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God bless the barbarians and the ignorami for rescuing us from an even more repulsive technological society.. If we hadn't had a Inchdark age,Inch if Mao's fanatic followers hadn't put the intellectual class out to pasture and dashed their skulls in the dirt, if there hadn't been Magyars, Vikings, Christians, anti-science zealots of every stripe, iconoclasts, country music disc jocks, the Amish, and other regressive forces to set civilization and progress back every once in a while, can you imagine the festering quagmire we'd be in? Something even more digitally dismaying than the present perhaps.That's why the rock 'n' roll of Kilynn Lunsford is so vital; it's a pagan & primitive rhythm music that has served to stymie the development of neoliberal libertarian hegemonic forces & Silicon Valley's strange cyborg agenda alike (as well as inspiring more than a few indie rockers to attempt something more interesting). Invoking the ghosts of Michael Zilkha's sleek Ze Records disco-electro-bongo punk stable with some Pop Group, Man Parrish, Pink Section, New Age Steppers, On-U sound, Lene Lovich, & Algebra Suicide- with some Birthday Party/Bat-cave follies thrown in for good measure. Kilynn is a legendary performer whose many records defy categorization or easy assimilation in the mainstream indie market which has cozied up to the digital leviathan so snugly. Her music is dance dissonance; irresistible but difficult for the algorithm to understand. Kilynn Lunsford doesn't go in for the trite stories publicity teams use to wage their lowbrow PR campaigns. Hers is a hard road but ultimately the high one.With the new record, Kilynn has done it again; InchMy Amphibian FaceInch is cafe jazz for Lemmy Caution. InchPromiscuous GenesInch is nightclub music for the hotel on AURORA 9. Kilynn Lunsford's music is a stand out; tough, charming, fun, menacing, and impossible to classify. I
