About This Item
Henriette Bosmans' mother was a pianist and her father played principal cello in Amsterdam's Concertgebouw Orchestra, so it is no wonder that both of these instruments were lasting influences on her musical thinking and sensibilities. Her friendship with cellists Marix Loevensohn and Frieda Belinfante did the rest to guide this Dutch composer's imagination towards the expressive possibilities of the Inchlittle violoneInch. In addition to various pieces of chamber music, the somewhat Iberian-spiced Poeme as well as two concertos were written in the early 1920s. Despite their relative proximity in time, Henriette Bosmans succeeded in not repeating herself. The works are marked by imaginative forms, wildly varied tasks demanded of the soloist and a sophisticated treatment of the orchestra. Despite these works' success, they had disappeared into the annals of history for far too long. Album Tracks 1. Poème for Violoncello and Orchestra 2. Concerto for Violoncello and Orchestra No. 1~Allegro moderato 3. Concerto for Violoncello and Orchestra No. 1~Presto 4. Concerto for Violoncello and Orchestra No. 1~Lento - Moderato 5. Concerto for Violoncello and Orchestra No. 2~Andante molto moderato - Allegro vivace 6. Concerto for Violoncello and Orchestra No. 2~Scherzo. Allegro 7. Concerto for Violoncello and Orchestra No. 2~Lento - Allegro molto
