About This Item
Preserved in three different libraries, the Marciana in Venice, the Library of the Naples Conservatory, and the State and University Library in Hamburg, the six cantatas that make up this world-premiere recording were composed by Benedetto Marcello in the early 18th century. These are thus youthful works, quite interesting for the originality of their writing, which helps us understand why their author was so highly regarded during his lifetime - even called the Inchprince of musicInch - and also by posterity, as he managed to blend his personal sensibility with lessons drawn from tradition and the influences of a life rich in cultural encounters.The compositional structure of these works - less known than his concertos and theatrical works - follows the traditional of alternating recitatives and arias. However, this does not prevent the author from experimenting with innovative solutions, particularly in the treatment of the voice. Typical of Marcello's style is a certain inclination toward the bizarre, with the use of harmonies that can sound Inchestranging,Inch sudden modulations, chromaticism, augmented sixth chords, and the melodic interval of the diminished fourth. In some passages, he even seems to anticipate the models of the InchsublimeInch style theorized in the mid-to late 18th century. Album Tracks 1. Costanza in Lontananza 2. Deh Vanne Del Mio Cor 3. Filli, Quant'io T'amai 4. Dimando a Voi Pietà 5. Amor D'intorno Mi Sta Scherzando 6. Se Franger Non Potete
