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Joseph Keilberth (1908-68) was, according to Brigitte Fassbaender, Inchthe most aesthetic, most natural, most serene of all conductorsInch. Martha Mödl Inchalways found him the greatestInch, for Hermann Prey Inchhe was and is the trend-setting musician of my singing lifeInch and for Inge Borck simply Inchthe singer's conductorInch. He was an exemplary incarnation of the ideal virtues of the German Kapellmeister and died far too early at the conductor's podium during a 'Tristan' performance. His recordings of works by Reger, Pfitzner and Hindemith are legendary for the transparent and vital realization of their complex structures. Among the archival treasures of the Cologne Radio Symphony Orchestra (now the WDR Symphony Orchestra), unsurpassed recordings of complex 20th-century masterpieces (1923-62) have been selected for this double album, decisively enriching the orchestral repertoire. Album 1 features the Concerto grosso for double orchestra and piano, the singular pioneering work by Heinrich Kaminski, the mystical master of the new polyphony, as well as Reinhard Schwarz-Schilling's Partita, which timelessly transforms the Bachian tradition. On album 2, two recording premieres by Karl Höller (1907-87) are followed by late Hindemith, Keilberth's favourite composer Agnes Giebel sings the 6 songs from 'Ein Marienleben', and Anton Heiller, the soloist of the premiere performance under Hindemith, plays in the late organ concerto.
