Eddie Spaghetti - Extra Sauce - VINYL LP
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In 2003, Motherfuckers Be Trippin' revived the Supersuckers nameplate. Issued through their own Mid Fi imprint, it riffed and smirked with renewed zing and estimable sleaze. That air of lovable gracelessness carries over to Suckers' main man Eddie Spaghetti's first solo effort, a messy and grinning bucket of covers called Sauce. In his liner notes, Spaghetti trashes the whole idea of solo records, especially those that consist solely of covers. But in typical fashion, that doesn't stop him from doing his own. Sauce features quick and easy, largely acoustic versions of outlaw country faves from Kris Kristofferson (InchBest of all Possible WorldsInch) and Willie Nelson (the mirthful and giddy InchGotta Get DrunkInch). There's also a run through InchCocaine Blues,Inch but his isn't underpinned with terror like Johnny Cash's. Instead, Spaghetti cranks it out steely and fast, like it was the last song of the middle set in a Tuesday night dive bar gig. He gets a tad serious - or at least heartfelt - with Steve Earle's InchI Don't Want to Lose You Yet,Inch but it's back to a bleary-eyed cross of honky tonkin' and low culture slummin' for InchPeace in the ValleyInch (originally by A3) InchWell I got ecstasy/But I need some company. Inch That sentiment continues for InchKiller Weed,Inch the better of Spaghetti's two originals here. As he does throughout Sauce, Eddie adopts a sort of deadpan Lee Hazlewood persona for the track - he might as well perch a raglan horse head on the lip of a six-foot bong. Sauce isn't country, and it doesn't rock like his day job. But from end to end, it drips with the same dastardly good-time juice that defines the best Supersuckers stuff. Written by Johnny Loftus, borrowed from AllMusic. Com
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- GenreRockDescriptionIn 2003, Motherfuckers Be Trippin' revived the Supersuckers nameplate. Issued through their own Mid Fi imprint, it riffed and smirked with renewed zing and estimable sleaze. That air of lovable gracelessness carries over to Suckers' main man Eddie Spaghetti's first solo effort, a messy and grinning bucket of covers called Sauce. In his liner notes, Spaghetti trashes the whole idea of solo records, especially those that consist solely of covers. But in typical fashion, that doesn't stop him from doing his own. Sauce features quick and easy, largely acoustic versions of outlaw country faves from Kris Kristofferson (InchBest of all Possible WorldsInch) and Willie Nelson (the mirthful and giddy InchGotta Get DrunkInch). There's also a run through InchCocaine Blues,Inch but his isn't underpinned with terror like Johnny Cash's. Instead, Spaghetti cranks it out steely and fast, like it was the last song of the middle set in a Tuesday night dive bar gig. He gets a tad serious - or at least heartfelt - with Steve Earle's InchI Don't Want to Lose You Yet,Inch but it's back to a bleary-eyed cross of honky tonkin' and low culture slummin' for InchPeace in the ValleyInch (originally by A3) InchWell I got ecstasy/But I need some company. Inch That sentiment continues for InchKiller Weed,Inch the better of Spaghetti's two originals here. As he does throughout Sauce, Eddie adopts a sort of deadpan Lee Hazlewood persona for the track - he might as well perch a raglan horse head on the lip of a six-foot bong. Sauce isn't country, and it doesn't rock like his day job. But from end to end, it drips with the same dastardly good-time juice that defines the best Supersuckers stuff. Written by Johnny Loftus, borrowed from AllMusic. ComArtistEddie SpaghettiTitleExtra SauceFormatVINYLLabelReptilian
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In 2003, Motherfuckers Be Trippin' revived the Supersuckers nameplate. Issued through their own Mid Fi imprint, it riffed and smirked with renewed zing and estimable sleaze. That air of lovable gracelessness carries over to Suckers' main man Eddie Spaghetti's first solo effort, a messy and grinning bucket of covers called Sauce. In his liner notes, Spaghetti trashes the whole idea of solo records, especially those that consist solely of covers. But in typical fashion, that doesn't stop him from doing his own. Sauce features quick and easy, largely acoustic versions of outlaw country faves from Kris Kristofferson (InchBest of all Possible WorldsInch) and Willie Nelson (the mirthful and giddy InchGotta Get DrunkInch). There's also a run through InchCocaine Blues,Inch but his isn't underpinned with terror like Johnny Cash's. Instead, Spaghetti cranks it out steely and fast, like it was the last song of the middle set in a Tuesday night dive bar gig. He gets a tad serious - or at least heartfelt - with Steve Earle's InchI Don't Want to Lose You Yet,Inch but it's back to a bleary-eyed cross of honky tonkin' and low culture slummin' for InchPeace in the ValleyInch (originally by A3) InchWell I got ecstasy/But I need some company. Inch That sentiment continues for InchKiller Weed,Inch the better of Spaghetti's two originals here. As he does throughout Sauce, Eddie adopts a sort of deadpan Lee Hazlewood persona for the track - he might as well perch a raglan horse head on the lip of a six-foot bong. Sauce isn't country, and it doesn't rock like his day job. But from end to end, it drips with the same dastardly good-time juice that defines the best Supersuckers stuff. Written by Johnny Loftus, borrowed from AllMusic. Com

Limited colored vinyl LP pressing. Supersuckers frontman Eddie Spaghetti released his second solo album in as many years with 2005's Old No. 2. Like his previous solo disc Sauce, Old No. 2 is dominated by covers, though Eddie wrote a whopping four new songs for this set, and since this album boasts a significantly lower goofiness quotient than his previous go-round, he offers us some solid and literate country-rock tunes, including the ode to touring Here We Go and a rueful look back at a busted romance, Some People Say. Old No. 2 is in the tradition of the Supersuckers' periodic visits to the land of twang, with even the AC/DC and Coasters covers boasting a semi-acoustic sawdust-on-the-floor vibe, and his band (anchored by guitarist Jordan Shapiro) kicks up a satisfying amount of dust, even with the amps turned down.
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The John Paulson Big Band Project Liner Notes by John C. Paulson The goal of this project was to perform and record a set of big band jazz charts I began writing nearly 30 years ago. In 2011, I was successful in acquiring a McKnight Individual Artist grant thru the Southeastern Minnesota Arts Council to help make this happen. First of all I had to do extensive rewriting and finishing work on each existing chart since many of the necessary details had not been completed. In the process I came up with some new charts along the way. While I was completing all of the writing tasks, I started work on lining up the best area musicians I could find for each spot in the band as well as investigating some of the top soloists in the Midwest. This led me to utilizing the talents of Twin Cities artists Adam Meckler, (trumpet and flugelhorn); Scott Agster, (trombone) and guitarist Scott Gerry (a former student of mine). The grant provided for an extensive afternoon rehearsal followed by a public concert at the Winona Art Center November 17, 2012. Plans were also to include recording the event. Although the venue was rather small for the project, it ended up working very well and the artwork in place made a great setting. Unfortunately, we had to turn people away but those who got a seat were very enthusiastic about the music and the soloists that evening. What was to be only a single concert ended up to be three concerts in the next few months and what wasn't recorded InchliveInch was completed in a single session at Saint Mary's U. in May of 2013. The audio CD also includes two 'live' tracks from a John Paulson Jazz Sextet concert we did in January 2013 at Century High School-'Late Winter-Early Spring' by Larry Price and 'Slipstream' by John Paulson. I hope you'll enjoy the energy and spirit we've captured on these recordings. For more information on this and other projects, plea
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