About This Item
As Green-House, musicians Olive Ardizoni and Michael Flanagan engage human nature and the natural world through joyous, dynamic synthesis. Overlaying frequencies and expressions like camouflage, their deeply layered collaborative process begins with either artist; Ardizoni is often drawn to melody, Flanagan to harmonics. The power lies in how their ideas helix together, achieving a depth greater than the sum of it's parts. For their first LP with new tag home, Ghostly International, Green-House grows and refines their vivid instrumental songcraft with uncharted, genre-defying freedom and movement, a more active, percussive, and emotion-filled energy, marked by flowing bodies of sound and sweeping vistas. Hinterlands tunes into the beauty of the world with defiant, radical sincerity. Since 2020, across a catalog of acclaimed releases via the scene-creating Los Angeles imprint, Leaving Records, the duo has pursued a curiosity in environments, reaching for innate and faraway spaces by way of organic and synthetic instrumentation, high-definition sound design, and Inchidiosyncratic melodies crafted with the patient and methodical hand of a gardener,Inch writes Pitchfork. Green-House doesn't fit neatly into any single category. Ardizoni and Flanagan aren't aligned with New Age ideologies or spirituality, and the ambient tag feels increasingly limited given all that's going on in their songs, which skew closer to the realms of IDM or even modern classical on their new album. What remains inherent is an open sense of wonder, Inchthe idea of legitimizing certain emotions within music that often aren't taken seriously in art, like happiness and joy,Inch says Ardizoni, whose eclectic personality shines through even without lyrics. Details 1. Sun Dogs 2. Sanibel 3. Farewell, Little Island 4. Misty Step 5. Dragline Silk 6. Hinterland I 7. Hinterland II 8. Hint
