Jeppesen / Nielsen / Lanzky-Otto / Oien - Little Trio / Canto Serioso - COMPACT DISCS [CD]

Following a series of acclaimed recordings of 19th-century music including complete cycles of the symphonies by Schubert and Schumann, Thomas Dausgaard and his Swedish Chamber Orchestra turn to Felix Mendelssohn. The team's latest offering unites three of the composer's four celebrated concert overtures, written between 1826 and 1835 and setting new standards for this emerging genre Mendelssohn's overtures are also tone poems, combining a Classical conception with Romantic expressivity. The earliest of the three, A Midsummer Night's Dream, Mendelssohn composed at the age of seventeen, and his sister Fanny later remarked how Shakespeare's play had been a constant presence at their home, and 'how at various ages we had read all the different roles, from Peaseblossom to Hermia and Helena...' The overture immediately became one of Mendelssohn's signature pieces, and seventeen years later he returned to it, composing additional incidental music for a stage production of the play. Written for soloists, women's choir and orchestra, the complete Midsummer Night score is included here. The disc opens with the last of the four overtures to be composed, however The Fair Melusine, which Mendelssohn wrote after having heard an opera based on the old French tale of the water spirit Mélusine and her sad fate. Actively disliking the opera, Mendelssohn was provoked into his own musical setting of the subject matter in the form of a concert overture. Water, and it's depiction in music also plays an important role in The Hebrides, the closing work on the present recording. Inspired by the poems by Ossian, which captured the imagination of an entire generation at the beginning of the Romantic era. Mendelssohn visited Scotland and the Hebrides in 1829, and already during this trip he sent a postcard to his family, with the overture's famous opening written down in a four-part setting.

- Composed 1940-44, Kaikhosru Sorabji's '100 Transcendental Studies' seven-hour duration makes it by far the largest collection of concert études in the repertoire. - Most are typical studies, with a single technical or structural idea being explored. - But later on Sorabji inserts pieces of much larger scale, three examples of which are on this fourth disc in Fredik Ullén's traversal of the set. - A true pioneer of this repertoire both live and on disc, Mr. Ullén has been duly acclaimed in BBC Music Magazine (Inch... textural clarity and jaw-dropping virtuosityInch) and Fono Forum (Inchstunning masteryInch). Album Tracks 1. 63. en Forme de Valse. Leggiero Con Desinvoltura 2. 64. (Untitled) 3. 65. (Untitled) 4. 66. (Untitled) (Lascia Vibrare Gli Arpeggi) 5. 67. (Untitled) 6. 68. (Untitled) Sottovoce 7. 69. La Punta D Organo. Sottovoce 8. 70. Rhythmes Brises 9. 71. Aria

Album Tracks 1. Piano Concerto No. 1, Opus 13 2. Piano Concerto No. 4, Opus 63 3. Paw 4. Palle March 5. 3rd Movement of Piano Concerto No. 2, Opus 30 - 1. Allegro Moderato 6. Visions Fugitives for Piano and Orchestra 7. Concerto for Piano, Strings and Percussion 8. The Twelve Tones 9. Nine Friends