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Sugaring a Strawberry, the sophomore record from Julia, Julia, is a study in coming undone-on purpose. Recorded at COMA, Julia Kugel's home studio, and mixed through a custom Flickenger clone, the album drifts in and out of clarity like memory itself. It's emotionally retrospective, creatively unvarnished, and deeply human. You can hear it in the hiss, the warmth, in the vocals so raw they're like an open window. These songs weren't engineered for perfection. They were built to breathe. Her long-time collaborator and husband, Scott Montoya, mixes it all so loosely that you can hear the air between tracks- a space that makes the music feel inhabited rather than recorded.InchBoundInch opens the album like a secret passed between sisters, solemn and unspeakably close. It begins with the softest of touches hushed guitar, a near-whispered delivery that carries the intimacy of someone singing only for one other person. It's a love song, but not romantic, more ancestral in the way long bonds can be. The lyric InchI will be your homeInch is like a vow that has already been kept again and again. Hovering between devotion and entrapment, it unfolds slowly and sacredly. All glow and undercurrent, InchI Know,Inch is like hearing someone hum through a wound. The track arrives as if it had been waiting, coiled and complete, to be sung. It's pulse is slow but insistent, anchored on a hypnotic loop and a vocal that's half-incantation, half-confession. InchBut I'm a fighter nowInch rises like a mantra, fragile but certain, the kind of line that doesn't demand belief so much as carry it. One of the most outward-facing songs on the record, InchFeeling Lucky,Inch opens like a cigarette flicked in the dark- smoky and a little bit slick. Built on a skeletal beat and a nearly detached vocal, it leans into a sarcastic swagger that barely masks the ache beneath. The delivery is droll and gla