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The John Wayne Collection [5 Discs] [DVD]

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Overview

Special Features

  • Interactive menus
  • Original graphics
  • Film information
  • Chapters - direct scene access
  • Biography
  • Facts & trivia
  • Special collector's photo gallery

Synopsis

Texas Terror
With a 45-minute running time, or thereabouts, Texas Terror was John Wayne's shortest Lone Star/Monogram Western and far from his best. Believing has accidentally killed his best friend (Frank Ball), the sheriff (Wayne) hands over his badge to George "Gabby" Hayes and retreats to the high country. En route to take over her murdered father's ranch, Beth Matthews (Lucille Browne) is witness to a stage robbery (a typical modern Western, the "stage" in Texas Terror is a Ford T touring car). An unshaven, dirty-looking Wayne comes to her rescue, but she thinks he is part of the gang. Vaguely recognizing his voice but nothing else, Beth later hires the now cleaned-up former sheriff as her new foreman and they quickly fall in love. But during a dance, Joe Dickson (LeRoy Mason), the incognito leader of the stage robbers, informs the girl that Wayne is the man thought to have killed her father. Wayne soon learns of Dickson's own culpability in the killing and summons an entire tribe of Indians to help capture him. The typical Hollywood Indians in this film all speak in broken English, Chief Black Eagle actually saying "Ugh!" on one occasion, an incongruous moment in a Western where the heroine arrives in an automobile. Intentional comedy relief is provided by Fern Emmett, a sort of poor man's Margaret Hamilton, and veteran slapstick comedian Jack Duffy, both of whom engage in a supposedly hilarious milking contest. The climactic chase sequence is rather heavily padded with stock footage from the silent era and Yakima Canutt is spotted quite clearly doubling for Wayne. As always, veteran director Robert North Bradbury has a great eye for composition (the film seems to have been shot on locations in the Sierras), but his handling of actors leaves much to be desired. Tight-lipped LeRoy Mason delivers Texas Terror's only solid performance as the villain. ~ Hans J. Wollstein, Rovi

Angel and the Badman
One of John Wayne's most mystical films, Angel and the Badman is also the first production that Wayne personally produced. The star plays a wounded outlaw who is sheltered by a Quaker family. Attracted to the family's angelic daughter Gail Russell, the hard-bitten Wayne undergoes a slow and subtle character transformation; still, he is obsessed with killing the man (Bruce Cabot) who murdered his foster father. The storyline traces not only the regeneration of Wayne, but of the single-minded sheriff (Harry Carey) who'd previously been determined to bring Wayne to justice. Not a big hit in 1947, Angel and the Badman has since become the most frequently telecast of John Wayne's Republic films, thanks to its lapse into Public Domain status in 1974. ~ Hal Erickson, Rovi

Sagebrush Trail
So unknown was John Wayne in 1934 that the Variety review of the "B"-western Sagebrush Trail fails to list Wayne in the cast! The second of the Duke's films for Lone Star Productions, this one casts him as an accused killer in search of the real culprit. On the lam from the law, Wayne teams up with gunslinger Lane Chandler, never suspecting that Chandler is the man he is looking for. The relationship between Wayne and Chandler, at first friendly and then adversarial, is handled with more depth than was normal in a quickie western. Also in the cast of Sagebrush Trail is stuntman Yakima Canutt, here cast as Wayne's Indian companion "Yak." ~ Hal Erickson, Rovi

Winds of the Wasteland
Former pony express riders John Blair (John Wayne) and Larry Adams (Lane Chandler) don't buy the Brooklyn Bridge in this Republic Western, but the two greenhorns instead purchase a dilapidated stage line to a ghost town. While the unscrupulous seller, "Honest Cal" Drake (Douglas Cosgrove), count his loot, John and Larry learn that Crescent City is inhabited by Rocky (Lew Kelly), who claims to be mayor, postmaster, and sheriff, and Dr. William Forsythe (Sam Flint), a fellow victim of the duplicitous Drake. But despite its current condition, Crescent City has rich potential, especially if the newcomers can obtain a $25,000 government mail subsidy, the winner of which will be determined by a stagecoach race between nearby Buchanan City and Sacramento. Winds of the Wasteland was filmed on location in the Sierra Mountains and in the Sacramento Valley. Watch for future Universal star Jon Hall as one of John Wayne's pony express colleagues. ~ Hans J. Wollstein, Rovi

