Aliens vs. Predator: Requiem[Widescreen Fullscreen] - DVD

Version Details

Cast

• Johnny Lewis - Ricky
• Ian Whyte - Predator
• Kristen Hager - Jesse
• Robert Joy - Col. Stevens
• Shareeka Epps - Kendra
• Steven Pasquale
• Steven Pasquale - Dallas
• Ariel Gade - Molly
• Reiko Aylesworth
• Reiko Aylesworth - Kelly
• Sam Trammell - Tim
• John Ortiz
• John Ortiz - Morales
• David Paetkau - Dale
• Tom Woodruff, Jr. - Alien
• Jonathan Nichols
• Rekha Sharma - Nurse Helen
• Chris William Martin - Deputy Ray
• David Hornsby - Drew
• Catherine Lough Haggquist - Tina
• Kelly Stables
• Nesta Chapman - Homeless Lady
• Tim Perez - Mr. Thomas
• Michal Suchanek - Nick
• Françoise Yip - Ms. Y
• Rainbow Sun Francks - Earl
• Ryan Robbins - Truck Driver
• Dennis Singletary
• Anthony Harrison - Ritchie
• Kurt Max Runte - Buddy
• Victoria Bidewell - Pregnant Sue
• Adrian Hough - ER Resident Doc
• David Cowgill
• Robin Atkin Downes
• Ty Olsson - Nathan
• James Chutter - Deputy Joe
• Phil Buhler - Deputy
• Kevin Haaland - Deputy
• Dalais Blake - Lt. Wood
• Juan Riedinger - Scotty
• Curtis Caravaggio - Special Forces Commander
• Ian Feuer - Predator
• Bobby "Slim" Jones - Predator
• Glen Brkich - National Guard
• Jay-Lyn Green - Pregnant Woman
• Lili Wexu - Pregnant Woman
• Karen Van Blankenstin - ER Doctor #2
• James D. Denver
• Peter Sweeney
• Andrew Hedge - Tank Driver
• Meshach Peters - Curtis
• Val Cole - Broadcaster
• Liam James - Sam
• John Wardlow - Homeless Guy
• Matthew A. Ward - Mark
• Paul Pape
• Kerry M. Gutierrez
• Juan Pope
• Warren Sroka
• Paul Tuerpé
• Chelah Horsdal - Darcy
• Steve Apostolina
• Matt Santoro
• Michelle Ruff
• Gina Holden - Carrie
• Steve Alterman
• Kirk Baily
• Derek Barton
• Lloyd Berry - Homeless Harry
• Tim Henry - Dr. Lennon
• Bridget Hoffman
• Anne Lockhart
• Tom McBeath - Karl

