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Salt Lake City's indie pop favorites Choir Boy return after four years with the of their new cosmic album, Gathering Swans. An emotionally powerful record, full of poignant heartbreak and gently steeped in pop nostalgia, Choir Boy push their distinctive sound further, while tenderly romancing the unsuspected. Since the of their well-received 2016 debut Passive With Desire, of which Slug Magazine's Erin Moore declares to be Inch... packed with songs that are infectious by way of their sound, as well as their emotion... Inch, and their 2018 single InchSunday LightInch, the band evolved from singer Adam Klopp's project accompanied by a rotating cast of players into a solidified, permanent lineup featuring long-time collaborator and bassist Chaz Costello, saxophonist and keyboardist Jeff Kleinman, and guitarist Michael Paulsen. Following a series of tours with such notable acts as Cold Cave, Snail Mail, and Ceremony, Choir Boy began writing their new album. Proving to be a worthy successor, Gathering Swans builds upon Choir Boy's infectiousness with unique pop sensibilities and impeccable Polish. The first single, Complainer, demonstrates Klopp's angelic voice effortlessly floating within the heart-wrenchingly somber melodies, that in a tender state, will surely render tears. Lyrically, the song poses a form of wounded optimism, declaring InchOh my life, what a pitiful thing to hear... But it's not that bad... I'm just a complainerInch. Tracks such as Toxic Eye undoubtedly present the touching Inchchoral-popInch sound that has come to be a hallmark of Choir Boy. Repetitious, layered vocal hooks that fade into the background, allowing the absence between breaths to be filled with the serene melody that embodies the foundation of Choir Boy's appeal, demonstrating that the ethereal moments between the bright choruses and memorable hooks are as equally crucial and unforge