About This Item
Of all the pianists in the annals of jazz, Art Tatum is the one who is most often cited by the great pianists of the post-war era as a key influence and inspiration, his remarkable speed, dexterity, fluency and sheer relaxed mastery of the keyboard in his prolific interpretations of the standards from the Great American Songbook setting him apart from just about all of his peers. Developing his skill despite his blindness, he astounded observers, who marvelled at his technique, often saying that he sounded like two people playing. This great-value 93-track 4-CD set comprises a significant proportion of his recordings from his studio debut in 1932 through to 1947 - at that point he began recording for Capitol, and after that had a second substantial career phase recording for Norman Granz's labels during the '50s. It primarily features solo recordings on the Brunswick, Decca, Asch and ARA labels as well as V-Disc recordings, plus trio and small band recordings for those labels as well as Comet, and recordings with the Barney Bigard Sextet for Black & White and other bonus offerings. It does not purport to be a complete or definitive cross-section of this first significant era of his career, but it's certainly a substantial and representative showcase for one of the great piano stylists of the genre. Album Tracks 1. Strange As It Seems 2. Tiger Rag (5 Aug. 1932) 3. Tea for Two (21 Mar. 1933) 4. St. Louis Blues (21 Mar. 1933) 5. Sophisticated Lady 6. Moonglow 7. When a Woman Loves a Man 8. Emaline (22 Aug. 1934) 9. Love Me (22 Aug. 1934) 10. Cocktails for Two (22 Aug. 1934) 11. Ill Wind 12. The Shout 13. Liza 14. I Would Do Anything for You 15. After You've Gone (9 Oct. 1934) 16. Star Dust 17. I Ain't Got Nobody 18. Beautiful Love 19. Body and Soul (Feb 26 1937) 20. With Plenty of Money and You 21. What Will I Tell My Heart?
