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During his short and turbulent life, Robert Schumann often composed as if in a trance. This exuberance, this impulsivity is particularly apparent in his works for piano and orchestra, all closely connected to his love for Clara Wieck. - InchA cross between symphony, concerto and great sonata, not a concerto for the virtuosoInch was his aim - and this is brilliantly realized; however, these works require a virtuoso with nimble, as well as strong and sensitive fingers, a pianist able to recreate Schumann's unique romantic world. Gerhard Oppitz achieves this in exemplary fashion, flawlessly mastering the technical demands in an interpretation imbued with a very personal passion for one of our greatest composers - all the while supported by and in dialogue with an orchestra ideally suited to his vision The Bamberger Symphoniker. Details 1. Allegro Affettuoso 2. Intermezzo. Andantino Grazioso 3. Allegro Vivace 4. Introduction and Allegro, Op. 134 5. Lebhaft 6. Romanze. Ziemlich Langsam. Doch Nicht Schleppend 7. Sehr Lebhaft 8. Introduktion - Langsam 9. Allegro
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