Hollywood Classics: The Golden Age of the Silverscreen [2 Discs] [DVD]
- SKU: 20877562
- Release Date: 04/05/2011
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The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, Rovi
While listening to a recording of "Penny Serenade," Julie Gardiner Adams (Irene Dunne) begins reflecting on her past. She recalls her near-impulsive marriage to newspaper reporter Roger Adams (Cary Grant), which begins on a deliriously happy note but turns out to be fraught with tragedy. While honeymooning in Japan, Julie and Roger are trapped in the 1923 earthquake, which results in her miscarriage and subsequent incapability to bear children. Upon their return to America, Roger becomes editor of a small-town newspaper, just scraping by financially. Despite their depleted resources, Julie and Roger want desperately to adopt a child. It seems hopeless until kindly adoption agency head Miss Oliver (Beulah Bondi) helps smooth their path. Alas, their happiness is once more short-lived: their new daughter, Trina (Eva Lee Kuney), succumbs to a sudden illness at the age of six. Reduced to hopelessness, Julie and Roger decide to dissolve their marriage, but Miss Oliver once more comes to the rescue. Sentimental in the extreme, Penny Serenade is also enormously effective, balancing moments of heartbreaking pathos with uproarious laughter. Only director George Stevens could have handled a scene with a copiously weeping Cary Grant without inducing discomfort or embarrassment in the audience. Since lapsing into the public domain in 1968 (though released by Columbia, the film was owned by Stevens' production firm), Penny Serenade has become almost as ubiquitous a cable-TV presence as It's a Wonderful Life. ~ Hal Erickson, Rovi
Till the Clouds Roll By
A Farewell to Arms
This first film version of Ernest Hemingway's novel A Farewell to Arms stars Gary Cooper and Helen Hayes. Cooper plays Lt. Frederick Henry, a World War I officer who falls in love with English Red Cross nurse Catherine Barkley (Hayes)-after first mistaking her for a woman of ill repute. Henry's friend, Major Rinaldi, is envious of the romance, and pulls strings to have Catherine transferred to Milan. When Henry is wounded in battle, he ends up in the very hospital where Catherine works. They resume the affair, which reaches an ecstatic peak just before Henry is returned to the front. The now-pregnant Catherine remains in Switzerland, sending letters by the bushelfull to Henry. But the jealous Rinaldi sees to it that Henry never receives those letters, leading Catherine to conclude sorrowfully that Henry has forgotten her. As the Armistice approaches, Henry makes his way to Switzerland, hoping to find Catherine. ~ Hal Erickson, Rovi
Father's Little Dividend
This sequel to the 1950 comedy hit Father of the Bride finds Spencer Tracy and Joan Bennett returning as Stanley and Ellie Banks, the parents of newlywed Kay Dunstan (Elizabeth Taylor). In the first film, Stanley Banks was forced to endure the chaotic events leading up to the wedding. This time, he must comes to grips with the prospect of becoming a grandfather. Once he's reconciled himself to this jolt of mortality, Stanley must contend with the little bundle of joy, who screams his head off every time Grandpa comes near him. Father's Little Dividend was remade in 1994 as Father of the Bride II, with Steve Martin assuming the Spencer Tracy role, and with the added complication of discovering that his own wife (Diane Keaton) is also pregnant. The copyright for Father's Little Dividend was not renewed in 1978; thus the film has lapsed into public domain. ~ Hal Erickson, Rovi
Life With Father
The longest-running non-musical play in Broadway history, Life With Father was faithfully filmed by Warner Bros. in 1947. William Powell is a tower of comic strength as Clarence Day, the benevolent despot of his 1880s New York City household. Irene Dunne co-stars as Day's wife Vinnie, who outwardly has no more common sense than a butterfly but who is the real head of the household. The anecdotal story, encompassing such details as the eldest Day son's (James Lydon) romance with pretty out-of-towner Mary (Elizabeth Taylor), is tied together by Vinnie's tireless efforts to get her headstrong husband baptized, else he'll never be able to enter the Kingdom of God. Each scene is a little gem of comedy and pathos, as the formidable Mr. Day tries to bring a stern businesslike attitude to everyday household activities, including explaining the facts of life to his impressionable son. Donald Ogden Stewart based his screenplay upon the play by Howard Lindsey (who played Mr. Day in the original production) and Russell Crouse; the play in turn was inspired by a series of articles written by Clarence Day Jr., shortly before his death in 1933. Due to a legal tangle with the Day estate, Life With Father was withdrawn from circulation after its first run; it re-emerged on the Public Domain market in 1975. ~ Hal Erickson, Rovi