- SKU: 17927362
- Release Date: 09/15/2009
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- Commentary by writer/director Larry Cohen
- Theatrical trailers
- Closed Captioned
Writer-director Larry Cohen followed his ragged but interesting horror hit It's Alive! with this sequel, which surpassed the original in both creativity and technical expertise. The story opens as another expectant couple, Eugene and Jody Scott (Frederic Forrest and Kathleen Lloyd), are paid a surprise visit by a stranger who turns out to be Frank Davies (John P. Ryan), the father of the original monster baby from the previous film. Davies warns the couple that their unborn child may be similarly at risk, and thereby in mortal danger from a nationwide task force dedicated to destroying the monster infants. Despite their initial apprehension, the Scotts eventually place a tenuous trust in the stranger, who explains that the children are not subhuman animals, but may actually represent the next step in human evolution -- a view shared by members of an underground organization devoted to the protection and study of the children. Davies secretes Eugene and Jody in this group's hideout so that they can attend to the birth of the child in safety. Discovering that their newborn is indeed one of the same mutants, the Scotts undergo a traumatic test of familial integrity, much like that of the Davies family in the previous film. Their emotional turmoil is further compounded by an assault on the compound by members of a rival underground dedicated to eradicating the monster babies, which leads to a grim and violent confrontation. This time out, Cohen is far more assured at the helm, stabilizing his vision with a more elaborate script, higher budget, and good performances. On the downside, the monster-baby FX haven't particularly improved since the previous outing, but Cohen has the good sense to keep the little rubber beasties fairly well-hidden. ~ Cavett Binion, Rovi
Horror journeyman Larry Cohen, writer and director of numerous quirky horror projects, made his first foray into the genre with this low-budget cult favorite about a murderous mutant baby on a suburban rampage. The story opens with a delivery-room massacre as the newborn child of Frank and Lenore Davies (John P. Ryan and Sharon Farrell) answers the doctor's slap by tearing him to pieces -- along with a few other medical personnel -- before fleeing the hospital for whereabouts unknown. The subsequent hunt for the killer baby creates a rift between Frank, who wants the child destroyed, and Lenore, whose maternal instincts convince her that her child is not deliberately homicidal but merely frightened and defending itself. The baby's bloody rampage continues with several murders (including the creepy scene in which the terrible tyke savages the neighborhood milkman), until it is cornered by Frank and a police task-force. At the crucial moment, Frank has a sudden change of heart and tries to defend the infant from the police. Despite painfully low production values that render the monster scenes a bit silly (Rick Baker's creepy-looking but inarticulate baby model was simply pulled along on a string), Cohen's concept shines through, presenting a skewed but sincere interpretation of family values that could only be pulled off in the horror genre (see also Wes Craven's The Hills Have Eyes for another example). The script makes passing suggestions that the mutation was a result of an inadequately tested fertility drug, a concept explored more fully in the sequel It Lives Again and quite extensively in the third installment, Island of the Alive. ~ Cavett Binion, Rovi
It's Alive 3: Island of the Alive
Better known as It's Alive III, Island of the Alive details the further exploits of the murderous mutant infants introduced in director Larry Cohen's It's Alive! (1974). Said infants are shipped off to a desert island, where they are completely cut off from civilization. The government intends to eliminate the penned-up infants, but Michael Moriarty, the father of one of the babies, organizes a protest against this wholesale slaughter. It is clear to anyone who can read that director Cohen is drawing parallels between the quarantined children and society's treatment of AIDS victims. The strength of Cohen's direction and storytelling prowess is slightly weakened by some inadequate special effects in the closing scenes, wherein the babies reproduce and wreak havoc on the Mainland. ~ Hal Erickson, Rovi
Cast & Crew
- Frederic Forrest - Eugene Scott
- Kathleen Lloyd - Jody Scott
- John Ryan - Frank Davis
- John Marley - Mr. Mallory
- Andrew Duggan - Dr. Perry