in one of the fantasies, Ewell and Marguerite Chapman parody the beach rendezvous in From Here to Eternity). He is jolted back to reality when he meets his new neighbor--luscious model Marilyn Monroe. Inviting Monroe to dinner, Ewell intends to sweep her off her feet and into the boudoir. Things don't quite work out that way, thanks to Ewell's clumsiness (and essential decency) and Monroe's naivete. Still, Ewell becomes convinced that his impure thoughts will somehow be transmitted to his vacationing wife and to the rest of the world, leaving him wide open for scandal and ruination. In the original play, the husband and the next-door neighbor did have an affair, but both play and film arrived at the same happy ending, with Ewell and his missus contentedly reunited at summer's end. Featured in the cast of The Seven Year Itch are Robert Strauss as a lascivious handyman, Sonny Tufts as Evelyn Keye's former beau, Donald MacBride as Ewell's glad-handing boss, and veteran Broadway funny man Victor Moore in a cameo as a nervous plumber. ~ Hal Erickson, Rovi

River of No Return
Director Otto Preminger's only western, River of No Return is set in Canada during the 19th century Gold Rush. Farmer Matt Calder (Robert Mitchum) is released from prison after serving a sentence for shooting a man in the back to protect a friend. He arrives in a small town to retrieve his young son, Mark (Tommy Rettig), who has befriended a sultry saloon singer, Kay (Marilyn Monroe). Matt is also friendly with Kay, and thanks her profusely for looking after Mark, but distrusts her paramour, Harry Weston (Rory Calhoun)- a gambler with the morals of an alley cat. Matt and Mark return to their rural homestead, but soon glimpse Kay and Harry on a sinking raft, apparently en route to make good on a gold claim; Matt rescues the two of them, but doesn't count on Harry doing an about face, beating him up, and stealing his horse and gun; Kay stays behind to look after Matt. Meanwhile, the Indians go on the warpath, and the defenseless trio decides to seek refuge by fleeing the farm and sailing down the river on a raft. En route, the son - thanks to Kay's doing - is unexpectedly disillusioned about the father's original crime. Moreover, as Matt approaches town, he begins to plot a decisive revenge against Harry. ~ Hal Erickson, Rovi

Gentlemen Prefer Blondes
Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, Rovi

Some Like It Hot
The launching pad for Billy Wilder's comedy classic was a rusty old German farce, Fanfares of Love, whose two main characters were male musicians so desperate to get a job that they disguise themselves as women and play with an all-girl band in gangster-dominated 1929 Chicago. In this version, musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) lose their jobs when a speakeasy owned by mob boss Spats Columbo (George Raft) is raided by prohibition agent Mulligan (Pat O'Brien). Several weeks later, on February 14th, Joe and Jerry get a job perfroming in Urbana and end up witnessing a gangland massacre in a parking garage. Fearing that they will be next on the mobsters' hit lists, Joe devises an ingenious plan for disguising their identities. Soon they are all dolled up and performing as Josephine and Daphne in Sweet Sue's all-girl orchestra. En route to Florida by train with Sweet Sue's band, the boys (girls?) make the acquaintance of Sue's lead singer Sugar Kane (Marilyn Monroe, in what may be her best performance). Joe and Jerry immediately fall in love, though of course their new feminine identities prevent them from acting on their desires. Still, they are determined to woo her, and they enact an elaborate series of gender-bending ruses complicated by the fact that flirtatious millionaire Osgood Fielding (Joe E. Brown) has fallen in love with "Daphne." The plot gets even thicker when Spats Columbo and his boys show up in Florida. Nominated for several Oscars, Some Like It Hot ended up the biggest moneymaking comedy up to 1959. Full of hilarious set pieces and movie in-jokes, it has not tarnished with time and in fact seems to get better with each passing year, as its cross-dressing humor keeps it only more and more up-to-date. ~ Hal Erickson, Rovi

Overall Customer Rating

4.7 (30 Reviews)
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