Version Details

Cast

• Frankie Avalon - Himself
• Buddy Knox - Himself
• David King-Wood - Warren Sykes
• Jean Martin - Cindy Styles
• Kay Medford - Grace Shaw
• Carl Perkins - Himself
• Aaron Schroeder - Songwriter
• Ray Perkins - Himself
• Jack Jackson - Himself
• Paul Carr - Pete Porter
• Dick Clark - Himself
• Connie Francis - Herself
• Joe Smith - Himself
• Tony Travis - Stage Manager
• Joe Williams - Himself
• Dick Whittinghill - Himself
• Freda Halloway
• Jerry Lee Lewis - Himself
• Robert Pastine
• Zenas Sears - Herself
• Chris Howland - Himself
• Count Basie
• Fats Domino - Himself
• Howard Miller
• The Count Basie Orchestra
• Count Basie and His Orchestra

Crew

• Composer (Music Score): Neal Hefti
• Director: Roy Lockwood
• Editor: Robert Broekman
• Composer (Music Score): Otis Blackwell
• Art Director: Paul Barnes
• Screenwriter: Leonard Kantor
• Cinematographer: Jack Etra
• Editor: Anita Posner
• Producer: Max Rosenberg
• Screenwriter: Milton Subotsky
• Producer: Milton Subotsky

Related Movies

• Weekend in Havana - DVD

Jamboree: AMG Review
Bruce Eder , AMG

A product of independent producers Max Rosenberg and Milton Subotsky -- but distributed by Warner Bros. -- Jamboree (1957) was almost certainly the last "musical" release of a major studio in black-and-white. It's not much of a movie, about two young people (played by Paul Carr and Freda Halloway) trying to make it in the music business, surviving the manipulations of their respective managers (Kay Medford, Robert Pastine) and finding true love as well as success. But surrounding this are some of the top rock & roll talents of the '50s, including Fats Domino ("Wait and See"), Carl Perkins ("Glad All Over"), and Jerry Lee Lewis ("Great Balls of Fire"); there are some notables, including Frankie Avalon, Charlie Gracie, Buddy Knox, and Jimmy Bowen. Additionally, there are lots of also-rans, among them Lewis Lymon & the Teenchords; and some older acts that are completely captivating, most notably Count Basie and His Orchestra, the latter doing "One O'Clock Jump," and Joe Williams is a great solo-featured number -- indeed, the latter is one of those oft-overlooked places where big band, R&B, and rock & roll did intersect. The other highlight for pop-culture mavens are the appearances of various disc jockeys from across the United States (D.C.'s Milt Grant, Philadelphia's Dick Clark, and New York's Jocko Henderson) and Canada as themselves in various vignettes. The story isn't much, though the acting is above average for this kind of movie, and the fact that it was shot in New York gave the producers access to such unusual talents as Kay Medford (in a surprisingly effective dramatic performance). The acting is also infinitely superior to Rosenberg's and Subotsky's earlier jukebox movie, Rock, Rock, Rock!. The matching of the shots is sometimes very poor, and there's not even an effort made -- except with the Basie and Williams clips -- to make the bands look like they're really performing, with none of the instruments hooked up or microphones visible, but the best of the performers throw themselves into the clips and make them generally worth watching. ~ Bruce Eder, All Movie Guide