About This Item
Influenced by Grisey, Murail and Xenakis, Rosing-Schow writes music in which timbre and colour are as important as theme and harmony. His works unfold like blossoming flowers, and his early interest in improvisation brings a sense of interdependent, conversational instinct to the three concertos and two ensemble works on this . His sources of inspiration are many, including ecological concerns, and his material is released with a calligraphic, aerated clarity and sense of functionalism in which no note, timbre or color is wasted.
