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Hallelujah is a cinematic milestone: the first all-black feature from a major studio and famed director King Vidor's (The Champ, The Big Parade) first talkie. But the film surpasses its historical significance, telling a story of profound dignity and understanding that it as fresh and moving as the day it premiered. Featuring a largely unknown cast and infused with spirituals, folk songs, blues and jazz (Irving Berlin provided two songs
