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It's a meaningful way to connect with the past that doesn't feel totally nostalgic and self-indulgent,Inch says Conor Oberst of the forthcoming Bright Eyes reissue project. InchWe are taking these songs and making them interesting to us all over again. I like that. I like a challenge. I like to be forced to do something that's slightly hard, just to see if we can.Inch InchJust to see if we canInch could be the unofficial motto of Bright Eyes, the band Oberst founded as a teenager and plays in with two of his oldest friends, multi-instrumentalists Mike Mogis and Nate Walcott. InchWe've never made the same record twice,Inch the singer says. InchI'm proud of that.Inch From warm folk-rock to austere electro, plaintive, earnest ballads to glacially cool guitar noise, Bright Eyes has tried on pretty much every sound that's ever inspired them, just to see if they could. Along the way they've collaborated with many of their influences, heroes, and peers, from Gillian Welch and Emmylou Harris to Jenny Lewis, Nick Zinner and Britt Daniel. And they've seen their songs covered by many more, including Lorde, The Killers, and Mac Miller. For a band that's often been perceived as an outlier - the ingenious but quixotic group fronted by that wunderkind singer-songwriter with the floppy hair and bedroom eyes - the depth, breadth, and impact of the Bright Eyes canon is remarkable. And that's what really strikes you when you sit down to fully take in the nine Bright Eyes albums that will be reissued, in chronological order, in groups of three, beginning this spring. Over the last two-plus decades, as Bright Eyes has released one after another time capsule LP's -urgent dispatches from transcendent, fleeting eras of our collective lives - they've also simultaneously been assembling a robust, mature, narratively cohesive discography. InchI've written a looooot of songs,Inch Oberst says, la
