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The original semantic value of re-ligio, therefore considered as a restoration of contacts, as a meeting point of distant but related cultures. Referring to the genesis of the work, the composer herself states Reading these works has significant inner similarities contemplation and sophistication. The lines from the work of IV Oganov - Inchthe pain of a flower's testInch, Inch... The roar of the singing garden grewInch, Inch... The revelation of the rose... Inch, Inch... The lotus was set on fire by the musicInch, Inch... The white garden began to resound again with diamond borders... Inch - encouraged me to a concrete sound perception of this garden. On the other hand, however, all this ecstatic flowering was expressed naturally in Tanzer's reflections on the world in it's entirety. At the basis of the musical rendering of this piece there is in fact the opposition of the bright and diaphanous timbre of the natural harmonics with the sad coloratura of the intervals of minor second and minor third. Album Tracks 1. Sonate pour flûte, alto et harpe~Pastorale 2. Sonate pour flûte, alto et harpe~Interlude 3. Sonate pour flûte, alto et harpe~Final 4. And then I knew 'twas Wind 5. Petite Suite pour flûte, alto et harpe~I. Prélude. Modéré 6. Petite Suite pour flûte, alto et harpe~II. Modéré sans traîner 7. Petite Suite pour flûte, alto et harpe~III. Vivement 8. Petite Suite pour flûte, alto et harpe~IV. Allant 9. Petite Suite pour flûte, alto et harpe~V. Au vrai Mouvement 10. New Gates 11. Garten von Freuden und Traurigkeiten
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