Beethoven / Lindsay String Quartet - Beethoven: Complete String Quartets - COMPACT DISCS [CD]
Beethoven / Lindsay String Quartet - Beethoven: Complete String Quartets - COMPACT DISCS [CD]
About This Item
- Details
- Genre: Classical
- Description: Limited Edition 10CD box set. The Lindsay String Quartet's award-winning and first Beethoven cycle (1979-83), originally recorded for ASV risk-taking musicianship at the highest level. 'We had spent more time on rehearsing and trying to understand Beethoven than any other composer he was a God to us,' writes cellist Bernard Gregor-Smith. Through the course of their 40-year career, the Lindsay String Quartet was synonymous above all with the string quartets of Beethoven. They began playing together in 1966 while still students at the Royal Academy of Music in London. Six years later, Ronald Birks took the second violin chair to join leader Peter Cropper, violist Roger Bigley and cellist Bernard Gregor-Smith. As the quartet in residence at the universities of Sheffield and Manchester, they began to scale the monuments of the repertoire, and they developed a collective identity - 'the Lindsays' sound' - which became much better known once they started to record the quartets of Beethoven for the Enigma tag in the late 1970s. Opp 74 and then the six Op 18 quartets were released as analogue LPs before the Lindsays moved to the ASV tag and recorded the rest of the cycle with new digital technology. Instantly recognisable even now and quite distinct from the ensembles of note who came before and after them, the Lindsays always sounded like a quartet of four discrete and entirely individual personalities. They soon became celebrated for a fierce, even ferocious commitment to both the notes on the page (taking Beethoven's repeat marks seriously when it was still unfashionable to do so) and to the sometimes rough, often tough and yet elevated spirit of music that still sets a benchmark for both ensembles and listeners. The Lindsays left nothing in the rehearsal studio, even when the red light was on. Already in this first cycle, the Lindsays take chances, stress the forward-lo
- Artist: BEETHOVEN / LINDSAY STRING QUARTET
- Title: Beethoven: Complete String Quartets
- Format: CD
- Label: Eloquence Australia
- Release Date: 08/13/2021
- Genre: Classical
- Other
- Product Name: Beethoven / Lindsay String Quartet - Beethoven: Complete String Quartets - COMPACT DISCS
- UPC: 028948430697
Limited Edition 10CD box set. The Lindsay String Quartet's award-winning and first Beethoven cycle (1979-83), originally recorded for ASV risk-taking musicianship at the highest level. 'We had spent more time on rehearsing and trying to understand Beethoven than any other composer he was a God to us,' writes cellist Bernard Gregor-Smith. Through the course of their 40-year career, the Lindsay String Quartet was synonymous above all with the string quartets of Beethoven. They began playing together in 1966 while still students at the Royal Academy of Music in London. Six years later, Ronald Birks took the second violin chair to join leader Peter Cropper, violist Roger Bigley and cellist Bernard Gregor-Smith. As the quartet in residence at the universities of Sheffield and Manchester, they began to scale the monuments of the repertoire, and they developed a collective identity - 'the Lindsays' sound' - which became much better known once they started to record the quartets of Beethoven for the Enigma tag in the late 1970s. Opp 74 and then the six Op 18 quartets were released as analogue LPs before the Lindsays moved to the ASV tag and recorded the rest of the cycle with new digital technology. Instantly recognisable even now and quite distinct from the ensembles of note who came before and after them, the Lindsays always sounded like a quartet of four discrete and entirely individual personalities. They soon became celebrated for a fierce, even ferocious commitment to both the notes on the page (taking Beethoven's repeat marks seriously when it was still unfashionable to do so) and to the sometimes rough, often tough and yet elevated spirit of music that still sets a benchmark for both ensembles and listeners. The Lindsays left nothing in the rehearsal studio, even when the red light was on. Already in this first cycle, the Lindsays take chances, stress the forward-lo
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