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Dylan's Second 1964 Album Expands Songwriting Themes and Adds Levity Wider Grooves, Superior Sound Mobile Fidelity's 45RPM Edition The Last Word in Analog Fidelity Recorded in One Day Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace the Bard's Loosest 1960s Effort Includes 'I Shall Be Free No. 10, It Ain't Me Babe, My Back Pages, Chimes of Freedom' The Freewheelin' Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity The ever-evasive Bob Dylan never explicitly stated exactly what represented the 'another side' of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more. As part of it's Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album. Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelity's reissue illuminates the artist's condition - he laughs in the midst of songs, exp
