About This Item
2LP 200 gram super-heavyweight vinyl. 'Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played. ' Though not intended as such, in some respects Leviathan and it's creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno's No Pussyfooting into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond's Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid - Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) InchDance musicInch category, occasionally (equally inaccurately/narrowly) described as InchambientInch music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognising - until much later - the scope of it's influence. The Grid's success - a number of hit singles and albums, including the million selling InchSwamp ThingInch, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp - could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself. The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to se