Crew

• Director: Colin Strause
• Producer: John Davis
• Set Decorator: Shane "Pero" Viaeu
• Cinematographer: Daniel Pearl
• Producer: David Giler
• Creature Effects: Alec Gillis
• Producer: Walter Hill
• Production Designer: Andrew Neskoromny
• Producer: Robbie Brenner
• Executive Producer: Robbie Brenner
• First Assistant Director: Lars P. Winther
• Editor: Daniel Zimmerman
• Director: Greg Strause
• Casting: Coreen Mayrs
• Screenwriter: Shane Salerno
• Casting: Heike Brandstatter
• Composer (Music Score): Brian Tyler
• Creature Effects: Amalgamated Dynamics
• Sound/Sound Designer: Patrick Ramsay
• Creature Effects: Tom Woodruff, Jr.
• Executive Producer: Paul Deason
• Casting: Mindy Marin
• Art Director: Helen Veronica Jarvis
• Supervising Art Director: Helen Veronica Jarvis
• Costume Designer: Angus Strathie
• Puppeteer: Morris Chapdelaine ,George Grove ,Paul Hooson ,James Rowley
• Stunts: Maira Carriconde ,Andrew Michael Hill ,Devon Jones ,Rhys Williams
• Set Decorator: Chris Beach
• Assistant Set Decorator: Dale Ann Connery
• Set Dresser: Chris Wishart
• Art Department Assistant: Lori West
• Third Assistant Director: Tanya Cook
• Still Photographer: James Dittiger
• Video Assist: David McKnight ,James Wong
• Boom Operator: David Griffiths
• Properties Master: Terry Weaver
• Assistant Properties: Gavin De West
• Electrician: Cedar O'Rourke ,Paul Martins ,Benn Harrison
• Leadman: Bob Little
• Grip: Dean Reca ,Chris Bamford
• Costume Designer: Petra Bergholz ,Heather Rupert ,Charis Tillson ,Sarah Haddleton
• Special Effects: Phillip Davis ,Chris Link ,Mark Obedzinzki ,Vance Salvalggio ,Steve Collins ,Chris Schreiber
• Construction Coordinator: John William Beatty
• Head Carpenter: Chris Rodgers ,Cameron Senum ,Kenneth Latour ,Peter LaCroix ,Marke K. Walker
• Scenic Artist: Ryan Ostiguy ,Rod MacDonald ,Gio Pasqua ,Renee Dundas
• Personal Assistant: Marie Tongol ,Alex Deas-Hamrick
• Production Secretary: Ali Pounder ,Fleur Western
• Production Assistant: Darius Deandrade ,Jason Moskie ,Jay Koenig ,Nick Fletcher ,Shaun Moskie ,Jonathan Cohen
• Second Assistant Accountant: Jacqueline Dallamore
• Production Accountant: Julie Bygrave ,Janet Lane
• Unit Publicist: Dixie Cutler
• Craft Service/Catering: Nathan Jensen ,Amanda Dobson
• First Assistant Editor: Kirk Moses
• Recording: Eric Flickner
• Assistant Sound Editor: Jason P. Dass
• Assistant Music Editor: Kyle Clausen
• Recording: Bob Wolfe
• Personal Assistant: Pakk Hui
• Sound Mixer: Tom White
• Aerial Photography: Hans Bjerno
• Stunts: Marny Eng
• Visual Effects Producer: Kendrick Wallace
• First Assistant Editor: Ian Silverstein
• Stunts: Mike Ching
• Second Assistant Director: Kathy Houghton
• Scenic Artist: Camac Lyndon Sterling
• Visual Effects Editor: Ryan Chavez
• Stunts: James Bamford
• Puppeteer: David Penikas
• Stunts: Lloyd Adams
• Dialogue Editor: Benjamin Beardwood
• Stunts: Carolyn Field
• Assistant Art Director: Andrew Li
• Script Supervisor: Kelly Moon
• Re-Recording Mixer: Ron Bartlett
• Music Editor: Joe Lisanti
• Stunts: Simon Burnett
• Aeriel Coordinator: Jim Filippone
• Buyer: Sergio Lavilla
• Stunts: Daniel Cudmore ,Justin Sain
• Sound Mixer: Joel Iwataki
• Recording: Joel Iwataki
• Supervising Sound Editor: Jay Wilkinson
• Stunts: Yves Cameron
• Animal Trainer/Wrangler: Mark Dumas
• Stunts: Rob "Sluggo" Boyce
• Special Effects Editor: Simon Coke
• Special Effects Coordinator: Tony Lazarowich
• Stunts: John De Santis ,Duane Dickinson ,Corry Glass ,Gerald Paetz
• First Assistant Sound Editor: Skip Longfellow
• Assistant Properties: Brian Epp
• Best Boy Grip: Matt Almas
• Stunts: Doug Chapman
• Puppeteer: Mike Fields
• Gaffer: Stuart Haggerty
• Stunts: Michael Langlois
• Puppeteer: Geoff Redknap
• Key Grip: Tony Whiteside
• Assistant Hair: Ian C. Ballard
• Supervising Sound Editor: Jim Brookshire
• Negative Cutter: Gary Burritt
• Stunts: Melissa R. Stubbs
• Second Unit Director Of Photography: Joel Ransom
• Second Unit Director: Jeff Habberstad
• Production Assistant: Shannon Corrie ,Conrad Sylvia
• Dolly Grip: Neil McBride
• Construction Foreman: Dale Menzies
• Puppeteer: Hiroshi Ikeuchi
• Camera Operator: Don Reddy
• Second Unit Camera: Peter Wilke
• Stunts: Cody Laudan
• Production Accountant: Jason Bogard
• Camera Operator: Wayne MacConnell
• First Assistant Camera: Reg Gole
• Scenic Artist: Janette Hyland
• Special Effects: Paul Benjamin
• Craft Service/Catering: David Lee ,Nin Rai
• Production Assistant: Damon Evans
• Grip: Scott Vere
• Production Assistant: Holly Pinder
• Special Effects: Gary Heidrick
• Puppeteer: Yuri Everson ,Marc Irvin ,Garth Winkless ,Steve Frakes
• Creature Design: H.R. Giger
• Creature Effects: H.R. Giger
• Second Assistant Camera: Thomas Yardley
• Post Production Supervisor: Christopher Dowell
• Key Hairstylist: Linda Jones
• Electrician: Nina Jones
• Post Production Accountant: John Fletcher
• Production Assistant: Alex Macleod
• Assistant Location Manager: Peter Munro
• Assistant Art Director: Martina Javorova
• Stunts Coordinator: J.J. Makaro
• Scenic Artist: Niki Charalambopoulos
• Animal Trainer/Wrangler: Dana Dube
• Set Dresser: Spencer West
• ADR Voice Casting: Caitlin McKenna-Wilkinson
• Stunts: Eli Zagoudakis ,Austin Dunn
• Special Effects: Kurt Jackson ,Randy Warren Parks ,Dale Shippam
• Production Assistant: Karen Major
• Visual Effects Supervisor: Rob Hodgson
• Third Assistant Director: Jody Ryan
• Extra Casting: Andrea Brown
• Unit Production Manager: Warren Carr
• Key Make-up: Jayne Dancose
• Grip: Drew David
• Puppeteer: Frank Meschkuleit
• Post Production Supervisor: David McKimmie
• Cable Person: Naan Spiess
• Location Manager: S. Steve Sach
• Assistant Production Coordinator: Simon Carrigan
• Recording: Tim Lauber
• Stunts: Raymond Sammel
• First Assistant Camera: Simon Jori
• Second Assistant Camera: Richard Sinclair
• Foley Mixer: Richard Duarte
• Stunts: Loyd Bateman ,Mike Desabrais
• Dolly Grip: Russell Hawkes
• Stunts: Jon Kralt ,Jeffrey C. Robinson
• Best Boy Electric: Niall Fraser
• Assistant Location Manager: Linda Yip
• Art Department Coordinator: Sharon Thompson
• Stunts: Carolyn Anderson ,Colby Chartrand
• Assistant Makeup: Beth Boxall
• Grip: Shane Kjar
• Stunts: Reg Milne
• Transportation Coordinator: Sylvia D. Nablo
• Special Effects Foreman: W.A. Andrew Sculthorpe
• Stunts: Trevor Addie ,Laura Lee Connery ,Lani Gelera
• Special Effects: Chris Flemmington ,Rae Reedyk
• Personal Assistant: Brooke Brooks
• Color Timing: Kenny Becker
• Generator Operator: Roger Bailey
• Foley Mixer: James Ashwill
• Foley Artist: Dan O'Connell
• Re-Recording Mixer: Doug Hemphill
• Director: The Brothers Strause
• Foley Supervisor: Frank T. Smathers