Randy Rides Alone
In perhaps the most haunting opening of any B-Western, Randy Rides Alone has John Wayne enter a deserted saloon filled with corpses. To the tinny strains of a player-piano and with someone eerily peeking from behind a portrait of Ulysses S. Grant, Wayne's reconnaissance ends with his arrest for murder. No B-Western ground out in five days for around $10,000 could possibly live up to this introduction and Randy Rides Alone quickly gets down to business as usual. But director Harry L. Fraser and scenarist Lindsley Parsons still manage to get in a couple of off-beat touches. The killers, lead by stunt-man extraordinaire Yakima Canutt, are holed up in a cave picturesquely hidden behind a waterfall, and future comic relief George "Gabby" Hayes, looking for all the world like Lionel Barrymore, plays a mute, hunchbacked shop-keeper who may not be all he appears. Add to the mystery elements some extraordinary stunt-work by Canutt and you have a superior series Western. Cecilia Parker, one of the more gracious actresses to appear in low-budget fare, was all set to co-star as the murdered saloon owner's niece, but Wayne came down with the flu and production was delayed. When producer Paul Malvern was ready to begin again, Miss Parker proved unavailable and had to be replaced with 1924 WAMPAS Baby Star Alberta Vaughn, an actress whose career was all but over. Randy Rides Alone did little to alter that fact but the film remains a minor classic of the genre. ~ Hans J. Wollstein, Rovi

Lawless Range
In this, his fourth Western for Republic Pictures, John Wayne plays John Middleton, a would-be rodeo rider forsaking his chance of winning the championship in favor of searching for an old family friend who is missing under mysterious circumstances. After carrying out a bit of undercover work with the help of the missing man's pretty niece, Ann Mason (Sheila Mannors), John is ready to join the local ranchers in their fight against unscrupulous banker Frank Carter, aka Butch Martin (Frank McGlynn, Jr.), who is trying to steal their gold rich land. As he had in his earlier Riders of Destiny (1933), John Wayne "sings" a couple of ditties, including "On the Banks of the Sunny San Juan", his unlikely baritone this time supplied by bit player Jack Kirk. Adding to the unusually high musical quotient is the harmony group The Wranglers performing "The Old Dusty Road", none of which makes anyone forget Gene Autry! ~ Hans J. Wollstein, Rovi

Blue Steel
John Wayne once again goes undercover to catch a wanted outlaw in this average entry in his 1934-1935 Western series for Monogram Pictures. Wayne plays John Carruthers, a U.S. marshal, and his quarry is the Polka Dot Bandit, aka Danti (Yakima Canutt), who has taken off with a 4,000-dollar pay roll. As John soon learns, Danti is in the employ of Malgrove (Edward Peil Sr.), a supposedly upstanding citizen who is secretly trying to starve the good people of Yucca City. Unbeknownst to the townsfolk, a valuable ore runs right through the area and Malgrove is plotting to buy the land on the cheap. Blue Steel was produced at Hollywood's General Service Studios with exteriors filmed at Big Pine, CA. ~ Hans J. Wollstein, Rovi

West of the Divide
Assigned to write and direct the John Wayne western West of the Divide, Robert N. Bradbury dug out the plotline he'd used so often and to such good effect in his son Bob Steele's vehicles. Wayne plays frontiersman Ted Hayden, who spends most of the picture searching for the man who killed his parents. Along the way, he "tames" spoiled heroine Fay Winter (Virginia Brown Faire) and rediscovers his long-lost brother Spud (Billy O'Brien). John Wayne's fistfights with chief heavy Yakima Canutt aren't in the same league as his later Canutt-supervised stunt sequences, but they're pretty good by their own standards. West of the Divide was the fourth entry in Wayne's "Lone Star" series. ~ Hal Erickson, Rovi

Paradise Canyon
Paradise Canyon is one of the most action-packed entries in John Wayne's "Lone Star" series. On the trail of a counterfeiting gang, undercover agent John Wyatt (Wayne) joins the traveling medicine show of Doc Carter (Earl Hodgins). For a while, it looks as though Doc is the leader of the gang, but when he and his daughter, Linda (Marion Burns), are kidnapped by the real villain, Wyatt realizes he's been riding the wrong trail. The last-minute rescue is almost as thrilling as the earlier scene in which Wyatt takes a high dive off a steep cliff into a river. Ace stuntmen Reed Howes and Yakima Canutt are prominent among the supporting players. ~ Hal Erickson, Rovi

