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Little Shop of Horrors Perhaps the greatest movie ever shot in two days, Little Shop of Horrors was originally conceived as a followup to Roger Corman's black comedy A Bucket of Blood (1959). Jonathan Haze plays Seymour Krelboin, a schlemiel's schlemiel who works at the Skid Row flower shop of Mr. Mushnick (Mel Welles). Experimenting in his spare time, Seymour develops a new plant species that he hopes will lead him to fame and fortune. Unfortunately, the mutated plant -- named Audrey Junior, in honor of Seymour's girlfriend Audrey (Jackie Joseph) -- subsists on blood and human flesh. It also talks, or rather, commands: "Feed Me! FEEEEED ME!" Before long, the luckless Seymour has fed his plant the bodies of a railroad detective, a sadistic dentist, and a flashy trollop. Meanwhile, Mr. Mushnik, who has stumbled onto Seymour's secret, has inadvertently offered up a burglar (played by Charles Griffith, who also wrote the script and supplied the plant's voice) as a midnight snack for the voracious, ever-growing Audrey Junior. (When the plant blooms, the faces of its various victims are reproduced in its flowers.) Ignored on its initial release, Little Shop of Horrors began building up a cult following via repeated TV exposure in the 1960s. By the mid-1970s, it had attained classic status, spawning a big-budget Broadway musical (and followup feature film) in the 1980s and a Saturday morning cartoon series in the 1990s. Enhancing the original Little Shop's reputation was the brief appearance by star-in-the-making Jack Nicholson as a masochistic dental patient (Nicholson is often incorrectly referred to as the star of the film, though in fact he barely receives billing). Much as we love Nicholson, our vote for the most memorable Little Shop cast member goes to the ubiquitous Dick Miller ("No thanks, I'll eat it here"). ~ Hal Erickson, Rovi
Dementia 13 A young Francis Coppola was given the job of directing this moody low-budget chiller after begging producer Roger Corman for the opportunity to reuse the sets for another film which Corman was shooting in Ireland. The story centers on the dysfunctional Haloran family, who live in a state of perpetual sorrow in a spooky Irish castle. Still mourning the death of her young daughter Kathleen -- who drowned in the lake seven years ago -- Lady Haloran (Ethne Dunn) tortures herself regularly by visiting the girl's grave (when she's not shrieking and collapsing in anguish every five minutes). When daughter-in-law Louise Haloran (Luana Anders) loses her husband to a heart attack, she manages to conceal the body for fear of being cut out of Lady Haloran's will. To further complicate matters, a mysterious interloper begins prowling the grounds with an axe to grind... a very big axe. This enjoyable, quirky psycho-thriller is enlivened by Coppola's inventive camera setups, atmospheric locations and Patrick Magee's over-the-top performance as the leering family doctor. Despite some ragged editing (probably not Coppola's doing), this has relatively high production values for a spare-change Corman project. ~ Cavett Binion, Rovi