Aliens vs. Predator: Requiem: AMG Review
Jeremy Wheeler , AMG

Two of the biggest movie stars of monsterdom are back once again in this throw-back thriller that despite its best intentions, fizzles in comparison to the legacy it so desperately tries to connect to. To be fair, this rock 'em sock 'em match up is yards better than its sorry predecessor, yet there are still many things that are missing in the Brother Strause's tale of small town meets intergalactic men-in-suits, the first of which is a script. Shane Salerno must be a lucky guy -- who else could ride a screenplay this lacking all the way through production and to the third highest grossing Christmas release of its time? Apparently Mr. I Wrote Armageddon knows exactly what the public wants out of these bad street brawlers -- and that's teen love. Not only that, but Salerno also has the gall to throw in a dime store Ripley and Newt relationship that couldn't be more transparent if he tried (which he didn't). Essentially, it's the same problem that lies underneath the whole production -- and that it's all some sort of rehash. The same goes for many other pieces of the production's pie -- with music, sets and themes steeped in reverence, with little cohesion to create an organic product. Amazingly, none of this is what truly ankles the production -- that esteemed privilege is held by none other than the dynamic duo at the helm of this sinking ship, The Brothers Strause. As these former FX gurus-turned-directors have proven, idolatry is a double-edged sword -- worship the right things and you have good taste, but failing to realize why those things worked in the first place makes for a hollow end product. The result is a terror flick with no terror. What's even worse is that they fail to deliver on the whole reason to see the film in the first place -- to actually see the monsters! It might be a given that these newbies aren't the hottest with creating suspense, but at the very least they should have the know-how to light the creatures in a way so that the audience gets their money's worth. Basically the only way to see the fantastic effects done by Amalgamated Dynamics is by checking out the film's publicity stills, because you'll see a whole lot more of their hard work there than anything that ever ended up on the big screen. Shot in close-up, mostly in extreme darkness, the two big baddies don't have a chance to shine as they have before, with the newest addition to the series, the predalien hybrid getting the biggest shaft of them all. One would think that Colin and Greg Strause would want to showcase their old trade's fine craftsmanship, but again and again, they snip the cords of the ballsy action and leave the viewer highly irritated and yearning for more. Sure, there's gore and yes, it's much welcomed after the silly PG-13 of its precursor, but more blood does not make these franchises. Despite the evidence that much of the production's heart was in the right place, Aliens vs. Predator: Requiem delivers exactly what its title promises -- a memorial service to each franchise, except here the mourners actually pay to attend the ceremony. ~ Jeremy Wheeler, All Movie Guide