The American West of John Ford
McLintock!
Hell Town
Paramount borrowed John Wayne from Republic Pictures for the studio's second screen version of Zane Grey's Born to the West, which was also the Western's original release title. A couple of drifters, Dare Rudd (Wayne) and Dinkie Hooley (Sid Saylor), arrive in a Wyoming town hoping for a handout from Dare's rancher cousin, Tom Fillmore (Johnny Mack Brown). Dare takes but one look at Tom's girlfriend, Judy Worstall (Marsha Hunt), and decides to stay in town. He obtains the job of chuck wagon cook, but Judy, who is falling for the charming newcomer, convinces Tom to give Dare a job with more responsibilities. To get rid of a potential rival and to prove Dare's irresponsibility once and for all, Tom assigns his cousin the job of selling the herd. Unbeknownst to either Tom or Dare, however, saloon owner Bart Hammond (Monte Blue) also has his greedy eye on the herd and sets a trap for Dare. Hell Town used quite a bit of stock footage from the original silent version, Born to the West, which had starred Jack Holt. ~ Hans J. Wollstein, Rovi

'Neath the Arizona Skies
John Wayne attempts to locate Shirley Jean Rickert's wayward father in this low-budget Western from his days with Monogram. The little girl, a "half-breed," is the heir to a 50,000-dollar Indian oil claim, but she needs the signature of her long-lost father in order to collect. Chris Morrell, Nina's foster father, manages to get the tyke out of town before Sam Black (Yakima Canutt) and his gang can get their grubby hands on her and her inheritance, but other villains learn of the girl's potential windfall, including express office robbers Vic Byrd (Jack Rockwell) and Jim Moore (Jay Wilsey). When Vic finally gets hold of the child, he is shot and killed by one of his own hands, Tom (Earl Dwire), who is revealed to be Nina's real father. With Tom's help, Chris manages to trick the Black gang and is able to storm their hideout. In the ensuing melee, Tom is fatally shot but Byrd manages to escape with Nina. Chris goes after them and there is a final confrontation in a raging river. 'Neath the Arizona Skies was based on Gun Glory, a short story by B.R. Tuttle, which had been filmed in 1933 by maverick producer Victor Adamson as Circle Canyon. This earlier version starred Buddy Roosevelt as Chris and Clarise Woods as the little heiress. ~ Hans J. Wollstein, Rovi

The Trail Beyond
Loosely based on a story by pulp writer James Oliver Curwood, this Lone Star Western released by Monogram starred a young John Wayne helping an old family friend (James Marcus) find his long-lost brother and niece. Traveling by train to the Canadian Northwest, Rod Drew (Wayne) is reacquainted with old school chum Wabi (Noah Beery Jr.), a "half-breed" falsely accused of shooting a card shark. Escaping the law, the two friends find their way to Wabinosh General Store, whose gregarious owner, Newsome (Noah Beery), is in possession of a map leading to the whereabouts of the missing Ball family and a fortune in gold. A nefarious French trapper, LaRocque (Robert Frazer), is also interested in the map but Drew and Wabi beat him to the location of John Ball's abandoned cabin. Ball himself is long dead but a portrait proves that his daughter is none other than Felice (Verna Hillie), the adopted daughter of the general store owner. Felice and Rod have fallen in love, however, and after delivering the villains to the mounted police, they leave the Northwest together. A remake of the silent The Wolf Hunters (1926), The Trail Beyond was filmed at majestic Kings Canyon National Park in central California and includes several impressive stunts performed by Yakima Canutt and Eddie Parker. (One stunt that failed -- a transfer from horse to wagon -- was left in the film, adding a rare touch of realism to the proceedings.) The beautifully restored version of the film comes complete with a new background score, a nuisance to purists, perhaps, but a welcome addition for the more casual viewer. A colorized version is also available. Monogram filmed the story a third time, as The Wolf Hunters (1949) and starring Kirby Grant. ~ Hans J. Wollstein, Rovi

The Star Packer
Definitely the most expensive-looking of John Wayne's "Lone Star" westerns, The Star Packer casts "the Duke" as U.S. marshal John Travers. Hoping to flush out a mysterious outlaw chieftain known only as "The Shadow," Travers becomes sheriff of a town where several unsolved murders have occurred. Accompanied by his Indian pal Yak (Yakima Canutt), our hero explores a tunnel leading from the sheriff's office to the outlaws' cave hideout. He manages to ascertain the identity of The Shadow, but first he must rescue heroine Anita (Verna Hillie) from the villain's clutches. As much a horror melodrama as a straightforward western, The Star Packer benefits from the casting of Lone Star "regulars" George (Gabby) Hayes and Yakima Canutt in highly uncharacteristic roles. ~ Hal Erickson, Rovi

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