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Horn Universe - Works for Horn, Tenor and Orchestra by Telemann, Mozart, Britten and KiktaAlthough nameless, the Suite in F Major TWV 44 7/55 F4 by Telemann is extremely pictorial In the early 18th century, the horn is still somewhat new as an ensemble music instrument, and it serves to evoke the rural. This piece takes us outdoors. Like any French-style suite, it begins with a slow and majestic Overture, almost celestial [...] This recording allows us to discover a new completion of Mozart's Concerto in D, with a reworked second movement (Andante) by horn player Marco Elia Righi in 2020. Not only did he bring the Rondo with Mozart's original melodies back to life, he also added a second movement, Andante Written in consideration of the natural horn's technique, this new movement is quite reminiscent of the style of the slow movements of the other concertos, while perfectly ?tting into the continuity of the Allegro. Marco shows real Mozartian taste, and brings a little freshness into this familiar music. What a pleasure to rediscover Mozart! The Serenade by Britten begins and ends with calls, not of a bugle as evoked in the Nocturne, but of a horn. In this period of con?ict when many deaths were to be deplored, one cannot ignore the thought of a death knell, recalled by the two horn solos which frame the Serenade. These calls, played without the valves, let the tone of F and it's natural harmonics sound the way the bugle without valves can produce them. On the other hand, not only does Britten's choice highlight the beauty of the horn and the talent of it's interpreter, but these sounds add a plaintive and painful idea that announces everything that the tenor declares. [...] As a great admirer of all the works in this album, hornist Herve Joulain cannot hide his excitement at presenting the Concerto for Horn and Strings by Valery Kikta. The composer is of Ukrainian
