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The usual boom-and-bust cycles of growing up - breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to Debby Friday, it's tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what's possible and what's futile - GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey's complicated drops and mountain highs with something more like grace.Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - Debby Friday's roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses - the lure of the party was the perfect escape. Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. InchThis is what I was born to do,Inch she goes. InchIt came to me so naturally and instinctively.InchSo what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. DEBBY'S serious study o
