About This Item
Adorno's speech reads like a commentary on recording the string quartets op. 130 including the later final movement and the Great Fugue op. 133 with the phenomenal Auryn Quartet on TACET 38 It's as if the subject retreated from his music, and, leaving the apparition to it's own devices, then really made the apparition speak... - One really could not present this late work in a more up-to-date way and yet more entranced, removed from all subjective whispered prompts.