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There's no mistaking the sultry lilt of Eliana Glass-alternating between an offbeat, searching quality and her poignant, awe-inspiring range. Her piano playing also possesses this stirring push and pull between the otherworldly and painfully human-each melody it's own unique, aching realm. Glass' sparse, meditative music often captures, in her words, the Inchcondensation of everyday life,Inch an image that suits the bittersweet, ephemeral, and abstract nature of her work. Glass' debut album, E, arrives via Shelter Press, and not only is it a tender portrait of her lifelong relationship with the piano, it's also a distillation of entire lifetimes into song.The Australia-born, Seattle-bred, and New York-based singer-songwriter and pianist learned to sing and play piano by ear as a child. Glass took an immediate liking to her parents' piano, frequently hiding underneath it and letting her imagination run wild. InchI felt protected under the wooden beams, and I remember looking up at the legs, wires, and foot pedals and seeing the instrument in a new way-everything suddenly everted,Inch Glass recalls. InchI like to think about E as recalling this memory in sound.Inch Glass spent years learning jazz standards, and she also learned to sing in Portuguese after falling in love with Brazilian music. Glass studied jazz voice at The New School under teachers Andrew Cyrille, Ben Street, Jay Clayton, and Kris Davis, and she began singing in piano/bass/drums quartets around New York City. In the latter half of her studies, she started writing her own songs inspired by boundary-pushing artists like Ornette Coleman, Asha Puthli, and Jeanne Lee. During the height of the pandemic, she lived with her brother Costa (who now records as ifiwereme) and felt drawn to the piano again, and they wrote songs together for the first time. Then, over a four-year span, Glass teamed up with Public Re
