Would 25-year-old Orson Welles (whose 1941 Citizen Kane staggered Hollywood) go to Brazil and make a film for the United States' anti-Nazi "Good Neighbor Policy"? Welles eagerly agreed, masterminding a complex film that featured three separate stories, each vividly depicting the charm, drama and politics of South American culture. During the course of filming, Welles encountered hazardous locations and an ever-changing cast of studio ex
