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It is a journey that the pianist invites the listener to embark on, writes Alain Drouot, jazz journalist from Chicago. Revealing a panorama of uncharted territories, the opener InchYumeInch suggests that it will be well worth the trip. Swiss pianist Stefan Aeby's first solo piano recording is the product of three and a half years of incubation and shows an understanding of what can be accomplished when taking advantage of a studio setting. Whether composed or improvised, the pieces all have a common denominator. All sounds come from the acoustic piano, but they can be distorted or modified through preparation, inserting all kinds of materials inside the instrument, and/or some processing via various electronic devices. This brings out one of Aeby's main traits his attention to detail. If making a distinctive statement and being forward-looking are at the forefront of Aeby's concerns, he does not forget the tradition as witnessed by his thoughtful re-harmonization of Erroll Garner's InchMistyInch that he complements with unobtrusive electronic flourishes.
