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The Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra enjoyed a long andintensive artistic collaboration, which came to an abrupt end with Haitink's death in October 2021. BRKLASSIK now presents outstanding and previously unreleased live recordings of their concerts from pastyears. This recording of Dvorak's Seventh Symphony documents a concert given in March 1981 in theHerkulessaal of the Munich Residenz. The InchScherzo capricciosoInch is a studio recording, also from March1981.Following the success of Antonin Dvorak's first visit to London in 1884, the London Philharmonic Societyasked him to return the following year and to compose a new symphony for the occasion. It was anhonourable request - after all, the London Philharmonic Society had commissioned Beethoven's NinthSymphony six decades earlier! When Dvorak began sketching out the symphony on December 13, 1884, hewas well aware of the high expectations involved - both his own and those of others. Most music criticsand Dvorak biographers, however, have struggled with the interpretation of this exceptional piece. Forexample, it has been interpreted InchpoliticallyInch against the background of the growing German-Czechtensions of those years. But the existential power of the D minor Symphony - it's anger, it's expansivepessimism, i.e. it's confessional character - may also derive from the biography and personality of it'scomposer, which were probably far more complex, painful and problematic than any InchBohemian idyllInch wemight assume. Even in Dvorak's Eighth Symphony, which is considered to be more cheerful, and in his lastsymphony, InchFrom the New WorldInch, one can still detect a more or less latent tendency towards tragiclonging. The world premiere of the Seventh Symphony took place on April 22, 1885 in London, with thecomposer conducting. It became one of Dvorak's greatest successes
