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Two years after the of InchAyamInch, the fourth Disillusion full-length will have spun on record and CD players, and also been streamed countless times. Every melody, rhythm pattern, and note will have been listened to again and again. And yet, there are still many musical 'secrets' waiting to be uncovered and treasures to be found. With InchAyam (Instrumental)Inch, Disillusion offer their most dedicated followers a beautiful map to find some of the hidden gems. Without the magnificent vocals, other aspects of the songs begin to shine, and new aspects of each track come to the fore. Nothing has been added to the original songs, only the vocals have been taken out of InchAyamInch. At the time of the album's creation, Disillusion were entirely focused on the band and on composing new songs as the pandemic prevented all live activities and also restricted private activities. The effect is audible InchAyamInch sounds richer, even more multi-layered, and fully matured compared to the already highly praised previous releases. Yet the intricacies of the German avant-gardists' music are never just a means to an end, but more than anything all the complexity is subjugated to serve the inner feeling and cinematic aspect of each song itself. While Disillusion stuck closer together, they were also searching their hearts whether it was time to change old habits and try out something new. This led to the excellent decision to leave the mix of the album to different ears than the bands' for the first time. Their choice could not have been better as renowned producer Jens Bogren (OPETH, KATATONIA, MOONSPELL) once again worked his exciting magic and enhanced their already unique sound by shining a sonic spotlight to the most important aspects such as the vocals. Founded around singer and guitarist Andy Schmidt in the East Germany city of Zwickau in 1994, Disillusion pulled the rare
