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Mustang Island, the third album from Austin-based band Little Mazarn, is a gentle force. Waves of grief crest like surf on the Texas coast. Wild horses break through long-shuttered gates, only to come back around. Lead songwriter, vocalist, and multi-instrumentalist Lindsey Verrill (she/her) joins bandmates Jeff Johnston (he/him) and Carolina Chauffe (they/them). The ten-song collection continues work with Dear Life Records. A full-throated romp through the capabilities of community-minded songcraft, Mustang Island is both naturalistic and futuristic, completely recasting Little Mazarn's origins in primitive folk. Instead, the band reaches towards sonic experimentation and spacious expansion.Lindsey's heart-opening vocals and Jeff's singing saw, both trademarks of the project, mix with unexpected bombastic drums, dissonant synthesizers, and a chorus of orchestral oddities. This mid-career ode dances confidently in the creative liberties granted by decades in the game - more dazzlingly lively, and honestly somber, than ever before.The band's crossroads branch across prominent Southern outsider music On cello, Lindsey has recorded with Patty Griffin and Dana Falconberry. The longtime side player wouldn't write her first song until age 34. Jeff has played in Bill Callahan's band, as well as with Li'l Cap'n Travis and Orange Mothers. Carolina is known for prolific solo project hemlock. Little Mazarn has also collaborated with Lomelda to their last EP, Honey Island General Store (2023), following past LPs Texas River Song (2022) and Io (2019).Alongside silliness and reverence, including covers from Kate Wolf and Bob Wills & His Texas Playboys, grief directs much of Mustang Island. Lindsey left her job of seventeen years teaching cello at a local school. Recording also aligned with the passing of Jeff's father, a career educator in Jeff and Lindsey's hometown of Dallas.I
