The story of Seattle's rise to global rock supremacy in the late '80s and early '90s begins with Green River. Made up of Jeff Ament (bass), Mark Arm (guitar/vocals), Bruce Fairweather (guitar), Stone Gossard (guitar), and Alex Shumway (drums), the quintet put out three 12Inchs and a 7Inch single during it's brief existence. Green River's influence on Seattle's music scene spread far and wide thanks to the members' dispersion into bands including Pearl Jam, Mudhoney, and Love Battery, as well as the punk-glam-sludge-rock songs they left behind. InchBy '83, '84, there was definitely a movement that was happening within hardcore, like Black Flag slowing down for My War,Inch says Arm. InchThe Replacements and Butthole Surfers were rearing their heads, and they're very different bands, but they're not hardcore-the Replacements are pretty much straight-up rock, and Butthole Surfers were God knows what. Sonic Youth's Bad Moon Rising was around, and a lot of really interesting post-hardcore things were happening.Inch Green River, which formed in 1984, was part of that evolution, with a sound that straddled a lot of different genres-blues, punk, bloozy straight-ahead rock. The mini-LP Dry As A Bone, which came out in 1987, and the band's lone full-length Rehab Doll, which came out in 1988, were released as a single CD with a few bonus cuts, including their sneering cover of David Bowie's InchQueen B*tchInch and their marauding version of Dead Boys' InchAin't Nothin' to Do,Inch in 1990-but they've been unavailable on vinyl for years. Now, these slices of Seattle music history are not only back in print, they're accompanied by items from the vaults that had been forgotten about for decades. Dry As A Bone was recorded at Jack Endino's Reciprocal Recording in 1986, and it shows the band in furious form, with Arm's yowl battling Fairweather and Gossard's ferocious guitar playing on
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