When the biggest stars in our universe begin to burn up and collapse they neon gas. When electricity is passed through neon gas it glows. When it's captured within glass we can use it to make coloured light. When that glass is shaped into the outline of a naked girl it can be hung outside a strip club. In this meeting of the celestial and the profane, the epic and the particular, lies Jaga's new album Starfire.In December 2012, Jaga's main songwriter, Lars Horntveth, left Norway and moved to Los Angeles. There, on the other side of the world, inspired by the space around him, the size of the sky above him, the endless light flashing past as he drove round the city at night, he began composing the new suite of works which would become Starfire. Periodically he was joined by other members of the 8-piece band who would lay down their contributions in his apartment/studio before returning home to Norway. When the basics of the album were in place, he went back to Oslo to finish the record in the professional studios that the band had built and furnished over the years.The result is a revelation - in itself no mean feat for a band with a twenty year history. After the more heavily scored work of One Armed Bandit and Live with the Britten Sinfonia, Starfire moves to a more experimental studio-led approach - InchThe idea was that we thought about the songs as both the original song and a remix in oneInch - morphing each song into a variety of sonic directions. With an increase in the use of electronics and the guitar work of Marcus Forsgren given new prominence, it's probably the least straightforwardly InchjazzInch of their records. Instead, all the elements which have made them such an important band-the way their technical chops combine with the kind of mutual sympathy which comes from growing up together-are here melded into an utterly unique sound on what could turn o